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| Author | : Lazarʹ Brontman |
| Publisher | : |
| Total Pages | : 138 |
| Release | : 1938 |
| Genre | : Aeronautics |
| ISBN | : |
Billy Pilgrim serves as a chaplain's assistant in the Second World War, is captured by the Germans, and survives the fire bombing of Dresden to contemplate the human condition.
| Author | : Reina Pennington |
| Publisher | : University Press of Kansas |
| Total Pages | : 352 |
| Release | : 2002-01-22 |
| Genre | : History |
| ISBN | : 0700615547 |
The Soviet Union was the first nation to allow women pilots to fly combat missions. During World War II the Red Air Force formed three all-female units-grouped into separate fighter, dive bomber, and night bomber regiments-while also recruiting other women to fly with mostly male units. Their amazing story, fully recounted for the first time by Reina Pennington, honors a group of fearless and determined women whose exploits have not yet received the recognition they deserve. Pennington chronicles the creation, organization, and leadership of these regiments, as well as the experiences of the pilots, navigators, bomb loaders, mechanics, and others who made up their ranks, all within the context of the Soviet air war on the Eastern Front. These regiments flew a combined total of more than 30,000 combat sorties, produced at least thirty Heroes of the Soviet Union, and included at least two fighter aces. Among their ranks were women like Marina Raskova ("the Soviet Amelia Earhart"), a renowned aviator who persuaded Stalin in 1941 to establish the all-women regiments; the daredevil "night witches" who flew ramshackle biplanes on nocturnal bombing missions over German frontlines; and fighter aces like Liliia Litviak, whose twelve "kills" are largely unknown in the West. She also tells the story of Alexander Gridnev, a fighter pilot twice arrested by the Soviet secret police before he was chosen to command the women's fighter regiment. Pennington draws upon personal interviews and the Soviet archives to detail the recruitment, training, and combat lives of these women. Deftly mixing anecdote with analysis, her work should find a wide readership among scholars and buffs interested in the history of aviation, World War II, or the Russian military, as well as anyone concerned with the contentious debates surrounding military and combat service for women.
| Author | : Cathleen S. Lewis |
| Publisher | : University Press of Florida |
| Total Pages | : 254 |
| Release | : 2023-08-08 |
| Genre | : Social Science |
| ISBN | : 1683403940 |
How the public image of the Soviet cosmonaut was designed and reimagined over time In this book, Cathleen Lewis discusses how the public image of the Soviet cosmonaut developed beginning in the 1950s and the ways this icon has been reinterpreted throughout the years and in contemporary Russia. Compiling material and cultural representations of the cosmonaut program, Lewis provides a new perspective on the story of Soviet spaceflight, highlighting how the government has celebrated figures such as Yuri Gagarin and Valentina Tereshkova through newspapers, radio, parades, monuments, museums, films, and even postage stamps and lapel pins. Lewis’s analysis shows that during the Space Race, Nikita Khrushchev mobilized cosmonaut stories and images to symbolize the forward-looking Soviet state and distract from the costs of the Cold War. Public perceptions shifted after the first Soviet spaceflight fatality and failure to reach the Moon, yet cosmonaut imagery was still effective propaganda, evolving through the USSR’s collapse in 1991 and seen today in Vladimir Putin’s government cooperation for a film on the 1985 rescue of the Salyut 7 space station. Looking closely at the process through which Russians continue to reexamine their past, Lewis argues that the cultural memory of spaceflight remains especially potent among other collective Soviet memories.
| Author | : Lois K. Merry |
| Publisher | : McFarland |
| Total Pages | : 221 |
| Release | : 2014-01-10 |
| Genre | : History |
| ISBN | : 0786457686 |
More than 2000 women in the United States, Great Britain and the Soviet Union flew military airplanes in organized units during World War II, yet their stories are largely unknown. These pilots ferried aircraft, flew targets for ground artillery practice, tested airplanes and equipment, and many of them flew in combat. The women pilots proved that they could manage bombers and fighters as well as their male counterparts, and several later remarked that "the airplanes didn't care who flew them." Topics covered include the training of female pilots, how female flight units were developed and structured, the hazards of conflict, and how these women reintegrated into civilian life following the war.
| Author | : Bill Yenne |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 401 |
| Release | : 2013-02-20 |
| Genre | : History |
| ISBN | : 1782009124 |
Bill Yenne brings to life the untold story of Lidiya Vladimirovna, Russia's World War II flying ace, who lit up the skies over Germany and Russia while flying 66 combat missions Of all the major air forces that were engaged in the war, only the Red Air Force had units comprised specifically of women. Initially the Red Air Force maintained an all-male policy among its combat pilots. However, as the apparently invincible German juggernaut sliced through Soviet defenses, the Red Air Force began to rethink its ban on women. By October 1941, authorization was forthcoming for three ground attack regiments of women pilots. Among these women, Lidiya Vladimirovna “Lilya” Litvyak soon emerged as a rising star. She shot down five German aircraft over the Stalingrad Front, and thus become history's first female ace. She scored 12 documented victories over German aircraft between September 1942 and July 1943. She also had many victories shared with other pilots, bringing her possible total to around 20. The fact that she was a 21-year-old woman ace was not lost on the hero-hungry Soviet media, and soon this colourful character, whom the Germans dubbed “The White Rose of Stalingrad,” became both folk heroine and martyr.
| Author | : Barbara Block Adams |
| Publisher | : iUniverse |
| Total Pages | : 258 |
| Release | : 2011-01-12 |
| Genre | : Biography & Autobiography |
| ISBN | : 145027577X |
Barbara Adams has created a memoir that is heartfelt and heartbreaking, peeling away the layers of a relationship that lead us to moments of stark insight and genuine humor. Its not often that a writer can deliver a personal story with this kind of simplicity and depth. A reader will leave The Stoneman and the Poet with a stronger understanding of what its like to endure both as an artist and a woman. Laurence Carr, Editor of Riverine And WaterWrites Author of Pancake Hollow Primer The Stone Man & the Poet is a deeply moving memoir of a complicated marriage between a husband who is half gentle, half mad and a wife who struggles to keep her large family intact while forging her own identity as a writer. Written in a lyrical prose style and filled with wry humor, The Stone Man & the Poet abounds in insights and empathy. . . Jeffrey Berman, Ph.D. Author of The Talking Cure and Empathic Teaching This is a powerful story, told with utter honesty, realistic detail and enduring love. It recalls a dramatic period of social changes against a background of New England, New York City and upstate New York, Cape Cod, and Ireland, yet it remains a highly personal memoir that deserves a wide and attentive audience. James Finn Cotter, Ph.D. Author of Inscape and Translator of Dantes The Divine Comedy Barbara Block Adams uses the diary form to convey her own feelings and emotions quietly and convincingly in a gripping contrast to the sad experience of her husbands cancer. Her detailed descriptions of his suffering are balanced by the general information she provides about the disease and its treatment. The resulting book is both moving and useful. Deirdre Bair Biographer of Beckett (National Book Award), Anas Nin and Jung
| Author | : Karen Petrone |
| Publisher | : Indiana University Press |
| Total Pages | : 288 |
| Release | : 2000-11-22 |
| Genre | : History |
| ISBN | : 9780253337689 |
Life Has Become More Joyous, Comrades Celebrations in the Time of Stalin Karen Petrone A lively investigation of the official and unofficial meanings of Stalinist celebrations. "An impressive and highly readable book that... casts a clear and disturbing light on the relationship of Stalinist mythology, state power, popular participation, and the unending complexities of social and cultural survival mechanisms and daily life." --Richard Stites In the Soviet Union in the 1930s, public celebrations flourished while Stalinist repression intensified. What explains this coincidence of terror and celebration? Using popular media and drawing extensively on documents from previously inaccessible Soviet archives, Karen Petrone demonstrates that to dismiss Soviet celebrations as mere diversion is to lose a valuable opportunity for understanding how the Soviet system operated. As the state attempted to mobilize citizens to participate in the project to create New Soviet men and women, celebration culture became more than a means to distract a population suffering from poverty and deprivation. The planning and execution of celebrations reflected the Soviet intelligentsia's efforts to bring social and cultural enlightenment to the people. Physical culture demonstrations, celebrations of Arctic and aviation exploits, the Pushkin Centennial of 1937 and the 20th Anniversary of the October Revolution, and the celebration of New Year's Day were opportunities for the Soviet leadership to fuse traditional prerevolutionary values and practices with socialist ideology in an effort to educate its citizens and build support for the state and its policies. However, official celebrations were often appropriated by citizens for purposes that were unanticipated and unsanctioned by the state. Through celebrations, Soviet citizens created hybrid identities and defined their places in the emerging Stalinist hierarchy, allowing them to uphold the Soviet order while arrests and executions were rampant. This rich look at celebrations reveals the complex dialogues and negotiations between citizens and leaders in the endeavor to create Soviet culture. Karen Petrone is Assistant Professor of History at the University of Kentucky. Indiana-Michigan Series in Russian and East European Studies--Alexander Rabinowitch and William G. Rosenberg, editors Contents Interpreting Soviet Celebrations Part 1: Soviet Popular Culture and Mass Mobilization Parading the Nation: Demonstrations and the Construction of Soviet Identities Imagining the Motherland: The Celebration of Soviet Aviation and Polar Exploits Fir Trees and Carnivals: The Celebration of Soviet New Year's Day Part 2: The Intelligentsia and Soviet Enlightenment A Double-edged Discourse on Freedom: The Pushkin Centennial of 1937 Anniversary of Turmoil: The Twentieth Anniversary of the October Revolution Celebrating Civic Participation: The Stalin Constitution and Elections as Rituals of Democracy Celebrations and Power
| Author | : R. Markwick |
| Publisher | : Springer |
| Total Pages | : 227 |
| Release | : 2012-06-26 |
| Genre | : History |
| ISBN | : 0230362540 |
This is the first comprehensive study in English of Soviet women who fought against the genocidal, misogynist, Nazi enemy on the Eastern Front during the Second World War. Drawing on a vast array of original archival, memoir, and published sources, this book captures the everyday experiences of Soviet women fighting, living and dying on the front.
| Author | : Pier Horensma |
| Publisher | : Routledge |
| Total Pages | : 243 |
| Release | : 2003-09-02 |
| Genre | : Political Science |
| ISBN | : 113493663X |
The Soviet Arctic is the first book to consider Soviet policy in this area from an historian's point of view. Horensma assesses the importance of historic legacies to current Soviet Arctic policy and their consequences on an international level. The book also discusses the significance of historic precedents in the determination of polar sovereignty.
| Author | : Brian C. Odom |
| Publisher | : University Press of Florida |
| Total Pages | : 196 |
| Release | : 2022-04-12 |
| Genre | : History |
| ISBN | : 0813072484 |
American Astronautical Society Eugene M. Emme Astronautical Literature Award As NASA prepared for the launch of Apollo 11 in July 1969, many African American leaders protested the billions of dollars used to fund “space joyrides” rather than help tackle poverty, inequality, and discrimination at home. This volume examines such tensions as well as the ways in which NASA’s goal of space exploration aligned with the cause of racial equality. It provides new insights into the complex relationship between the space program and the civil rights movement in the Jim Crow South and abroad. Essays explore how thousands of jobs created during the space race offered new opportunities for minorities in places like Huntsville, Alabama, while at the same time segregation at NASA’s satellite tracking station in South Africa led to that facility’s closure. Other topics include black skepticism toward NASA’s framing of space exploration as “for the benefit of all mankind,” NASA’s track record in hiring women and minorities, and the efforts of black activists to increase minority access to education that would lead to greater participation in the space program. The volume also addresses how to best find and preserve archival evidence of African American contributions that are missing from narratives of space exploration. NASA and the Long Civil Rights Movement offers important lessons from history as today’s activists grapple with the distance between social movements like Black Lives Matter and scientific ambitions such as NASA’s mission to Mars. Contributors: P.J. Blount | Jonathan Coopersmith | Matthew L. Downs | Eric Fenrich | Cathleen Lewis | Cyrus Mody | David S. Molina | Brian C. Odom | Brenda Plummer | Christina K. Roberts | Keith Snedegar | Stephen P. Waring | Margaret A. Weitekamp Publication of the paperback edition made possible by a Sustaining the Humanities through the American Rescue Plan grant from the National Endowment for the Humanities.
