The Fragmentary Poetic
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Author | : Edward Courtney |
Publisher | : |
Total Pages | : 572 |
Release | : 2003 |
Genre | : Literary Criticism |
ISBN | : 9780199265794 |
To understand fully the development of Latin poetry, one has to consider not only the prominent figures whose works survive entire but also the writers known to us only in fragments, usually small, from quotations. The fragments of the non-dramatic poets have been collected by Baehrens, Morel,and Buchner, but only a few have ever received a commentary. This book revises the texts, taking advantage of much earlier work now largely forgotten, and provides the necessary interpretative and illustrative material. By building up, wherever possible, a picture of each writer, Professor Courtneyplaces them in relation to the development of Latin poetry and thus gathers together information at present widely scattered and not easy to locate. While omitting some material which does not contribute to the focus of the book, he adds some writers not usually included in this corpus -particularly Tiberianus, the so-called De Bello Actiaco and the minor works of Ennius.
Author | : Edward Hirsch |
Publisher | : HarperCollins |
Total Pages | : 683 |
Release | : 2014-04-08 |
Genre | : Poetry |
ISBN | : 0547737467 |
A major addition to the literature of poetry, Edward Hirsch’s sparkling new work is a compilation of forms, devices, groups, movements, isms, aesthetics, rhetorical terms, and folklore—a book that all readers, writers, teachers, and students of poetry will return to over and over. Hirsch has delved deeply into the poetic traditions of the world, returning with an inclusive, international compendium. Moving gracefully from the bards of ancient Greece to the revolutionaries of Latin America, from small formal elements to large mysteries, he provides thoughtful definitions for the most important poetic vocabulary, imbuing his work with a lifetime of scholarship and the warmth of a man devoted to his art. Knowing how a poem works is essential to unlocking its meaning. Hirsch’s entries will deepen readers’ relationships with their favorite poems and open greater levels of understanding in each new poem they encounter. Shot through with the enthusiasm, authority, and sheer delight that made How to Read a Poem so beloved, A Poet’s Glossary is a new classic.
Author | : Camelia Elias |
Publisher | : Peter Lang |
Total Pages | : 414 |
Release | : 2004 |
Genre | : Literary form |
ISBN | : 9783039104703 |
This monograph is an interdisciplinary study of the concept of 'fragment' in literature and in critical and literary theory. It discusses the fragment's performativity and function within a historical perspective, stretching from Heraclitus, via the German Romantics and European writers of the Modernist period, to American postmodern manifestations of the fragment. This is the first history of the fragment to appear in English, and it is also the first attempt at producing a consistent taxonomy of literary and critical fragments. The fragments are categorised according to function, not author intention, and the study addresses a number of questions: What constitutes the fragment, when the fragment can only be defined a posteriori? Does the fragment begin on its own, or is it begun by others, writers and critics? Does it acquire a name of its own, or is it labelled by others? All these questions revolve around issues of agency, and they are best discussed in terms of performativity, which means seeing fragments as acts: acts of literature, acts of reading, acts of writing. The book demonstrates how a poetics of the fragment as a performative genre can be created, situating the fragment both as literature and as a phenomenon within postmodern criticism against the background of philosophy, art history, and theology.
Author | : Christos Tsagalis |
Publisher | : Walter de Gruyter GmbH & Co KG |
Total Pages | : 465 |
Release | : 2017-09-11 |
Genre | : Literary Criticism |
ISBN | : 3110536803 |
Next to the Theogony and the Works and Days stands an entire corpus of fragmentary works attributed to the Boeotian poet Hesiod that has during the last thirty years attracted growing scholarly interest. Whereas other studies have concentrated either on the interpretation of the best preserved work of this corpus, the Catalogue of Women, or have offered detailed commentaries, this volume aims at bringing together studies focusing on generic and contextual factors pertaining to the various works of the Hesiodic corpus, the Catalogue of Women included, and the corpus' afterlife in Rome and Byzantium.
Author | : Christopher A. Strathman |
Publisher | : SUNY Press |
Total Pages | : 220 |
Release | : 2006-06-01 |
Genre | : Literary Criticism |
ISBN | : 9780791464588 |
Uses the concept of the poetic fragment to draw connections between romantic poetry and modern literature and literary theory.
Author | : Vanessa Guignery |
Publisher | : Vernon Press |
Total Pages | : 252 |
Release | : 2019-12-02 |
Genre | : Literary Criticism |
ISBN | : 162273646X |
The last decades have seen a revival of fragmentation in British and American works of fiction that deny linearity, coherence and continuity in favour of disruption, gaps and fissures. Authors such as Ali Smith, David Mitchell and David Shields have sought new ways of representing our global, media-saturated contemporary experience which differ from modernist and postmodernist experimentations from which the writers nevertheless draw inspiration. This volume aims to investigate some of the most important contributions to fragmentary literature from British and American writers since the 1990s, with a particular emphasis on texts released in the twenty-first century. The chapters within examine whether contemporary forms of literary fragmentation constitute a return to the modernist episteme or the fragmented literature of exhaustion of the 1960s, mark a continuity with postmodernist aesthetics or signal a deviation from past models and an attempt to reflect today’s accelerated culture of social media and over-communication. Contributors theorise and classify literary fragments, examine the relationship between fragmentation and the Zeitgeist (influenced by globalisation, media saturation and social networks), analyse the mechanics of multimodal and multimedial fictions, and consider the capacity of literary fragmentation to represent personal or collective trauma and to address ethical concerns. They also investigate the ways in which the architecture of the printed book is destabilised and how aesthetic processes involving fragmentation, bricolage and/or collage raise ontological, ethical and epistemological questions about the globalised contemporary world we live in and its relation to the self and the other. Besides the aforementioned authors, the volume makes reference to the works of J. G. Ballard, Julian Barnes, Mark Z. Danielewski, David Markson, Jonathan Safran Foer, David Foster Wallace, Jeanette Winterson and several others.
Author | : Leslie Hill |
Publisher | : A&C Black |
Total Pages | : 458 |
Release | : 2012-07-05 |
Genre | : Literary Criticism |
ISBN | : 144116622X |
The first book to provide a detailed account of fragmentary writing in the work of the French novelist, critic, and thinker Maurice Blanchot (1907-2003).
Author | : Sappho |
Publisher | : Hackett Publishing |
Total Pages | : 106 |
Release | : 2002-01-01 |
Genre | : Poetry |
ISBN | : 9780872205918 |
Presents a Sappho by a poet and translator that treats the fragments as aesthetic wholes, complete in their fragmentariness, and which is also, as the translator puts it: 'ever mindful of performative qualities, quality of voice, changes of voice...'
Author | : Adrian S. Hollis |
Publisher | : Oxford University Press |
Total Pages | : 459 |
Release | : 2007-05-31 |
Genre | : Literary Collections |
ISBN | : 9780198146988 |
An edition and translation of a collection of fragments of Roman poetry composed between 60 BC and AD 20, when Latin literature was at its height. Study of these fragmentary texts enables us better to appreciate surviving great poets such as Catullus and Virgil.
Author | : Duncan Wu |
Publisher | : Wiley-Blackwell |
Total Pages | : 566 |
Release | : 1999-10-29 |
Genre | : Literary Criticism |
ISBN | : 9780631218777 |
The Companion to Romanticism is a major introductory survey from an international galaxy of scholars writing new pieces, specifically for a student readership, under the editorship of Duncan Wu.