The Forms Of Music
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Author | : Charles W. Walton |
Publisher | : Alfred Music |
Total Pages | : 228 |
Release | : 2005-05-03 |
Genre | : Music |
ISBN | : 9781457408229 |
Musical forms are illustrated through representative literature of all periods. Includes complete examples as well as suggestions for further listening and analytical experiences.
Author | : Charles W. Walton |
Publisher | : Alfred Music |
Total Pages | : 226 |
Release | : 2005-05-03 |
Genre | : Music |
ISBN | : 1457408228 |
Musical forms are illustrated through representative literature of all periods. Includes complete examples as well as suggestions for further listening and analytical experiences.
Author | : Leon Stein |
Publisher | : Alfred Music |
Total Pages | : 324 |
Release | : 1999-11-27 |
Genre | : Music |
ISBN | : 9781457400940 |
Structure and Style, first published in 1962 and expanded in 1979, fills the need for new ways of analysis that put 20th-century music in perspective. It spans forms in use before 1600 through forms and techniques in use today. Anthology of Musical Forms provides musical examples of forms treated in Structure and Style. Some examples are analyzed throughout. Most are left for the student to analyze. These books reflect Leon Stein's impressive background as student, musician, and composer. Stein studied composition with Leo Sowerby, Frederick Stock (conductor of the Chicago Symphony) and orchestration with Eric DeLamarter, his assistant. He earned M. Mus and Ph.D degrees at DePaul University and was associated with its School of Music as director of the Graduate Division and chairman of the Department of Theory and Composition until his retirement in 1976. He has composed a wide variety of works, including compositions for orchestra, chamber combinations, two operas, and a violin concerto.
Author | : Donald Francis Tovey |
Publisher | : Read Books Ltd |
Total Pages | : 332 |
Release | : 2013-05-31 |
Genre | : Music |
ISBN | : 1473390079 |
Sir Donald Francis Tovey was born in 1875, Donald Francis Tovey was a British musicologist and composer. He took classical honors with his B.A. at Oxford in 1898, and became a pianist of the first rank, though he never sought a virtuoso career. This book contains all the articles which Tovey wrote for the Encyclopaedia Britannica, as they now appear there, with the exception of one on 'Modern Music' and the biographies. The book was set up from printed slips, and thus follows the text finally approved and corrected by the author. The very long musical examples are printed in full. In book form, a few minor alterations have been necessary, mostly in the excising of references, and the bringing of the 'printer's style' into line with that of Tovey's other books. An occasional slip in the musical examples has been corrected.
Author | : Ebenezer Prout |
Publisher | : Sagwan Press |
Total Pages | : 276 |
Release | : 2018-02-07 |
Genre | : |
ISBN | : 9781376890136 |
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author | : Glenn Spring |
Publisher | : Waveland Press |
Total Pages | : 416 |
Release | : 2013-08-29 |
Genre | : Music |
ISBN | : 1478611731 |
Understanding the way music unfolds to the listener is a major key for unlocking the secrets of the composer’s art. Musical Form and Analysis, highly regarded and widely used for two decades, provides a balanced theoretical and philosophical approach that helps upper-level undergraduate music majors understand the structures and constructions of major musical forms. Spring and Hutcheson present all of the standard topics expected in such a text, but their approach offers a unique conceptual thrust that takes readers beyond mere analytical terminology and facts. Evocative rather than encyclopedic, the text is organized around three elements at work at all levels of music: time, pattern, and proportion. Well-chosen examples and direct, well-crafted assignments reinforce techniques. A 140-page anthology of music for in-depth analysis provides a wide range of carefully selected works.
Author | : William E. Caplin |
Publisher | : Oxford University Press, USA |
Total Pages | : 759 |
Release | : 2013-07 |
Genre | : Music |
ISBN | : 0199987297 |
Analyzing Classical Form offers an approach to the analysis of musical form that is especially suited for classroom use at both undergraduate and graduate levels. Students will learn how to make complete harmonic and formal analyses of music drawn from the instrumental works of Haydn, Mozart, and Beethoven.
Author | : WALLACE BERRY |
Publisher | : |
Total Pages | : 504 |
Release | : 1966 |
Genre | : |
ISBN | : |
Author | : Percy Goetschius |
Publisher | : Schirmer Trade Books |
Total Pages | : 266 |
Release | : 1898 |
Genre | : Music |
ISBN | : |
Author | : William Earl Caplin |
Publisher | : Leuven University Press |
Total Pages | : 181 |
Release | : 2010 |
Genre | : Music |
ISBN | : 9058678229 |
The tone of the debates among Caplin, Hepokoski, and Webster (in the form of comments on each author''s essay and then responses to the comments), though tactful, is obliquely blunt and tendentious; like the best of tennis pros, each author strives to serve an ace and defends the net against a passing shot (with Caplin, the ace is for formal function; with Hepokoski for Sonata Theory and dialogic form; with Webster for multivalent analysis). But we can trust that this provocative exchange will thoroughly invigorate discussions about classical form and encourage diverse approaches to its analys.