The Generic Sublime
Author | : Ciro Najle |
Publisher | : Actar |
Total Pages | : 397 |
Release | : 2016 |
Genre | : Architecture |
ISBN | : 9781940291758 |
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Author | : Ciro Najle |
Publisher | : Actar |
Total Pages | : 397 |
Release | : 2016 |
Genre | : Architecture |
ISBN | : 9781940291758 |
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Author | : Mariana Ibanez |
Publisher | : ACTAR Publishers |
Total Pages | : 353 |
Release | : 2012 |
Genre | : Architecture |
ISBN | : 8415391285 |
Platform 5 considers the expanded boundaries of the Harvard University Graduate School of Design. It features not only the selections of the work produced at the GSD during the 2011-2012 academic year, but also the potential of that work to address broader questions and inform global initiatives.
Author | : Ciro Najle |
Publisher | : Actar D, Inc. |
Total Pages | : 405 |
Release | : 2016-12-01 |
Genre | : Architecture |
ISBN | : 1945150319 |
The Generic Sublime is the outcome of an investigation on extra-extra-large developmental typologies carried out at the Harvard University Graduate School of Design, Departments of Architecture, Urban Design and Planning, and Landscape Architecture, between the years 2010 and 2013. The book assembles this investigation and structures its materials, methods and outcomes along three parts. The first part includes a series of writings by the author and invited theoreticians and practitioners toward debating, substantiating or challenging the theory of the Generic Sublime, as presented by the book. The second part proposes three operative taxonomies, understood as the consecutive steps in a procedure going from the actual to the prospective by means of a process of abstraction and integration: a first one portraying a series of case studies that exemplify developmental phenomena currently at work around the globe; a second one presenting a set of organizational models and introducing an open manual of processes and techniques for breeding the contemporary sublime out of the ordinary; and a third part displaying propositions that singularize the investigation across a series of projects. The book ends with a third and final part, which includes a series of concluding open-ended texts: a public conversation on the sublime, a personal interview on methods, a dialogue-glossary of concepts, a technical-theoretical report, and a conclusive set of principles.
Author | : Ricardo Devesa |
Publisher | : Actar D, Inc. |
Total Pages | : 124 |
Release | : 2022-02-04 |
Genre | : Architecture |
ISBN | : 1638408351 |
A collection of installments compiling the works of the students of the Master in Integrated Architectural Design during the academic year 2020/21. The course is organized in 5 logics: environmental, social, digital, tectonic and cultural through which the students explore how architectural design can adapt to the context in which they operate. This collection of installments compiles the works of the students of the Master in Integrated Architectural Design during the academic year 2020/21. The program objectives are to promote innovative architectural design integrated with the wide range of skills on technical and cultural knowledge that contemporary architecture demands. The course is organized in 5 logics: environmental, social, digital, tectonic and cultural through which the students explore how architectural design can adapt to the context in which they operate. Their systems of methods and principles are expanded to face challenges such as climate change, technological disruptions, economic and geopolitical collapses, and demographic movements, among other major global changes. With Contributions of Kiel Moe, Interboro, Ciro Najle, bosch.capdeferro, Marina Otero, T.J. Demos, Ferran Vizoso, Javier García-Germán, Alex Ivancic, Pau Bajet, María Langarita, Carles Baiges, Cristina Gamboa, Anna Font, Edouard Cabay, David Tàpies, Francisco Cifuentes, Arturo Franco, Ivan Blasi, Ricardo Devesa, Irma Arribas, Roger Paez, Pedro García, Sultan Ahmed, Asmita Banyal, Marta Bugés, Luis de Felipe, Dima Fadel, Arina Semenova, Domenica García and Halwest Mustafa
Author | : Mary Anne Schimmelpenninck |
Publisher | : |
Total Pages | : 550 |
Release | : 1815 |
Genre | : Aesthetics |
ISBN | : |
Author | : Robert S. Corrington |
Publisher | : Rowman & Littlefield |
Total Pages | : 231 |
Release | : 2013 |
Genre | : Philosophy |
ISBN | : 0739182137 |
Nature's Sublime uses a radical new form of phenomenology to probe into the deepest traits of the human process in its individual, social, religious, and aesthetic dimensions. Starting with the selving process the essay describes the role of signs and symbols in intra and interpersonal communication. At the heart of the human use of signs is a creative tension between religions symbols and the novel symbols created in the various arts. A contrast is made between natural communities, which flatten out and reject novel forms of semiosis, and communities of interpretation, which welcomes creative and enriched signs and symbols. The normative claim is made that religious sign/symbol systems have a tendency toward tribalism and violence, while the various spheres of the aesthetic are comparatively non-tribal, or even deliberatively anti-tribal. The concept/experience of beauty and the sublime is meant to replace that of religious revelation. The sublime is not merely an internal mode of attunement, contra Kant, but comes from the very depths of nature in the potencies of nature naturing.
Author | : Angela Wright |
Publisher | : Bloomsbury Publishing |
Total Pages | : 273 |
Release | : 2007-07-20 |
Genre | : Literary Criticism |
ISBN | : 1350309370 |
What is the Gothic? Few literary genres have attracted so much praise and critical disdain simultaneously. This Guide returns to the Gothic novel's first wave of popularity, between 1764 and 1820, to explore and analyse the full range of contradictory responses that the Gothic evoked. Angela Wright appraises the key criticism surrounding the Gothic fiction of this period, from 18th century accounts to present-day commentaries. Adopting an easy-to-follow thematic approach, the Guide examines: - Contemporary criticism of the Gothic - The aesthetics of terror and horror - The influence of the French Revolution - Religion, nationalism and the Gothic - The relationship between psychoanalysis and the Gothic - The relationship between gender and the Gothic. Concise and authoritative, this indispensable Guide provides an overview of Gothic criticism and covers the work of a variety of well-known Gothic writers, such as Horace Walpole, Ann Radcliffe, Matthew Lewis and many others.
Author | : Jaś Elsner |
Publisher | : Cambridge University Press |
Total Pages | : 527 |
Release | : 2014-10-02 |
Genre | : Art |
ISBN | : 1107000718 |
Demonstrates the central significance of rhetoric in ancient responses to and receptions of Roman art.
Author | : Tanine Allison |
Publisher | : Rutgers University Press |
Total Pages | : 261 |
Release | : 2018-06-25 |
Genre | : Performing Arts |
ISBN | : 0813597528 |
The American popular imagination has long portrayed World War II as the “good war,” fought by the “greatest generation” for the sake of freedom and democracy. Yet, combat films and other war media complicate this conventional view by indulging in explosive displays of spectacular violence. Combat sequences, Tanine Allison argues, construct a counter-narrative of World War II by reminding viewers of the war’s harsh brutality. Destructive Sublime traces a new aesthetic history of the World War II combat genre by looking back at it through the lens of contemporary video games like Call of Duty. Allison locates some of video games’ glorification of violence, disruptive audiovisual style, and bodily sensation in even the most canonical and seemingly conservative films of the genre. In a series of case studies spanning more than seventy years—from wartime documentaries like The Battle of San Pietro to fictional reenactments like The Longest Day and Saving Private Ryan to combat video games like Medal of Honor—this book reveals how the genre’s aesthetic forms reflect (and influence) how American culture conceives of war, nation, and representation itself.
Author | : Abraham John Valpy |
Publisher | : |
Total Pages | : 582 |
Release | : 1822 |
Genre | : Great Britain |
ISBN | : |