The Gothic Of Gothick
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The Gothic: A Very Short Introduction
Author | : Nick Groom |
Publisher | : OUP Oxford |
Total Pages | : 0 |
Release | : 2012-09-27 |
Genre | : History |
ISBN | : 9780199586790 |
There are many interpretations of the word 'Gothic'. Nick Groom explores the rich history and chronology of the term, bringing together various underlying and disparate elements to clarify its meaning. By examining its history, he argues that we can better interpret and understand society today.
The Cambridge History of the Gothic: Volume 1, Gothic in the Long Eighteenth Century
Author | : Angela Wright |
Publisher | : Cambridge University Press |
Total Pages | : 929 |
Release | : 2020-08-06 |
Genre | : Literary Criticism |
ISBN | : 1316999645 |
This first volume of The Cambridge History of the Gothic provides a rigorous account of the Gothic in Western civilisation, from the Goths' sacking of Rome in 410 AD through to its manifestations in British and European culture of the long eighteenth century. Written by international cast of leading scholars, the chapters explore the interdisciplinary nature of the Gothic in the fields of history, literature, architecture and fine art. As much a cultural history of Gothic as an account of the ways in which the Gothic has participated within a number of formative historical events across time, the volume offers fresh perspectives on familiar themes while also drawing new critical attention to a range of hitherto overlooked concerns. From writers such as Horace Walpole and Ann Radcliffe to eighteenth-century politics and theatre, the volume provides a thorough and engaging overview of early Gothic culture in Britain and beyond.
Georgian Gothic
Author | : Peter Lindfield |
Publisher | : Boydell & Brewer |
Total Pages | : 284 |
Release | : 2016 |
Genre | : Architecture |
ISBN | : 1783271272 |
Conclusion -- Appendix -- Bibliography -- Glossary -- Index
Goth
Author | : Michael Bibby |
Publisher | : Duke University Press |
Total Pages | : 455 |
Release | : 2007-04-11 |
Genre | : Social Science |
ISBN | : 0822389703 |
Since it first emerged from Britain’s punk-rock scene in the late 1970s, goth subculture has haunted postmodern culture and society, reinventing itself inside and against the mainstream. Goth: Undead Subculture is the first collection of scholarly essays devoted to this enduring yet little examined cultural phenomenon. Twenty-three essays from various disciplines explore the music, cinema, television, fashion, literature, aesthetics, and fandoms associated with the subculture. They examine goth’s many dimensions—including its melancholy, androgyny, spirituality, and perversity—and take readers inside locations in Los Angeles, Austin, Leeds, London, Buffalo, New York City, and Sydney. A number of the contributors are or have been participants in the subculture, and several draw on their own experiences. The volume’s editors provide a rich history of goth, describing its play of resistance and consumerism; its impact on class, race, and gender; and its distinctive features as an “undead” subculture in light of post-subculture studies and other critical approaches. The essays include an interview with the distinguished fashion historian Valerie Steele; analyses of novels by Anne Rice, Poppy Z. Brite, and Nick Cave; discussions of goths on the Internet; and readings of iconic goth texts from Bram Stoker’s Dracula to James O’Barr’s graphic novel The Crow. Other essays focus on gothic music, including seminal precursors such as Joy Division and David Bowie, and goth-influenced performers such as the Cure, Nine Inch Nails, and Marilyn Manson. Gothic sexuality is explored in multiple ways, the subjects ranging from the San Francisco queercore scene of the 1980s to the increasing influence of fetishism and fetish play. Together these essays demonstrate that while its participants are often middle-class suburbanites, goth blurs normalizing boundaries even as it appears as an everlasting shadow of late capitalism. Contributors: Heather Arnet, Michael Bibby, Jessica Burstein, Angel M. Butts, Michael du Plessis, Jason Friedman, Nancy Gagnier, Ken Gelder, Lauren M. E. Goodlad, Joshua Gunn, Trevor Holmes, Paul Hodkinson, David Lenson, Robert Markley, Mark Nowak, Anna Powell, Kristen Schilt, Rebecca Schraffenberger, David Shumway, Carol Siegel, Catherine Spooner, Lauren Stasiak, Jeffrey Andrew Weinstock
The Encyclopedia of the Gothic
Author | : William Hughes |
Publisher | : John Wiley & Sons |
Total Pages | : 880 |
Release | : 2015-10-06 |
Genre | : Literary Criticism |
ISBN | : 1119210410 |
The Encylopedia of the Gothic features a series of newly-commissioned essays from experts in Gothic studies that cover all aspects of the Gothic as it is currently taught and researched, along with the development of the genre and its impact on contemporary culture. Comprises over 200 newly commissioned entries written by a stellar cast of over 130 experts in the field Arranged in A-Z format across two fully cross-referenced volumes Represents the definitive reference guide to all aspects of the Gothic Provides comprehensive coverage of relevant authors, national traditions, critical developments, and notable texts that define, shape, and inform the genre Extends beyond a purely literary analysis to explore Gothic elements of film, music, drama, art, and architecture. Explores the development of the genre and its impact on contemporary culture
Gothicka
Author | : Victoria Nelson |
Publisher | : Harvard University Press |
Total Pages | : 350 |
Release | : 2012-05-08 |
Genre | : Art |
ISBN | : 0674065409 |
To explain the millennial shift away from the traditionally dark Protestant post-Enlightenment Gothic, Nelson studies the complex arena of contemporary Gothic subgenres that take the form of novels, films, and graphic novels. She considers the work of Dan Brown and Stephenie Meyer, graphic novelists Mike Mignola and Garth Ennis, Christian writer William P. Young (author of The Shack), and filmmaker Guillermo del Toro. She considers twentieth-century Gothic masters H.P. Lovecraft, Anne Rice, and Stephen King in light of both their immediate ancestors in the eighteenth century and the original Gothic--the late medieval period from which Horace Walpole and his successors drew their inspiration. Fictions such as the Twilight and Left Behind series do more than follow the conventions of the classic Gothic novel. They are radically reviving and reinventing the transcendental worldview that informed the West's premodern era. As Jesus becomes mortal in The Da Vinci Code and the child Ofelia becomes a goddess in Pan's Labyrinth, Nelson argues that this unprecedented mainstreaming of a spiritually driven supernaturalism is a harbinger of what a post-Christian religion in America might look like.
The Gothic World
Author | : Glennis Byron |
Publisher | : Routledge |
Total Pages | : 752 |
Release | : 2013-10-08 |
Genre | : Literary Criticism |
ISBN | : 1135053057 |
The Gothic World offers an overview of this popular field whilst also extending critical debate in exciting new directions such as film, politics, fashion, architecture, fine art and cyberculture. Structured around the principles of time, space and practice, and including a detailed general introduction, the five sections look at: Gothic Histories Gothic Spaces Gothic Readers and Writers Gothic Spectacle Contemporary Impulses. The Gothic World seeks to account for the Gothic as a multi-faceted, multi-dimensional force, as a style, an aesthetic experience and a mode of cultural expression that traverses genres, forms, media, disciplines and national boundaries and creates, indeed, its own ‘World’.
GothicK: Origins and Innovations
Author | : |
Publisher | : BRILL |
Total Pages | : 256 |
Release | : 2022-10-17 |
Genre | : Literary Criticism |
ISBN | : 9004483748 |
Gothic: Origins and Innovations brings together nineteen papers from an international group of scholars currently researching in the field of the Gothic which take a fresh, contemporary look at the tradition from its eighteenth-century inception to the twentieth century. Topics and authors include the current usage and definition of the term 'Gothic'; the eighteenth-century rise of the genre; the Sublime; Victorian sensation fiction, and authors such as Coleridge, Mary Shelly, Maturin, LeFanu, Washington Irving, Robert Louis Stevenson, Bram Stoker, John Neale, Jack London, Herman Melville, Dickens, Henry James and the movie version of his Turn of the Screw, The Innocents. This wide-ranging set of discussions brings to the subject a new set of perspectives, revising standard accounts of the origins of the genre and extending the historical and cultural contexts into which traditional literary history has tended to confine the subject. Framed by a lively and challenging introduction, the collection brings to bear a full range of contemporary critical instruments, approaches, and interdisciplinary languages, ranging from the new vocabularies of the socio-cultural to the latest debates in the psychoanalytic field. It provides a stimulating introduction to recent thinking about the Gothic.