The Gangster Film Reader
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| Author | : Alain Silver |
| Publisher | : Hal Leonard Corporation |
| Total Pages | : 428 |
| Release | : 2007 |
| Genre | : Performing Arts |
| ISBN | : 9780879103323 |
In the 1930s the gangster film in the United States coincided with a very real and very sensational gangsterism at large in American society. Little Caesar (1931), The Public Enemy (1931), and Scarface (1932) borrowed liberally from the newspapers and books of the era. With the release of just these three motion pictures in barely more than a year's time, Hollywood quintessentially defined the genre. The characters, the situations, and the icons-from fast cars and tommy-guns to fancy fedoras and fancier molls-established the audience expectations associated with the gangster film that remain in force to this day. As with their Film Noir Reader series, using both reprints of seminal articles and new pieces, editors Silver and Ursini have assembled a group of essays that presents an exhaustive overview of this still vital genre. Reprints of work by such well-known film historians as Robin Wood, Andrew Sarris, Carlos Clarens, Paul Schrader, and Stuart Kaminsky explore the evolution of the gangster film through the 1970s and The Godfather. Parts 2 and 3 comprise two dozen newer articles, most of them written expressly for this volume by Ursini and Silver. These case studies and thematic analyses, from White Heat to the remake of Scarface to "The Sopranos," complete the anthology.
| Author | : George Anastasia |
| Publisher | : Running Press Adult |
| Total Pages | : 354 |
| Release | : 2011-09-27 |
| Genre | : Performing Arts |
| ISBN | : 0762443707 |
The gangster movie is one of the most popular genres in film. From the Italian, Irish, and Russian "families" in America to similarly sinister groups in Europe, Japan, and beyond, the cinema has never shied away from portraying the evil exploits of these brutal outfits. In this highly entertaining and informative book, two accomplished and apropos authors put the genre in perspective like no other author or documentarian has done before. The Ultimate Book of Gangster Movies provides extensive reviews of the Top 100 gangster films of all time, including sidebars like "Reality Check," "Hit and Miss," "I Know That Guy," "Body Count," and other fun and informative features. Also included are over a dozen stand-alone chapters such as Sleeper "Hits," "Fugazi" Flops, Guilty Pleasures, Lost Treasures, Q&A Interviews with top actors and directors (including Chazz Palinteri, Michael Madsen, Joe Mantagna, and more), plus over 50 compelling photographs. Foreword by Joe Pistone, the FBI agent and mob infiltrator who wrote the bestselling book and acclaimed movie, Donnie Brasco.
| Author | : George S. Larke-Walsh |
| Publisher | : John Wiley & Sons |
| Total Pages | : 510 |
| Release | : 2018-11-20 |
| Genre | : Art |
| ISBN | : 111904166X |
A companion to the study of the gangster film’s international appeal spanning the Americas, Europe, and Asia A Companion to the Gangster Film presents a comprehensive overview of the newest scholarship on the contemporary gangster film genre as a global phenomenon. While gangster films are one of America’s most popular genres, gangster movies appear in every film industry across the world. With contributions from an international panel of experts, A Companion to the Gangster Film explores the popularity of gangster films across three major continents, the Americas, Europe, and Asia. The authors acknowledge the gangster genre’s popularity and examine the reasons supporting its appeal to twenty-first century audiences across the globe. The book examines common themes across all three continents such as production histories and reception, gender race and sexuality, mafia mythologies, and politics. In addition, the companion clearly shows that no national cinema develops in isolation and that cinema is a truly global popular art form. This important guide to the gangster film genre: Reveals how the gangster film engages in complex and contradictory themes Examines the changing face of the gangster film in America Explores the ideas of gangsterism and migration in the Hispanic USA, Latin America and the Caribbean Discusses the wide variety of gangster types to appear in European cinema Contains a review of a wide-range of gangster films from the Americans, Europe, and Asia Written for academics and students of film, A Companion to the Gangster Film offers a scholarly and authoritative guide exploring the various aspects and international appeal of the gangster film genre.
| Author | : Dana Renga |
| Publisher | : University of Toronto Press |
| Total Pages | : 459 |
| Release | : 2019-07-15 |
| Genre | : Performing Arts |
| ISBN | : 1487510470 |
The mafia has always fascinated filmmakers and television producers. Al Capone, Salvatore Giuliano, Lucky Luciano, Ciro Di Marzio, Roberto Saviano, Don Vito and Michael Corleone, and Tony Soprano are some of the historical and fictional figures that contribute to the myth of the Italian and Italian-American mafias perpetuated onscreen. This collection looks at mafia movies and television over time and across cultures, from the early classics to the Godfather trilogy and contemporary Italian films and television series. The only comprehensive collection of its type, Mafia Movies treats over fifty films and TV shows created since 1906, while introducing Italian and Italian-American mafia history and culture. The second edition includes new original essays on essential films and TV shows that have emerged since the publication of the first edition, such as Boardwalk Empire and Mob Wives, as well as a new roundtable section on Italy’s “other” mafias in film and television, written as a collaborative essay by more than ten scholars. The edition also introduces a new section called “Double Takes” that elaborates on some of the most popular mafia films and TV shows (e.g. The Godfather and The Sopranos) organized around themes such as adaptation, gender and politics, urban spaces, and performance and stardom.
| Author | : Barry Keith Grant |
| Publisher | : University of Texas Press |
| Total Pages | : 785 |
| Release | : 2012-12-01 |
| Genre | : Performing Arts |
| ISBN | : 0292745745 |
From reviews of the third edition: “Film Genre Reader III lives up to the high expectations set by its predecessors, providing an accessible and relatively comprehensive look at genre studies. The anthology’s consideration of the advantages and challenges of genre studies, as well as its inclusion of various film genres and methodological approaches, presents a pedagogically useful overview.” —Scope Since 1986, Film Genre Reader has been the standard reference and classroom text for the study of genre in film, with more than 25,000 copies sold. Barry Keith Grant has again revised and updated the book to reflect the most recent developments in genre study. This fourth edition adds new essays on genre definition and cycles, action movies, science fiction, and heritage films, along with a comprehensive and updated bibliography. The volume includes more than thirty essays by some of film’s most distinguished critics and scholars of popular cinema, including Charles Ramírez Berg, John G. Cawelti, Celestino Deleyto, David Desser, Thomas Elsaesser, Steve Neale, Thomas Schatz, Paul Schrader, Vivian Sobchack, Janet Staiger, Linda Williams, and Robin Wood.
| Author | : Matthew Sorrento |
| Publisher | : McFarland |
| Total Pages | : 223 |
| Release | : 2012-09-26 |
| Genre | : Performing Arts |
| ISBN | : 0786490578 |
The American crime film has recently enjoyed a surge in popularity and proliferation, making it the most pervasive genre in contemporary cinema. Though it now tackles current issues, it continues to reference the classic narratives and archetypes established in the great crime pictures of past decades. The titles explored in this critical survey feature a variety of themes and show that the crime film genre has fused with other genres to create fascinating hybrids. Focusing on character and plot construction, the author highlights the gangster and film noir traditions that still run strongly through recent American cinema. Among the many filmmakers analyzed within these pages are David Lynch, Gus Van Sant, David Mamet, Werner Herzog, Sam Raimi, David Cronenberg and the Coen Brothers. Stuart Gordon, director of the cult classic Re-Animator, provides the lively and incisive foreword.
| Author | : Alain Silver |
| Publisher | : Hal Leonard Corporation |
| Total Pages | : 359 |
| Release | : 1999 |
| Genre | : Performing Arts |
| ISBN | : 0879102802 |
In the wake of the remarkable success of Film Noir Reader, this new collection further explores a genre of limitless fascination -- and one that continues to inspire and galvanise the latest generation of film-makers. Again heavily illustrated, with close to 150 stills, Film Noir Reader 2 is organised much like the earlier volume.
| Author | : Carlos Clarens |
| Publisher | : Da Capo Press |
| Total Pages | : 376 |
| Release | : 1997-03-21 |
| Genre | : Performing Arts |
| ISBN | : 9780306807688 |
Crime movies are as old as filmmaking itself. They embody the American nightmare, functioning both as a mirror of society and a tool for educating the public about its enemies. In this history of the genre Carlos Clarens gives us a mini-history of crime American-style. From D. W. Griffith and New York's Biograph Studios, where raw violence was introduced to celluloid immortality, to today's multimillion-dollar celebrations of blood and power, Crime Movies shows us the whole picture: the unchanging cast of characters (the gangster hero, swaggering, charming, suspicious; the stoolpigeon or strikebreaker; the moll); the stars (James Cagney, Spencer Tracy, George Raft, Edward G. Robinson, Humphrey Bogart, Richard Widmark); the censorship battles, political pressure, and public outcry. This book illuminates movies such as Intolerance, Underworld, Little Caesar, Public Enemy, Kiss of Death, On the Waterfront, Bonnie and Clyde, The Godfather, Goodfellas, Reservoir Dogs, and hundreds of others, while detailing the film-making strategies Hollywood has adopted to deal with the controversial yet profitable and enduring subject of American criminality.
| Author | : Paul Lieberman |
| Publisher | : St. Martin's Griffin |
| Total Pages | : 580 |
| Release | : 2012-08-07 |
| Genre | : True Crime |
| ISBN | : 1250020166 |
"Read this man's book." --James Ellroy Gangster Squad presents a harrowing, edge-of-your-seat narrative of murder and secrets, revenge and heroism in the City of Angels—the real events behind the blockbuster Warner Brothers film starring Sean Penn, Josh Brolin, Ryan Gosling and Emma Stone. GANGSTER SQUAD chronicles the true story of the secretive police unit that waged an anything-goes war to drive Mickey Cohen and other hoodlums from Los Angeles after WWII. In 1946, the LAPD launched the Gangster Squad with eight men who met covertly on street corners and slept with Tommy guns under their beds. But for two cops, all that mattered was nailing the strutting gangster Mickey Cohen. Sgt. Jack O'Mara was a square-jawed church usher, Sgt. Jerry Wooters a cynical maverick. About all they had in common was their obsession. So O'Mara set a trap to prove Mickey was a killer. And Wooters formed an alliance with Mickey's budding rival, Jack "The Enforcer" Whalen. Two cops -- two hoodlums. Their fates collided in the closing days of the 1950s, when late one night "The Enforcer" confronted Mickey and his crew. The aftermath would shake both LA's mob and police department, and signal the end of a defining era in the city's history. Warner Brothers developed the film Gangster Squad based on the research award-winning journalist Paul Lieberman conducted for this book, which reveals the unbelievable true stories behind the film. He spent more than a decade tracking down and interviewing surviving members of the real police unit as well as families and associates of the mobsters they pursued. Gangster Squad is a tour-de-force narrative reminiscent of LA Confidential.
| Author | : Lee Grieveson |
| Publisher | : Rutgers University Press |
| Total Pages | : 328 |
| Release | : 2005 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 9780813535579 |
Mob Culture offers a long-awaited, fresh look at the American gangster film, exposing its hidden histories from the Black Hand gangs of the early twentieth century to The Sopranos. Departing from traditional approaches that have typically focused on the "nature" of the gangster, the editors have collected essays that engage the larger question of how the meaning of criminality has changed over time. Grouped into three thematic sections, the essays examine gangster films through the lens of social, gender, and racial/ethnic issues.
