The Genesis Of The Brothers Karamazov
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Author | : Robert L. Belknap |
Publisher | : Northwestern University Press |
Total Pages | : 224 |
Release | : 1990 |
Genre | : Literary Criticism |
ISBN | : 9780810108455 |
Belknap (Slavic languages, Columbia U.) traces Dostoevsky's last, great novel to its sources, exploring how the author consciously transformed his experience and his readings to construct the work. It is both a lucid analysis of a complex and difficult text and an inquiry into the process of literary creation. Annotation copyright Book News, Inc. P
Author | : Victor Terras |
Publisher | : Univ of Wisconsin Press |
Total Pages | : 504 |
Release | : 1981 |
Genre | : Literary Collections |
ISBN | : 9780299083144 |
The text of The Brothers Karamazov is removed from English-speaking readers today not only by time but also by linguistic and cultural boundaries. Victor Terras's companion work provides readers with a richer understanding of the Dostoevsky novel as the expression of a philosophy and a work of art. In his introduction, Terras outlines the genesis, main ideas, and structural peculiarities of the novel as well as Dostoevsky's political, philosophical, and aesthetic stance. The detailed commentary takes the reader through the novel, clarifying aspects of Russian life, the novel's sociopolitical background, and a number of polemic issues. Terras identifies and explains hundreds of literary and biblical quotations and allusions. He discusses symbols, recurrent images, and structural stylistic patterns, including those lost in English translation.
Author | : Robert L. Belknap |
Publisher | : Northwestern University Press |
Total Pages | : 132 |
Release | : 1989 |
Genre | : Literary Criticism |
ISBN | : 9780810108127 |
Long unavailable, The Structure of "The Brothers Karamazov" is a classic in American Slavic studies. Robert L. Belknap's study clarifies the complex architectonics of Dostoevsky's most carefully constructed and painstakingly written book by employing structuralist critical methods. This first paperback edition includes a new preface by the author, reflecting on the theory of the book and on recent developments in Dostoevsky criticism and relevant critical theory.
Author | : Robin Feuer Miller |
Publisher | : Yale University Press |
Total Pages | : 193 |
Release | : 2008-10-01 |
Genre | : Literary Criticism |
ISBN | : 0300151721 |
Fyodor Dostoevsky completed his final novel— The Brothers Karamazov—in 1880. A work of universal appeal and significance, his exploration of good and evil immediately gained an international readership and today “remains harrowingly alive in the face of our present day worries, paradoxes, and joys,” observes Dostoevsky scholar Robin Feuer Miller. In this engaging and original book, she guides us through the complexities of Dostoevsky’s masterpiece, offering keen insights and a celebration of the author’s unparalleled powers of imagination. Miller’s critical companion to The Brothers Karamazov explores the novel’s structure, themes, characters, and artistic strategies while illuminating its myriad philosophical and narrative riddles. She discusses the historical significance of the book and its initial reception, and in a new preface discusses the latest scholarship on Dostoevsky and the novel that crowned his career.
Author | : Julian W Connolly |
Publisher | : Bloomsbury Publishing USA |
Total Pages | : 173 |
Release | : 2013-02-14 |
Genre | : Literary Criticism |
ISBN | : 1623562155 |
Fyodor Dostoevsky's The Brothers Karamazov is unquestionably one of the greatest works of world literature. With its dramatic portrayal of a Russian family in crisis and its intense investigation into the essential questions of human existence, the novel has had a major impact on writers and thinkers across a broad range of disciplines, from psychology to religious and political philosophy. This proposed reader's guide has two major goals: to help the reader understand the place of Dostoevsky's novel in Russian and world literature, and to illuminate the writer's compelling and complex artistic vision. The plot of the novel centers on the murder of the patriarch of the Karamazov family and the subsequent attempt to discover which of the brothers bears responsibility for the murder, but Dostoevsky's ultimate interests are far more thought-provoking. Haunted by the question of God's existence, Dostoevsky uses the character of Ivan Karamazov to ask what kind of God would create a world in which innocent children have to suffer, and he hoped that his entire novel would provide the answer. The design of Dostoevsky's work, in which one character poses questions that other characters must try to answer, provides a stimulating basis for reader engagement. Having taught university courses on Dostoevsky's work for over twenty years, Julian W. Connolly draws upon modern and traditional approaches to the novel to produce a reader's guide that stimulate the reader's interest and provides a springboard for further reflection and study.
Author | : Kate Holland |
Publisher | : Northwestern University Press |
Total Pages | : 267 |
Release | : 2013-10-31 |
Genre | : Literary Criticism |
ISBN | : 0810167239 |
Scholars have long been fascinated by the creative struggles with genre manifested throughout Dostoevsky’s career. In The Novel in the Age of Disintegration, Kate Holland brings historical context to bear, showing that Dostoevsky wanted to use the form of the novel as a means of depicting disintegration brought on by various crises in Russian society in the 1860s. This required him to reinvent the genre. At the same time he sought to infuse his novels with the capacity to inspire belief in social and spiritual reintegration, so he returned to some older conventions of a society that was already becoming outmoded. In thoughtful readings of Demons, The Adolescent, A Writer’s Diary, and The Brothers Karamazov, Holland delineates Dostoevsky’s struggle to adapt a genre to the reality of the present, with all its upheavals, while maintaining a utopian vision of Russia’s future mission.
Author | : Victor Terras |
Publisher | : Univ of Wisconsin Press |
Total Pages | : 190 |
Release | : 1998 |
Genre | : Literary Criticism |
ISBN | : 9780299160548 |
Admirers have praised Fedor Dostoevsky as the Russian Shakespeare, while his critics have slighted his novels as merely cheap amusements. In this critical introduction to Dostoevsky's fiction, the author asks readers to draw their own conclusions about the nineteenth-century Russian writer. Discussing psychological, political, mythical, and philosophical approaches, he guides readers through the range of diverse and even contradictory interpretations of Dostoevsky's rich novels.
Author | : Fyodor Dostoyevsky |
Publisher | : |
Total Pages | : 188 |
Release | : 1922 |
Genre | : Russia |
ISBN | : |
Author | : Fyodor Dostoyevsky |
Publisher | : Oxford University Press, USA |
Total Pages | : 652 |
Release | : 1994 |
Genre | : Fiction |
ISBN | : |
Set in the 1870s, a time of social disorder in Russia, An Accidental Family is the story of Arkady Dolgoruky, an awkward, illegitimate twenty-year-old on a desperate search for his family. This new translation of Dostoevsky's last completed novel fully captures the raciness and youthful vigor of the original text, and expresses "the innermost spiritual world of someone on the eve of manhood at that tumultuous time."
Author | : Robert L. Belknap |
Publisher | : Columbia University Press |
Total Pages | : 246 |
Release | : 2016-05-17 |
Genre | : Literary Criticism |
ISBN | : 0231541473 |
Robert L. Belknap's theory of plot illustrates the active and passive roles literature plays in creating its own dynamic reading experience. Literary narrative enchants us through its development of plot, but plot tells its own story about the making of narrative, revealing through its structures, preoccupations, and strategies of representation critical details about how and when a work came into being. Through a rich reading of Shakespeare's King Lear and Dostoevsky's Crime and Punishment, Belknap explores the spatial, chronological, and causal aspects of plot, its brilliant manipulation of reader frustration and involvement, and its critical cohesion of characters. He considers Shakespeare's transformation of dramatic plot through parallelism, conflict, resolution, and recognition. He then follows with Dostoevsky's development of the rhetorical and moral devices of nineteenth-century Russian fiction, along with its epistolary and detective genres, to embed the reader in the murder Raskolnikov commits. Dostoevsky's reinvention of the psychological plot was profound, and Belknap effectively challenges the idea that the author abused causality to achieve his ideological conclusion. In a final chapter, Belknap argues that plots teach us novelistic rather than poetic justice. Operating according to their own logic, plots provide us with a compelling way to see and order our world.