The Great Utopia
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| Author | : Solomon R. Guggenheim Museum |
| Publisher | : ABRAMS |
| Total Pages | : 0 |
| Release | : 1992 |
| Genre | : Art, Modern |
| ISBN | : 9780810968684 |
"In this volume, which accompanies the largest exhibition ever mounted at the Guggenheim Museum, twenty-one essays by eminent scholars from Germany, Great Britain, Russia, and the United States explore the activity of the Russian and Soviet avant-garde in all its diversity and complexity. These essays trace the work of Malevich's Unovis (Affirmers of the New Art) collective in Vitebsk, which introduced Suprematism's all-encompassing geometries into the design of textiles, ceramics, and indeed whole environments; the postrevolutionary reform of art education and the creation of Moscow's Vkhutemas (Higher Artistic-Technical Workshops), where the formal and analytical princples of the avant-garde were the basis of instruction; the debates over a "proletarian art" and the transition to Constructivism, "production art," and the "artist-constructor"; the organization of new artist-administered "museums of artistic culture"; the "third path" in non-objective art taken by Mikhail Larionov; the return to figuration in the mid-1920s by the young artists - and former students of the avant-garde - in Ost (the Society of Easel Painters); the debates among photographers, in the late 1920s and early 1930s, on the superiority of the fragmented or continuous image as a representation of the new socialist reality; book, porcelain, fabric, and stage design; and the evolution of a new architecture, from the experimental projects of Zhivskul'ptarkh (the Synthesis of Painting, Sculpture, and Architecture Commission) to the multistage competition, in 1931-32, for the Palace of Soviets, which "proved" the inapplicability of a Modernist architecture to the Bolshevik Party's aspirations."
| Author | : Victor Margolin |
| Publisher | : University of Chicago Press |
| Total Pages | : 286 |
| Release | : 1997 |
| Genre | : Art |
| ISBN | : 9780226505169 |
. Focusing on the difficult relationship between art and social change, Margolin brings important new insights to our understanding of the avant-garde's role in a period of great political complexity.
| Author | : Errol Wayne Stevens |
| Publisher | : University of Oklahoma Press |
| Total Pages | : 307 |
| Release | : 2021-07-01 |
| Genre | : History |
| ISBN | : 0806177489 |
During the Great Depression, the Los Angeles area was rife with radical movements. Although many observers thought their ideas unworkable, even dangerous, Southern Californians voted for them by the tens of thousands. This book asks why. To find answers, author Errol Wayne Stevens takes readers through the history of such movements as the Utopian Society, Dr. Francis Townsend’s old-age revolving pension plan, Upton Sinclair’s End Poverty in California gubernatorial campaign, and Retirement Life Payments, known as Ham and Eggs. The book also examines the Los Angeles Communists and the free-market capitalists, both quasi-religious movements with large followings, as well as the self-help cooperatives, a spontaneous upsurge of neighbors who came together to help one another in a time of desperate need. As to these movements’ extraordinary popularity, Stevens finds the standard explanations unpersuasive. He debunks the idea that naïve, unsophisticated Southern Californians, living aimless, empty lives, suffering from ennui, and longing for community, readily supported charismatic leaders who promised a way out of the Great Depression. In Stevens’s telling, Southern Californians supported these movements because they spoke to their needs. Fearful or desperate, some elderly and hopeless, Angelenos cared less about the programs’ feasibility than about their promise of relief. As one Ham and Eggs supporter succinctly explained: “It may be a racket and maybe it won’t work more than a couple of weeks, but that will be $60 more than I ever got before for one vote.” Finding parallels between past and present, readers might wonder why people remain loyal to programs that prove unrealistic, or why voters continue to support leaders who reveal, time and again, their ignorance or dishonesty. In its illumination of a troubled time in American history not so long ago, this book offers insight into our own.
| Author | : Thomas More |
| Publisher | : e-artnow |
| Total Pages | : 105 |
| Release | : 2019-04-08 |
| Genre | : Political Science |
| ISBN | : 8027303583 |
Utopia is a work of fiction and socio-political satire by Thomas More published in 1516 in Latin. The book is a frame narrative primarily depicting a fictional island society and its religious, social and political customs. Many aspects of More's description of Utopia are reminiscent of life in monasteries.
| Author | : |
| Publisher | : Stanford University Press |
| Total Pages | : 326 |
| Release | : 2000-08 |
| Genre | : Philosophy |
| ISBN | : 9780804778855 |
I am. We are. That is enough. Now we have to start. These are the opening words of Ernst Bloch's first major work, The Spirit of Utopia, written mostly in 1915-16, published in its first version just after the First World War, republished five years later, 1923, in the version here presented for the first time in English translation. The Spirit of Utopia is one of the great historic books from the beginning of the century, but it is not an obsolete one. In its style of thinking, a peculiar amalgam of biblical, Marxist, and Expressionist turns, in its analytical skills deeply informed by Simmel, taking its information from both Hegel and Schopenhauer for the groundwork of its metaphysics of music but consistently interpreting the cultural legacy in the light of a certain Marxism, Bloch's Spirit of Utopia is a unique attempt to rethink the history of Western civilizations as a process of revolutionary disruptions and to reread the artworks, religions, and philosophies of this tradition as incentives to continue disrupting. The alliance between messianism and Marxism, which was proclaimed in this book for the first time with epic breadth, has met with more critique than acclaim. The expressive and baroque diction of the book was considered as offensive as its stubborn disregard for the limits of "disciplines." Yet there is hardly a "discipline" that didn't adopt, however unknowingly, some of Bloch's insights, and his provocative associations often proved more productive than the statistical account of social shifts. The first part of this philosophical meditation--which is also a narrative, an analysis, a rhapsody, and a manifesto--concerns a mode of "self-encounter" that presents itself in the history of music from Mozart through Mahler as an encounter with the problem of a community to come. This "we-problem" is worked out by Bloch in terms of a philosophy of the history of music. The "self-encounter," however, has to be conceived as "self-invention," as the active, affirmative fight for freedom and social justice, under the sign of Marx. The second part of the book is entitled "Karl Marx, Death and the Apocalypse." I am. We are. That's hardly anything. But enough to start.
| Author | : Lesley Chamberlain |
| Publisher | : Reaktion Books |
| Total Pages | : 263 |
| Release | : 2017-11-15 |
| Genre | : History |
| ISBN | : 1780238568 |
Although Lenin and his fellow revolutionaries never called themselves Utopians—believing strictly in a science of revolution, they considered Utopians to be merely dreamers—they were enormously inspired by the grand humanitarian aims of the French Revolution of 1789. Taking up this French revolutionary agenda and reinforcing it with German philosophy, Russians formed a beautiful vision in which an imaginary theology blended with a premier role for art. Arc of Utopia offers a fresh look at these German philosophical origins of the Russian Revolution. In the book, Lesley Chamberlain explains how influential German philosophers like Kant, Schiller, and Hegel were dazzled by contemporary events in Paris, and how this led a century later to an explosion of art and philosophy in the Russian streets, with a long-repressed people reinventing liberty, equality, and fraternity in their own cultural image. Chamberlain examines how some of the greatest Russian names of the nineteenth-century—from Alexander Herzen to Mikhail Bakunin, Ivan Turgenev to Fyodor Dostoevsky—defined their visions for Russia in relationship to their views on German enthusiasm for revolutionary France. With the centenary of the Russian Revolution approaching, Arc of Utopia is an important and timely revisioning of this tumultuous moment in history.
| Author | : Nicholas Carr |
| Publisher | : W. W. Norton & Company |
| Total Pages | : 320 |
| Release | : 2016-09-06 |
| Genre | : Technology & Engineering |
| ISBN | : 0393254550 |
A freewheeling, sharp-shooting indictment of a tech-besotted culture. With razor wit, Nicholas Carr cuts through Silicon Valley’s unsettlingly cheery vision of the technological future to ask a hard question: Have we been seduced by a lie? Gathering a decade’s worth of posts from his blog, Rough Type, as well as his seminal essays, Utopia Is Creepy is “Carr’s best hits for those who missed the last decade of his stream of thoughtful commentary about our love affair with technology and its effect on our relationships” (Richard Cytowic, New York Journal of Books). Carr draws on artists ranging from Walt Whitman to the Clash, while weaving in the latest findings from science and sociology. Carr’s favorite targets are those zealots who believe so fervently in computers and data that they abandon common sense. Cheap digital tools do not make us all the next Fellini or Dylan. Social networks, diverting as they may be, are not vehicles for self-enlightenment. And “likes” and retweets are not going to elevate political discourse. Utopia Is Creepy compels us to question the technological momentum that has trapped us in its flow. “Resistance is never futile,” argues Carr, and this book delivers the proof.
| Author | : Paul Cleveland |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2015-05 |
| Genre | : |
| ISBN | : 9780972740135 |
Individual freedom and liberty are fundamental principles upon which a good society is based. Regrettably, those principles have been under attack for over one hundred years around the globe. The notion that paradise on earth can be achieved by coercive means has led to the spread of tyranny and despotism. Dr. Clarence B. Carson originally explained this truth in his 1978 book, The World in the Grip of an Idea.Proponents of the idea often argue that freedom promotes the worst kind of human behavior and, therefore, must be rejected if moral human action is to prevail. They argue that liberty in general and free enterprise in particular promote jealousy, envy, and greed. In their opinion, life on this planet would be better served if we substituted government control over individual human action. The assumption is that such a collectivization of life would promote the highest level of virtuous living amongst us. But, this assessment is simply wrong. In a 1996 article reflecting on his book, Carson observed:The notion that government is responsible for the material and intellectual well-?being of populaces has great appeal, especially when it is accompanied by actual payments and subsidies from government. Many people become dependent upon government handouts, and even those who are not particularly dependent may lose confidence in their ability to provide for themselves. These feelings, attitudes, and practices are residues from the better part of a century of socialism in its several varieties. They have produced vastly overgrown governments and the politicalization of life. Governments and politicians are the problem, not the solution.Sturdy individuals, stable families, vital communities, limited government, and faith in a transcendent God who provides for us through the natural order and the bounties of nature-these alone can break the grip of the idea. -- Clarence B. Carson, "The World in the Grip of an Idea Revisited," The Freeman, May, 1996.
| Author | : Sir Thomas More |
| Publisher | : Primedia E-launch LLC |
| Total Pages | : 130 |
| Release | : 1969 |
| Genre | : |
| ISBN | : 1622090616 |
This edition includes: -Several illustrations from the original work -Extended and up to date introduction -A discussion of the structure of the book First published in 1516, Saint Thomas More's Utopia is one of the most important works of European humanism. Through the voice of the mysterious traveller Raphael Hythloday, More describes a pagan, communist city-state governed by reason. Addressing such issues as religious pluralism, women's rights, state-sponsored education, colonialism, and justified warfare, Utopia seems remarkably contemporary nearly five centuries after it was written, and it remains a foundational text in philosophy and political theory. Precminent More scholar Clarence H. Miller does justice to the full range of More's rhetoric in this new translation. Professor Miller includes a helpful introduction that outlines some of the important problems and issues that Utopia raises, and also provides informative commentary to assist the reader throughout this challenging and rewarding exploration of the meaning of political community.
| Author | : John Strickland |
| Publisher | : Ancient Faith Publishing |
| Total Pages | : 426 |
| Release | : 2021-11-16 |
| Genre | : |
| ISBN | : 9781955890052 |
Continuing the epic of Christendom told in earlier volumes, The Age of Paradise and The Age of Division, the author explains how, between the Italian Renaissance of the fourteenth century and the Russian Revolution of the twentieth, secular humanism displaced Christianity to become the source of modern culture. The result was some of the most illustrious music, science, philosophy, and literature ever produced. But the cultural reorientation from paradise to utopia-from an experience of the kingdom of heaven to one bound exclusively by this world-all but eradicated the traditional culture of the West, leaving it at the beginning of the twentieth century without roots in anything transcendent.
