The Harmonious Musick Of John Jenkins Ii Volume Two The Fantasia Suites
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Author | : Andrew Ashbee |
Publisher | : |
Total Pages | : 368 |
Release | : 1992 |
Genre | : Biography & Autobiography |
ISBN | : |
This is the first in a two-volume study of Jenkins and his music. It concerns itself exclusively with the superb consorts for viols which dominate the early part of the composer's career.
Author | : John Jenkins |
Publisher | : |
Total Pages | : 200 |
Release | : 2001 |
Genre | : Instrumental ensembles |
ISBN | : |
Author | : Peter Holman |
Publisher | : Boydell & Brewer |
Total Pages | : 434 |
Release | : 2010 |
Genre | : Music |
ISBN | : 1843835746 |
New research throws light on the history of the viol after Purcell, including its revival in the late eighteenth century through Charles Frederick Abel.
Author | : John Patrick Cunningham |
Publisher | : Boydell & Brewer |
Total Pages | : 378 |
Release | : 2010 |
Genre | : Music |
ISBN | : 0954680979 |
This book looks at the work of one of England's finest composers, William Lawes. It provides a contextual examination of music at the court of Charles I, a detailed study of Lawes's autograph sources and an examination of his consort music.
Author | : Andrew Ashbee |
Publisher | : |
Total Pages | : 368 |
Release | : 1992 |
Genre | : Biography & Autobiography |
ISBN | : |
This is the first in a two-volume study of Jenkins and his music. It concerns itself exclusively with the superb consorts for viols which dominate the early part of the composer's career.
Author | : Stanley Sadie |
Publisher | : |
Total Pages | : 992 |
Release | : 2001 |
Genre | : Music |
ISBN | : |
Author | : John H. Baron |
Publisher | : Psychology Press |
Total Pages | : 680 |
Release | : 2002 |
Genre | : Music |
ISBN | : 9780415937368 |
Author | : John Jenkins |
Publisher | : London : Stainer and Bell |
Total Pages | : 208 |
Release | : 1997 |
Genre | : Instrumental music |
ISBN | : |
Author | : Christopher D.S. Field |
Publisher | : Routledge |
Total Pages | : 342 |
Release | : 2017-07-05 |
Genre | : Music |
ISBN | : 1351561588 |
John Birchensha (c.1605-?1681) is chiefly remembered for the impression that his theories about music made on the mathematicians, natural philosophers and virtuosi of the Royal Society in the 1660s and 1670s, and for inventing a system that he claimed would enable even those without practical experience of music to learn to compose in a short time by means of 'a few easy, certain, and perfect Rules'-his most famous composition pupil being Samuel Pepys in 1662. His great aim was to publish a treatise on music in its philosophical, mathematical and practical aspects (which would have included a definitive summary of his rules of composition), entitled Syntagma music Subscriptions for this book were invited in 1672-3, and it was due to be published by March 1675; but it never appeared, and no final manuscript of it survives. Consequently knowledge about his work has hitherto remained extremely sketchy. Recent research, however, has brought to light a number of manuscripts which allow us at last to form a more complete view of Birchensha's ideas. Almost none of this material has been previously published. The new items include an autograph treatise of c.1664 ('A Compendious Discourse of the Principles of the Practicall & Mathematicall Partes of Musick') which Birchensha presented to the natural philosopher Robert Boyle, and which covers concisely much of the ground that he intended to cover in Syntagma music a detailed synopsis for Syntagma music hich he prepared for a meeting of the Royal Society in February 1676; and an autograph notebook (now in Brussels) containing his six rules of composition with music examples, presumably written for a pupil. Bringing all this material together in a single volume will allow scholars to see how Birchensha's rules and theories developed over a period of fifteen years, and to gain at least a flavour of the lost Syntagma music
Author | : James Laster |
Publisher | : Scarecrow Press |
Total Pages | : 424 |
Release | : 2005 |
Genre | : Music |
ISBN | : 9780810852990 |
"This book presents music titles in which the organ is part of a chamber ensemble. Alphabetized by composer, entries contain the bibliographical information for each title and a brief commentary or description, as well as information on the level of difficulty, timing, mood, fingerings/pedalings, and other performance aids. The selections are suitable for concerts and religious services and are written in a variety of styles, from Baroque to contemporary." "This catalogue will be of interest to church organists searching for a piece for organ and brass appropriate for Easter, visiting instrumentalists choosing music for a Sunday service, teachers introducing their organ students to the experience of accompanying a violin, and instrumentalists seeking a composition to play with the organ, among many others."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved