The Gendered Superhero
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| Author | : Michael Goodrum |
| Publisher | : Univ. Press of Mississippi |
| Total Pages | : 323 |
| Release | : 2018-10-01 |
| Genre | : Literary Criticism |
| ISBN | : 1496818814 |
Contributions by Dorian L. Alexander, Janine Coleman, Gabriel Gianola, Mel Gibson, Michael Goodrum, Tim Hanley, Vanessa Hemovich, Christina Knopf, Christopher McGunnigle, Samira Nadkarni, Ryan North, Lisa Perdigao, Tara Prescott-Johnson, Philip Smith, and Maite Ucaregui The explosive popularity of San Diego’s Comic-Con, Star Wars: The Force Awakens and Rogue One, and Netflix’s Jessica Jones and Luke Cage all signal the tidal change in superhero narratives and mainstreaming of what were once considered niche interests. Yet just as these areas have become more openly inclusive to an audience beyond heterosexual white men, there has also been an intense backlash, most famously in 2015’s Gamergate controversy, when the tension between feminist bloggers, misogynistic gamers, and internet journalists came to a head. The place for gender in superhero narratives now represents a sort of battleground, with important changes in the industry at stake. These seismic shifts—both in the creation of superhero media and in their critical and reader reception—need reassessment not only of the role of women in comics, but also of how American society conceives of masculinity. Gender and the Superhero Narrative launches ten essays that explore the point where social justice meets the Justice League. Ranging from comics such as Ms. Marvel, Batwoman: Elegy, and Bitch Planet to video games, Netflix, and cosplay, this volume builds a platform for important voices in comics research, engaging with controversy and community to provide deeper insight and thus inspire change.
| Author | : Sean Parson |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 154 |
| Release | : 2019-10-24 |
| Genre | : Social Science |
| ISBN | : 1498591507 |
Superheroes and Masculinity: Unmasking the Gender Performance of Heroism explores how heteropatriarchal representations of gender are portrayed within superhero comics, film, and television. The contributors examine how hegemonic masculinity has been continually perpetuated and reinforced within the superhero genre and unpack concise critiques of specific superhero representations, the industry, and the fan base at large. However, Superheroes and Masculinity also argues that possibilities of resistance and change are embedded within these problematic portrayals. To this end, several chapters explore alternative portrayals of queerness within superhero representations and read the hegemonic masculinity of various characters against the grain to produce queer possibilities. Ultimately, this collection argues that the quest to unmask how gender operates within superheroes is a crucial one.
| Author | : Carolyn Cocca |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 289 |
| Release | : 2016-09-08 |
| Genre | : Performing Arts |
| ISBN | : 1501316567 |
Explores the production, representation, and reception of prominent female superheroes in mainstream superhero comics, television shows, and films.
| Author | : Jennifer Volintine |
| Publisher | : |
| Total Pages | : 165 |
| Release | : 2016 |
| Genre | : Comic books, strips, etc |
| ISBN | : 9781369139686 |
This thesis examines American gender concepts of masculinity and femininity depicted in six Modern Age superhero comic books. Specifically, it examines how the American gender concepts of hegemonic masculinity, hypersexualized masculinity, emphasized femininity, and hypersexualized femininity are depicted in three Marvel and three DC comic books. This examination found that despite gender differences defined by biological essentialism that legitimates gender inequality, female and male superheroes are much more alike than different through what I term "visionary gender". Also, it examines indicators of gender not previously examined in American superhero comic books. In particular, it examines the text of superhero comic books to demonstrate that language use in comic books is gendered and that female superheroes use interruption as a way to control and dominate male superheroes in conversation. In addition, two viewpoints within the comic book subculture are examined: the comic book readers and the comic book artists. It addresses the readers' interpretation of gender depicted in a selection of images illustrating superhero characters' bodies and it observes the artists' intention in illustrating superhero characters with respect to gender.
| Author | : C. J. Pascoe |
| Publisher | : Oxford University Press, USA |
| Total Pages | : 0 |
| Release | : 2016 |
| Genre | : Masculinity |
| ISBN | : 9780199315673 |
Exploring Masculinities: Identity, Inequality, Continuity, and Change is a comprehensive and contemporary reader for the growing field of men's and masculinities studies. It takes a conceptual approach by covering the wide range of scholarship being done on masculinities beyond the model of hegemonic masculinity. C.J. Pascoe and Tristan Bridges extend the boundaries of the field and provide a new framework for understanding masculinities studies. Rather than taking a topics-based approach to masculinity, Exploring Masculinities offers an innovative conceptual approach that enables students to study a given phenomenon from a variety of perspectives. It divides up the field in ways that provide accessible introductions to complex debates and key intra- and interdisciplinary distinctions. The book provides a portable set of conceptual tools on which scholars and students can rely to analyze masculinities in different contexts, time periods, and embodiments.
| Author | : Jeffrey A. Brown |
| Publisher | : Rutgers University Press |
| Total Pages | : 192 |
| Release | : 2021-11-19 |
| Genre | : Literary Criticism |
| ISBN | : 1978825285 |
Impossibly muscular men and voluptuous women parade around in revealing, skintight outfits, and their romantic and sexual entanglements are a key part of the ongoing drama. Such is the state of superhero comics and movies, a genre that has become one of our leading mythologies, conveying influential messages about gender, sexuality, and relationships. Love, Sex, Gender, and Superheroes examines a full range of superhero media, from comics to films to television to merchandising. With a keen eye for the genre’s complex and internally contradictory mythology, comics scholar Jeffrey A. Brown considers its mixed messages. Superhero comics may reinforce sex roles with their litany of phallic musclemen and slinky femme fatales, but they also blur gender binaries with their emphasis on transformation and body swaps. Similarly, while most heroes have heterosexual love interests, the genre prioritizes homosocial bonding, and it both celebrates and condemns gendered and sexualized violence. With examples spanning from the Golden Ages of DC and Marvel comics up to recent works like the TV series The Boys, this study provides a comprehensive look at how superhero media shapes our perceptions of love, sex, and gender.
| Author | : Esther De Dauw |
| Publisher | : Rutgers University Press |
| Total Pages | : 217 |
| Release | : 2021-01-15 |
| Genre | : Literary Criticism |
| ISBN | : 1978806051 |
The superheroes from DC and Marvel comics are some of the most iconic characters in popular culture today. But how do these figures idealize certain gender roles, body types, sexualities, and racial identities at the expense of others? Hot Pants and Spandex Suits offers a far-reaching look at how masculinity and femininity have been represented in American superhero comics, from the Golden and Silver Ages to the Modern Age. Scholar Esther De Dauw contrasts the bulletproof and musclebound phallic bodies of classic male heroes like Superman, Captain America, and Iron Man with the figures of female counterparts like Wonder Woman and Supergirl, who are drawn as superhumanly flexible and plastic. It also examines the genre’s ambivalent treatment of LGBTQ representation, from the presentation of gay male heroes Wiccan and Hulkling as a model minority couple to the troubling association of Batwoman’s lesbianism with monstrosity. Finally, it explores the intersection between gender and race through case studies of heroes like Luke Cage, Storm, and Ms. Marvel. Hot Pants and Spandex Suits is a fascinating and thought-provoking consideration of what superhero comics teach us about identity, embodiment, and sexuality.
| Author | : Robin S. Rosenberg PhD |
| Publisher | : Oxford University Press |
| Total Pages | : 200 |
| Release | : 2013-07-01 |
| Genre | : Psychology |
| ISBN | : 019933952X |
It's easy to name a superhero--Superman, Batman, Thor, Spiderman, the Green Lantern, Buffy the Vampire Slayer, Rorschach, Wolverine--but it's not so easy to define what a superhero is. Buffy has superpowers, but she doesn't have a costume. Batman has a costume, but doesn't have superpowers. What is the role of power and superpower? And what are supervillains and why do we need them? In What is a Superhero?, psychologist Robin Rosenberg and comics scholar Peter Coogan explore this question from a variety of viewpoints, bringing together contributions from nineteen comic book experts--including both scholars in such fields as cultural studies, art, and psychology as well as leading comic book writers and editors. What emerges is a kaleidoscopic portrait of this most popular of pop-culture figures. Writer Jeph Loeb, for instance, sees the desire to make the world a better place as the driving force of the superhero. Jennifer K. Stuller argues that the female superhero inspires women to stand up, be strong, support others, and most important, to believe in themselves. More darkly, A. David Lewis sees the indestructible superhero as the ultimate embodiment of the American "denial of death," while writer Danny Fingeroth sees superheroes as embodying the best aspects of humankind, acting with a nobility of purpose that inspires us. Interestingly, Fingeroth also expands the definition of superhero so that it would include characters like John McClane of the Die Hard movies: "Once they dodge ridiculous quantities of machine gun bullets they're superheroes, cape or no cape." From summer blockbusters to best-selling graphic novels, the superhero is an integral part of our culture. What is a Superhero? not only illuminates this pop-culture figure, but also sheds much light on the fantasies and beliefs of the American people.
| Author | : Lucia Vitzthum |
| Publisher | : GRIN Verlag |
| Total Pages | : 30 |
| Release | : 2017-03-09 |
| Genre | : Foreign Language Study |
| ISBN | : 3668413371 |
Seminar paper from the year 2015 in the subject Didactics for the subject English - Applied Geography, grade: 1,0, University of Duisburg-Essen, language: English, abstract: Superhero movies have been the biggest money-making machine in recent years. Spiderman, Superman, Batman, Iron man all have been successful movies and all protagonists have been male. This work aims to examine the role of women in superhero movies and how they have changed. This work also differentiates between women as the main character and women in superhero teams like "The Avengers".
| Author | : Carolyn Cocca |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 289 |
| Release | : 2016-09-08 |
| Genre | : Performing Arts |
| ISBN | : 1501316591 |
Winner of the 2017 Eisner Award in the Best Academic/Scholarly Work category 2017 Prose Awards Honorable Mention, Media & Cultural Studies Over the last 75 years, superheroes have been portrayed most often as male, heterosexual, white, and able-bodied. Today, a time when many of these characters are billion-dollar global commodities, there are more female superheroes, more queer superheroes, more superheroes of color, and more disabled superheroes--but not many more. Superwomen investigates how and why female superhero characters have become more numerous but are still not-at-all close to parity with their male counterparts; how and why they have become a flashpoint for struggles over gender, sexuality, race, and disability; what has changed over time and why in terms of how these characters have been written, drawn, marketed, purchased, read, and reacted to; and how and why representations of superheroes matter, particularly to historically underrepresented and stereotyped groups. Specifically, the book explores the production, representations, and receptions of prominent transmedia female superheroes from their creation to the present: Wonder Woman; Batgirl and Oracle; Ms. Marvel and Captain Marvel; Buffy the Vampire Slayer; Star Wars' Padmé Amidala, Leia Organa, Jaina Solo, and Rey; and X-Men's Jean Grey, Storm, Kitty Pryde, Rogue, and Mystique. It analyzes their changing portrayals in comics, novels, television shows, and films, as well as how cultural narratives of gender have been negotiated through female superheroes by creators, consumers, and parent companies over the last several decades.
