Theatre of the Book, 1480-1880

Theatre of the Book, 1480-1880
Author: Julie Stone Peters
Publisher: Oxford University Press, USA
Total Pages: 516
Release: 2003
Genre: Literary Criticism
ISBN: 9780199262168

This volume explores the impact of printing on the European theatre in the period 1480-1880 and shows that the printing press played a major part in the birth of modern theatre.

The Style of the State in French Theater, 1630–1660

The Style of the State in French Theater, 1630–1660
Author: Katherine Ibbett
Publisher: Routledge
Total Pages: 289
Release: 2016-12-05
Genre: Literary Criticism
ISBN: 1351881418

Engaging with recent thinking about performance, political theory and canon formation, this study addresses the significance of the formal changes in seventeenth-century French theater. Each chapter takes up a particularity of seventeenth-century theatrical style and staging”for example, the clearing of violence from the stage”and shows how the conceptualization of these French stylistic shifts appropriates a rich body of Italian political writing on questions of action, temporality, and law. The theater's appropriation of political concerns and vocabularies, the author argues, proffers an astute reflection on the practices of government that draws attention to questions obscured in reason of state, such as the instrumentalization of women's bodies. In a new reading of tragedies about government, the author shows how the canonical figure of Pierre Corneille is formally engaged with the political strategizing he often appears to repudiate, and in so doing challenges a literary history that has read neoclassicism largely as a display of pure French style.

Music and Theatre in France, 1600-1680

Music and Theatre in France, 1600-1680
Author: John S. Powell
Publisher: Clarendon Press
Total Pages: 622
Release: 2000
Genre: History
ISBN: 9780198165996

During the course of the 17th century, the dramatic arts reached a pinnacle of development in France; but despite the volumes devoted to the literature and theatre of the ancien régime, historians have largely neglected the importance of music and dance. This study defines the musical practices of comedy, tragicomedy, tragedy, and mythological and non-mythological pastoral drama, from the arrival of the first repertory companies in Paris until the establishment of the Comédie-Française.

Historical Dictionary of French Theater

Historical Dictionary of French Theater
Author: Edward Forman
Publisher: Scarecrow Press
Total Pages: 337
Release: 2010-04-27
Genre: Performing Arts
ISBN: 0810874512

The term "French theater" evokes most immediately the glories of the classical period and the peculiarities of the Theater of the Absurd. It has given us the works of Corneille, Racine, and Moliere. In the Romantic era there was Alexander Dumas and surrealist works of Alfred Jarry, and then the Theater of the Absurd erupted in rationalistic France with Samuel Beckett, Eugene Ionesco, and Jean-Paul Sartre. The Historical Dictionary of French Theater relates the history of the French theater through a chronology, introduction, bibliography, and over 400 cross-referenced dictionary entries on authors, trends, genres, concepts, and literary and historical developments that played a central role in the evolution of French theater.

Onstage Violence in Sixteenth-Century French Tragedy

Onstage Violence in Sixteenth-Century French Tragedy
Author: Michael Meere
Publisher: Oxford University Press
Total Pages: 250
Release: 2022-01-13
Genre: Drama
ISBN: 019284413X

Studies the representation of violence in tragedies written for the French stage during the sixteenth century, and explores its connection with issues such as politics, religion, gender, and militantism to place the plays within their historical, cultural, and theatrical contexts.

Voltaire and the Theatre of the Eighteenth Century

Voltaire and the Theatre of the Eighteenth Century
Author: Marvin A. Carlson
Publisher: Bloomsbury Publishing USA
Total Pages: 207
Release: 1998-10-28
Genre: Literary Criticism
ISBN: 0313029903

Born in the final years of the seventeenth century, and dying a decade before the beginning of the French Revolution, Voltaire was a quintessential figure of the eighteenth century, so much so that this era is sometimes called the Age of Voltaire. At a time when French culture dominated Europe, Voltaire dominated French culture. His influence was broad and powerful, and he made major contributions to almost every sphere of intellectual activity, including the sciences, trade and commerce, politics, and especially the arts. Despite the astonishing range of his literary activities, the theatre occupied a central position in his life from the beginning of his career to its close. His first and last literary triumphs were plays, the first written when he was only 17, the last completed when he was 84. He created a total of 56, and there was rarely a time in his life when he was not working on a theatrical script. At the end of his career, his works were produced more frequently on the French stage than those of any other serious dramatist and served as models for aspiring young playwrights throughout Europe. Written by a leading authority on French theatre and culture in the eighteenth century, this book traces the theatrical career of Voltaire from his college days through his final works. The most influential dramatist of the period, he successfully wrote in a number of genres, including tragedy, comedy, opera, comic opera, and court spectacle. His theatrical biography involves all aspects of acting and staging in amateur and society theatre as well as on major professional stages and performances at court. His extended visits to England and Germany are covered in chapters that also provide an introduction to the theatre in those countries, and his international interests and correspondence provide insights into the eighteenth century theatre in places such as Italy, Russia, and Denmark. Due to his literally life-long concern with the theatre, his dominance in this art, and his reputation and involvement with the theatre outside France, Voltaire's theatrical biography is also in large measure a chronicle of the European stage of the eighteenth century.

Staging and Stage Décor: Perspectives on European Theater 1500-1950

Staging and Stage Décor: Perspectives on European Theater 1500-1950
Author: Bárbara Mujica
Publisher: Vernon Press
Total Pages: 309
Release: 2023-05-09
Genre: Performing Arts
ISBN: 1648896669

'Staging and Stage Décor: Perspectives on European Theater 1500-1950' is a compendium of essays by an international array of theater specialists. The Introduction provides an overview of theater décor and architecture from ancient Greece through the Renaissance and beyond, while the articles that follow explore a variety of topics such as the development of lighting techniques in early modern Italy, the staging of convent theater in Portugal, performance spaces at Versailles, the reconstruction of the Globe theater, and Shrovetide plays in Germany. This volume also offers insight into little-studied subjects such as the early productions of Brecht and the spread of Russian theater to Japan. The focus on performance and performance space across centuries and continents makes this a truly unique volume.

A Cultural History of Theatre in the Age of Enlightenment

A Cultural History of Theatre in the Age of Enlightenment
Author: Mechele Leon
Publisher: Bloomsbury Publishing
Total Pages: 289
Release: 2019-08-08
Genre: History
ISBN: 1350135445

French philosopher Jean-Jacques Rousseau wrote, 'the general effect of the theatre is to strengthen the national character to augment the national inclinations, and to give a new energy to all the passions'. During the Enlightenment, the advancement of radical ideas along with the emergence of the bourgeois class contributed to a renewed interest in theatre's efficacy, informed by philosophy yet on behalf of politics. While the 18th century saw a growing desire to define the unique and specific features of a nation's drama, and audiences demanded more realistic portrayals of humanity, theatre is also implicated in this age of revolutions. A Cultural History of Theatre in the Age of Enlightenment examines these intersections, informed by the writings of key 18th-century philosophers. Richly illustrated with 45 images, the ten chapters each take a different theme as their focus: institutional frameworks; social functions; sexuality and gender; the environment of theatre; circulation; interpretations; communities of production; repertoire and genres; technologies of performance; and knowledge transmission.