The History of British Film (Volume 5)

The History of British Film (Volume 5)
Author: Rachael Low
Publisher: Routledge
Total Pages: 255
Release: 2020-03-27
Genre: Performing Arts
ISBN: 1136206612

This set is one of the cornerstones of film scholarship, and one of the most important works on twentieth century British culture. Published between 1948 and 1985, the volumes document all aspects of film making in Britain from its origins in 1896 to 1939. Rachael Low pioneered the interpretation of films in their context, arguing that to understand films it was necessary to establish their context. Her seven volumes are an object lesson in meticulous research, lucid analysis and accessible style, and have become the benchmark in film history.

The History of British Film (Volume 7)

The History of British Film (Volume 7)
Author: Rachael Low
Publisher: Routledge
Total Pages: 469
Release: 2020-03-26
Genre: Performing Arts
ISBN: 1136206892

This set is one of the cornerstones of film scholarship, and one of the most important works on twentieth century British culture. Published between 1948 and 1985, the volumes document all aspects of film making in Britain from its origins in 1896 to 1939. Rachael Low pioneered the interpretation of films in their context, arguing that to understand films it was necessary to establish their context. Her seven volumes are an object lesson in meticulous research, lucid analysis and accessible style, and have become the benchmark in film history.

The History of British Film (Volume 6)

The History of British Film (Volume 6)
Author: Rachael Low
Publisher: Taylor & Francis
Total Pages: 249
Release: 2024-03-08
Genre: Performing Arts
ISBN: 100380151X

This set is one of the cornerstones of film scholarship, and one of the most important works on twentieth century British culture. Published between 1948 and 1985, the volumes document all aspects of film making in Britain from its origins in 1896 to 1939. Rachael Low pioneered the interpretation of films in their context, arguing that to understand films it was necessary to establish their context. Her seven volumes are an object lesson in meticulous research, lucid analysis and accessible style, and have become the benchmark in film history.

British National Cinema

British National Cinema
Author: Sarah Street
Publisher: Routledge
Total Pages: 295
Release: 2009-06-02
Genre: Business & Economics
ISBN: 1135253358

The eclectic nature of British cinema is explored in this examination of genres from the Ealing comedies to heritage films. Viewed against the social, financial and political background, this is an indespensible evaluation of British cinema.

American Film History

American Film History
Author: Cynthia Lucia
Publisher: John Wiley & Sons
Total Pages: 568
Release: 2015-06-25
Genre: Performing Arts
ISBN: 1118475178

This authoritative collection of introductory and specialized readings explores the rich and innovative history of this period in American cinema. Spanning an essential range of subjects from the early 1900s Nickelodeon to the decline of the studio system in the 1960s, it combines a broad historical context with careful readings of individual films. Charts the rise of film in early twentieth-century America from its origins to 1960, exploring mainstream trends and developments, along with topics often relegated to the margins of standard film histories Covers diverse issues ranging from silent film and its iconic figures such as Charlie Chaplin, to the coming of sound and the rise of film genres, studio moguls, and, later, the Production Code and Cold War Blacklist Designed with both students and scholars in mind: each section opens with an historical overview and includes chapters that provide close, careful readings of individual films clustered around specific topics Accessibly structured by historical period, offering valuable cultural, social, and political contexts Contains careful, close analysis of key filmmakers and films from the era including D.W. Griffith, Charles Chaplin, Buster Keaton, Erich von Stroheim, Cecil B. DeMille, Don Juan, The Jazz Singer, I Am a Fugitive from a Chain Gang, Scarface, Red Dust, Glorifying the American Girl, Meet Me in St. Louis, Citizen Kane, Bambi, Frank Capra's Why We Fightseries, The Strange Love of Martha Ivers, Rebel Without a Cause, Force of Evil, and selected American avant-garde and underground films, among many others. Additional online resources such as sample syllabi, which include suggested readings and filmographies for both general specialized courses, will be available online. May be used alongside American Film History: Selected Readings, 1960 to the Present, to provide an authoritative study of American cinema through the new millennium

British Cinema, Past and Present

British Cinema, Past and Present
Author: Justine Ashby
Publisher: Routledge
Total Pages: 409
Release: 2013-05-13
Genre: Performing Arts
ISBN: 1135125082

British Cinema: Past and Present responds to the commercial and critical success of British film in the 1990s. Providing a historical perspective to the contemporary resurgence of British cinema, this unique anthology brings together leading international scholars to investigate the rich diversity of British film production, from the early sound period of the 1930s to the present day. The contributors address: * British Cinema Studies and the concept of national cinema * the distribution and reception of British films in the US and Europe * key genres, movements and cycles of British cinema in the 1940s, 50s and 60s * questions of authorship and agency, with case studies of individual studios, stars, producers and directors * trends in British cinema, from propaganda films of the Second World War to the New Wave and the 'Swinging London' films of the Sixties * the representation of marginalised communities in films such as Trainspotting and The Full Monty * the evolution of social realism from Saturday Night, Sunday Morning to Nil By Mouth * changing approaches to Northern Ireland and the Troubles in films like The Long Good Friday and Alan Clarke's Elephant * contemporary 'art' and 'quality' cinema, from heritage drama to the work of Peter Greenaway, Derek Jarman, Terence Davies and Patrick Keiller.

An Autobiography of British Cinema

An Autobiography of British Cinema
Author: Brian McFarlane
Publisher: Methuen Publishing
Total Pages: 678
Release: 1997
Genre: Biography & Autobiography
ISBN:

An Autobiography of British Cinema tell the story of British film by those who made it.

Beyond Dixon of Dock Green

Beyond Dixon of Dock Green
Author: Susan Sydney-Smith
Publisher: Bloomsbury Publishing
Total Pages: 280
Release: 2002-05-24
Genre: Social Science
ISBN: 0857710850

In 1955 a brand new television series, "Dixon of Dock Green", came to Britain's screens, whose eponymous hero had featured in "The Blue Lamp" (1950). Although it has traditionally been assumed that the uniform police series begins with the Ealing film, this book, based on original archive research, challenges this assumption, proposing that in fact these series were shaped by changes in television's social role from the relaying of news to the replaying of stories. Susan Sydney-Smith demonstrates how the development of the British television police drama - and indeed British television in general - was more complex than accepted accounts allow. She traces numerous lineages, from inter-war public service films, live studio crime reconstructions and story documentaries such as 1942's "Target for Tonight" through to the mix of public service and entertainment values embodied by the BBC Television Light Entertainment's "Dixon of Dock Green". Showing how the genre mapped new social and regional geographies, from Dixon's metropolitan policeman to the gritty northern realism of "Jacks and Knaves" and "Z Cars" with its irascible "Barlow", the author follows the increasing commercialization of television in the sixties, investigating how the BBC set about restoring the values of southern England in the 1966 "Z Cars" spin-off "Softly, Softly", with its more palatable protagonist. The book also offers insights not only into the relationship between early British television and its cinematic forebears but also early radio.

Faking it

Faking it
Author: Craig Hight
Publisher: Manchester University Press
Total Pages: 233
Release: 2019-01-04
Genre: Performing Arts
ISBN: 152614137X

The British Cinema Book

The British Cinema Book
Author: Robert Murphy
Publisher: Bloomsbury Publishing
Total Pages: 466
Release: 2019-07-25
Genre: Performing Arts
ISBN: 1838718656

The new edition of The British Cinema Book has been thoroughly revised and updated to provide a comprehensive introduction to the major periods, genres, studios, film-makers and debates in British cinema from the 1890s to the present. The book has five sections, addressing debates and controversies; industry, genre and representation; British cinema 1895-1939; British cinema from World War II to the 1970s, and contemporary British cinema. Within these sections, leading scholars and critics address a wide range of issues and topics, including British cinema as a 'national' cinema; its complex relationship with Hollywood; film censorship; key British genres such as horror, comedy and costume film; the work of directors including Alfred Hitchcock, Anthony Asquith, Alexander Mackendrick, Michael Powell, Lindsay Anderson, Ken Russell and Mike Leigh; studios such as Gainsborough, Ealing, Rank and Gaumont, and recent signs of hope for the British film industry, such as the rebirth of the low-budget British horror picture, and the emergence of a British Asian cinema. Discussions are illustrated with case studies of key films, many of which are new to this edition, including Piccadilly (1929) It Always Rains on Sunday (1947), The Ladykillers (1955), This Sporting Life (1963), The Devils (1971), Withnail and I (1986), Bend it Like Beckham (2002) and Control (2007), and with over 100 images from the BFI's collection. The Editor: Robert Murphy is Professor in Film Studies at De Montfort University and has written and edited a number of books on British cinema, including British Cinema and the Second World War (2000) and Directors in British and Irish Cinema (2006). The contributors: Ian Aitken, Charles Barr, Geoff Brown, William Brown, Stella Bruzzi, Jon Burrows, James Chapman, Steve Chibnall, Pamela Church Gibson, Ian Conrich, Richard Dacre, Raymond Durgnat, Allen Eyles, Christine Geraghty, Christine Gledhill, Kevin Gough-Yates, Sheldon Hall, Benjamin Halligan, Sue Harper, Erik Hedling, Andrew Hill, John Hill, Peter Hutchings, Nick James, Marcia Landy, Barbara Korte, Alan Lovell, Brian McFarlane, Martin McLoone, Andrew Moor, Robert Murphy, Lawrence Napper, Michael O'Pray, Jim Pines, Vincent Porter, Tim Pulleine, Jeffrey Richards, James C. Robertson, Tom Ryall, Justin Smith, Andrew Spicer, Claudia Sternberg, Sarah Street, Melanie Williams and Linda Wood.