The Franciscan Legend In Italian Painting In The Thirteenth Century
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Franciscan Legends in Italian Art
Author | : Emma Gurney Salter |
Publisher | : |
Total Pages | : 292 |
Release | : 1905 |
Genre | : Art, Italian |
ISBN | : |
The Franciscan Poets in Italy of the Thirteenth Century
Author | : Frédéric Ozanam |
Publisher | : |
Total Pages | : 368 |
Release | : 1914 |
Genre | : Italian poetry |
ISBN | : |
The Art of the Franciscan Order in Italy
Author | : Roger Cook |
Publisher | : BRILL |
Total Pages | : 422 |
Release | : 2005-08-01 |
Genre | : Religion |
ISBN | : 9047404629 |
This volume includes a collection of essays of scholars from several disciplines and focuses on the art produced for the Franciscans in Italy from the 13th to the 15th century. They contain a wide range of subject matter (fresco, panel, stained glass window) and a variety of approaches.
Franciscan Legends in Italian Art
Author | : Emma Gurney Salter |
Publisher | : |
Total Pages | : 294 |
Release | : 1905 |
Genre | : Art, Italian |
ISBN | : |
Italian Painting
Author | : Paul George Konody |
Publisher | : |
Total Pages | : 360 |
Release | : 1929 |
Genre | : Painters, Italian |
ISBN | : |
The Franciscan Poets of the Thirteenth Century
Author | : Frédéric Ozanam |
Publisher | : |
Total Pages | : 364 |
Release | : 1969 |
Genre | : Literary Criticism |
ISBN | : |
The Origins of Florentine Painting, 1100-1270
Author | : Miklós Boskovits |
Publisher | : Giunti Editore |
Total Pages | : 842 |
Release | : 1993 |
Genre | : Art |
ISBN | : |
Attempts to provide a comprehensive study of the paintings produced in Florence between circa 1100 and 1270 - the scope of the book ranges from early examples of medieval art to the generation of painters preceding Cimabue. All known works of the period are included accompanied by descriptions.
Dante and the Franciscans
Author | : N. R. Havely |
Publisher | : Cambridge University Press |
Total Pages | : 238 |
Release | : 2004-08-12 |
Genre | : Literary Criticism |
ISBN | : 9780521833059 |
Nicholas Havely examines the connections between Dante, the Franciscans and the Papacy as they appear in the Commedia, and presents the poem as one concerned with an often dramatic confrontation between authority and idealism in the church. Havely draws on a wide range of literary, historical and art historical sources relating to the controversy about Franciscan poverty during the late thirteenth and early fourteenth centuries. He argues that the Spiritual Franciscans' strict interpretations of evangelical poverty provided the poet with a means of addressing the state of the contemporary Papacy and of imagining the renewal of the church. He also explores the origins and afterlife of the debate about this form of poverty and Dante's contribution to it. This study will appeal to scholars interested in medieval religious and intellectual history, as well as to readers of Dante's poem and other medieval visionary and political writing.