The Fortunate Isles Or The Triumphs Of Britannia An Allegorical National Masque
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The Drama of Yesterday & Today
Author | : Clement Scott |
Publisher | : Garland Publishing |
Total Pages | : 688 |
Release | : 1899 |
Genre | : Literary Criticism |
ISBN | : |
The Letters of Edward Fitzgerald, Volume 1
Author | : Edward Fitzgerald |
Publisher | : Princeton University Press |
Total Pages | : 778 |
Release | : 2017-03-14 |
Genre | : Biography & Autobiography |
ISBN | : 1400885949 |
Bringing together more than a thousand unpublished letters as well as all the widely scattered published ones, these four volumes represent the first attempt at a complete edition of the letters of Edward Fitzgerald (1809-1883). Originally published in 1980. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Catalogue of Manuscript Music in the British Museum
Author | : British Museum. Department of Manuscripts |
Publisher | : |
Total Pages | : 996 |
Release | : 1908 |
Genre | : Manuscripts |
ISBN | : |
Pasticcio opera in Britain
Author | : Peter Morgan Barnes |
Publisher | : Manchester University Press |
Total Pages | : 303 |
Release | : 2024-07-09 |
Genre | : Music |
ISBN | : 1526165171 |
This study overturns twentieth-century thinking about pasticcio opera. This radical way of creating opera formed a counterweight, even a relief, to the trenchant masculinity of literate culture in the seventeenth century. It undermined the narrowing of nationalism in the eighteenth century, and was an act of gross sacrilege against the cult of Romantic genius in the nineteenth century. In the twentieth century, it found itself on the wrong side of copyright law. However, in the twenty-first century it is enjoying a tentative revival. This book redefines pasticcio as a method rather than a genre of opera and aligns it with other art forms which also created their works from pre-existing parts, including sculpture. A pasticcio opera is created from pre-existing music and text, thus flying in face of insistence on originality and creation by a solo genius.