The Four Stages of Loving Dutch Owen

The Four Stages of Loving Dutch Owen
Author: Debra Kayn
Publisher:
Total Pages: 302
Release: 2021-02
Genre:
ISBN:

Most people will frown on a relationship between Dutch Owen and Marla Marie. Unless they were there from the beginning...Dutch stole Marla Marie Smith when she was ten years old. She wouldn't say kidnapped because she willingly left town with him. She'd even swear on her mother's life that she gave him no choice but to keep her.Thrust into a new lifestyle with Rachel and Skull, Marla fails to adapt to her new family, longing to go back home. Always on the outside, never belonging, she connects and relies on Dutch in a way that escapes her. With him, they have no secrets. She grows up trusting that he'll never leave her.Some will say he forced Marla Marie to love him. Maybe he had.But he needs her as much as she needs him.Riding for WAKOM Motorcycle Club, the open road is his home as he rides between the three chapters. The fallback of wearing the patch brings added risks to his life. But the biggest danger to his freedom comes in the form of a young girl. While he protects Marla Marie throughout the years from the world, his MC family, and himself, an unbreakable bond grows between them.Until he finds himself in a situation where he must set her free and chance destroying them both.-This is a saga romance novel that'll take you through growing pains, stubborn rebellion, crippling heartache, and uninhibited passion.

The London Stage 1900-1909

The London Stage 1900-1909
Author: J. P. Wearing
Publisher: Scarecrow Press
Total Pages: 731
Release: 2013-12-05
Genre: Performing Arts
ISBN: 0810892944

For centuries, London theatre has celebrated a rich and influential history, and in 1976, the first volume of J. P. Wearing’s reference series provided scholars and other researchers with an indispensable resource of these productions. In the decades since the original calendars were produced, several research aids have become available, notably various reference works and the digitization of important newspapers and relevant periodicals. The London Stage 1900-1909 A Calendar of Productions, Performers, and Personnel, Second Edition provides a chronological calendar of London shows from January 1900 through December 1909. The volume chronicles more than 3,000 productions at 35 selected, major central London theatres during this period. For each entry the following information is provided: Title Author Theatre Performers Personnel Opening and Closing Dates Number of Performances Other details include genre of the production, number of acts, and references to reviews. A comment section includes other interesting information, such as a plot description, the first-night reception by the audience, noteworthy performances, staging elements, and details of performances in New York either prior to or after the London production. Among the plays staged in London during this decade were Candida, His House in Order, The Only Way, The Playboy of the Western World, Raffles (The Amateur Cracksman), and The Scarlet Pimpernel, as well as numerous musical comedies (British and American), foreign works, operas, and revivals of English classics. A definitive resource, this edition revises, corrects, and expands the original, well-received calendar. In addition, approximately 20 percent of the material—in particular, information of adaptations and translations, plot sources, and comment information—is new. Arranged chronologically, the shows are indexed fully by title, genre, and theatre. A general index also includes numerous subject entries on such topics as acting, audiences, censorship, costumes, managers, performers, prompters, staging, ticket prices, or other relevant subjects. An authoritative reference providing essential details, this work will be of value to scholars, theatrical personnel, librarians, writers, journalists, and historians.

The Sandbar Saga

The Sandbar Saga
Author: Debra Kayn
Publisher:
Total Pages: 308
Release: 2019-10-14
Genre:
ISBN: 9781699892312

Dr. Race Conner is a well-respected psychologist in Astoria, Oregon, who has put his wild days behind him. Dedicated to leaving the limitations of the clinic to open his own private practice, he's willing to take on cases that will propel him forward in his career. Abiding a strict code of ethics, Race guides others to a healthier, happier life.Until he meets Katie.As her psychologist, there are lines he can't cross. He crosses them all.At twelve years old, Katie Meihoff has lived through the death of a parent, emotional abuse, and neglect. The only constant presence in her life is Dr. Conner. Through adolescent adoration, teenage curiosity, and adult fantasies, she becomes more and more dependent on the man who promises never to leave her.A passionate, captivating saga of exploration, forbidden love, and healing as Race and Katie fight for the love they both desperately need.

Love Walk

Love Walk
Author: Mary Stewart Anthony
Publisher: WestBow Press
Total Pages: 266
Release: 2021-06-14
Genre: Biography & Autobiography
ISBN: 1664207201

Love Walk is ... the unlikely story of what happens when a Flower Child marries a Marine! In Book One, Love Song of a Flower Child, Mary chronicles her journey as a rebel from New York to Berkeley and then to Big Sur, California in a desperate search to find purpose and meaning. She has a dramatic encounter with God that forever changes the trajectory of her life and the lives of her children.

The London Stage 1930-1939

The London Stage 1930-1939
Author: J. P. Wearing
Publisher: Rowman & Littlefield
Total Pages: 1133
Release: 2014-05-15
Genre: Performing Arts
ISBN: 0810893045

Theatre in London has celebrated a rich and influential history, and in 1976 the first volume of J. P. Wearing’s reference series provided researchers with an indispensable resource of these productions. In the decades since the original calendars were produced, several research aids have become available, notably various reference works and the digitization of important newspapers and relevant periodicals. The second edition of The London Stage 1930–1939: A Calendar of Productions, Performers, and Personnel provides a chronological calendar of London shows from January 1930 through December 1939. The volume chronicles more than 4,250 productions at 61 major central London theatres during this period. For each production the following information is provided: Title Author Theatre Performers Personnel Opening and Closing Dates Number of Performances Other details include genre of the production, number of acts, and a list of reviews. A comment section includes other interesting information, such as plot description, first-night reception by the audience, noteworthy performances, staging elements, and details of performances in New York either prior to or after the London production. Among the plays staged in London during this decade were The Barretts of Wimpole Street, French without Tears, George and Margaret, The Greeks Had a Word for It, Laburnum Grove, Lady Precious Stream, The Late Christopher Bean, Love on the Dole, Me and My Girl, Private Lives, and 1066 and All That, as well as numerous musical comedies (British and American), foreign works, operas, ballets, and revivals of English classics. A definitive resource, this edition revises, corrects, and expands the original calendar. In addition, approximately 20 percent of the material—in particular, information of adaptations and translations, plot sources, and comment information—is new. Arranged chronologically, the shows are fully indexed by title, genre, and theatre. A general index includes numerous subject entries on such topics as acting, audiences, censorship, costumes, managers, performers, prompters, staging, and ticket prices. The London Stage 1930-1939 will be of value to scholars, theatrical personnel, librarians, writers, journalists, and historians.

Hard Proof

Hard Proof
Author: Debra Kayn
Publisher: Createspace Independent Publishing Platform
Total Pages: 320
Release: 2017-05-30
Genre:
ISBN: 9781546980001

Identical twin sisters move to St. John's, Oregon, buy Vavoom's Bar, and purposely put themselves into the path of Notus Motorcycle Club. Burdened by a deep, dark secret, Clara has to be careful because one wrong step, one wrong word, could land her and Gracie in prison. Her need to stay close to the motorcycle club members backfire when Wayne Shaw throws her heart into a tailspin. There is more to the possessive biker than she originally thought. Cornered and out of options, she can only go forward and hope Wayne protects her. Wayne Shaw splits his time between working at Port Loaders, searching for missing persons in partnership with the local police department, and keeping Notus Motorcycle Club together in hopes a brother will come home. Skilled at finding clues normal people miss, he has no trouble telling the new owners of Vavoom's apart. He only wants Clara. When a little girl goes missing, followed by a teenager disappearing, Wayne's need to keep Clara safe while searching for a serial killer gets tested...until he's no longer sure who is the hunted and who is the hunter.

The Rise and Fall of Rape on the English Stage

The Rise and Fall of Rape on the English Stage
Author: Anne Greenfield
Publisher: Taylor & Francis
Total Pages: 106
Release: 2024-08-19
Genre: Performing Arts
ISBN: 1040102549

This book examines one of the most pervasive and successful dramatic tropes of the Restoration and early eighteenth century: sexual violence. During this sixty-year span, there were over fifty tragic and tragi-comedic productions that showcased rape and/or attempted rape—a remarkable number that was unprecedented in English dramatic history. Rape was not merely depicted more frequently during the Restoration, but it was also placed at the center of more plots, given more pathetic emphasis, and even staged more centrally. Restoration dramatists were the first to revolve routinely entire plots around the rapes of their innocent heroines, to give powerful voices to these heroines post-rape, and to imbue their sexually violent scenes with new and attention-getting staging techniques, such as discovery scenes. As this book argues, sexual violence emerged at this time as a highly flexible dramatic trope that could be used to illustrate terrifying political scenarios, elicit extreme pathos in audiences, and demonstrate the bearing that lost chastity had on social stability. It is precisely the rich, multi-faceted appeal of these productions—politically, sexually, visually, and culturally—that explains the popularity and significance of this dramatic trope on the English stage. This book will be of interest to students and scholars in Restoration, eighteenth-century studies, and theatre and performance studies.