The Folklorist
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Author | : Eileen O'Finlan |
Publisher | : BWL Publishing Inc. |
Total Pages | : 315 |
Release | : 2023-10-01 |
Genre | : Fiction |
ISBN | : 0228627923 |
1830s Birch Falls, Vermont One by one Jerusha Kendall’s siblings fall victim to consumption, the scourge of the 19th century. Devastated by the loss of her children, Jerusha’s mother Mary is horrified over the outlandish folk remedy proposed by her dearest friend, Lavinia. Unable to divert the people of Birch Falls from carrying out Lavinia’s ghastly plan, Mary succeeds only in convincing them never to let Jerusha find out what they’ve done. But Jerusha knows a secret is being kept from her, and she is determined to uncover it.
Author | : John Taylor |
Publisher | : |
Total Pages | : |
Release | : 2020-05 |
Genre | : |
ISBN | : 9780646815664 |
Elias Petropoulos was the most controversial Greek writer of the twentieth century. Imprisoned three times during the Junta (1967-1974) and persecuted by Greek judges as late as the 1980s, this poet and "urban folklorist" produced a vast and groundbreaking oeuvre that continues to provoke extreme reactions from readers. Wielding his precise and provocative style on subject matter ranging from prison life, rebetika music, gay slang, traditional food and public hygiene, to the sociology of brothels, newspaper stands, moustaches, canes and gravestones, Petropoulos aggressively and rigorously challenged the narrow ways in which Greek culture was perceived.After arriving in Paris from the island of Samos in 1977, the American writer, critic and translator John Taylor tacked up a want ad in a Greek bookshop because he was seeking a collaborator for a translation project. Petropoulos, who emigrated to France in 1975, answered the want ad, and thus began a close working relationship that lasted until the author's death in 2003. This insider's portrait features translated excerpts of Petropoulos's writings, and discusses his ideas and methodology, woven together with touching reminiscences and observations about the man behind the sulphurous reputation. It is the first book to appear in English that deals so thoroughly and poetically with this enfant terrible of Modern Greek letters.
Author | : Willow G. Mullins |
Publisher | : University Press of Colorado |
Total Pages | : 313 |
Release | : 2019-11-08 |
Genre | : Social Science |
ISBN | : 1607327856 |
The Folklorist in the Marketplace brings together voices from multiple disciplines to consider how economics shape—and are shaped by—folk groups and academic disciplines. The authors ask how folk and folklorists can productively comment on the economic structures they inhabit. As trade, technology, and geopolitics have led to a rapid increase in the global spread of cultural products like media, knowledge, objects, and folkways, there has been a concomitant rise in fear and anxiety about globalization’s dark other side—economic nativism, neocolonialism, cultural appropriation, and loss. Culture has become a resource and a currency in the global marketplace. This movement of people and forms necessitates a new textual consideration of how folklore and economics interweave. In The Folklorist in the Marketplace, contributors explore how the marketplace and folklore have always been integrally linked and what that means at this cultural and economic moment. Covering a variety of topics, from creel boats to the history of a commune that makes hammocks, The Folklorist in the Marketplace goes far beyond the well-trod examinations of material culture to look closely at the historical and contemporary intersections of these two disciplines and to provoke cross-disciplinary conversation and collaboration. Contributors: William A. Ashton, Halle M. Butvin, James I. Deutsch, Christofer Johnson, Michael Lange, John Laudun, Julie M-A LeBlanc, Cassie Patterson, Rahima Schwenkbeck, Amy Shuman, Irene Sotiropoulou, Yuanhao Zhao
Author | : Timothy Lloyd |
Publisher | : Indiana University Press |
Total Pages | : 268 |
Release | : 2021-10-05 |
Genre | : Social Science |
ISBN | : 0253058414 |
What can you do with a folklore degree? Over six dozen folklorists, writing from their own experiences, show us. What Folklorists Do examines a wide range of professionals—both within and outside the academy, at the beginning of their careers or holding senior management positions—to demonstrate the many ways that folklore studies can shape and support the activities of those trained in it. As one of the oldest academic professions in the United States and grounded in ethnographic fieldwork, folklore has always been concerned with public service and engagement beyond the academy. Consequently, as this book demonstrates, the career applications of a training in folklore are many—advocating for local and national causes; shaping public policy; directing and serving in museums; working as journalists, publishers, textbook writers, or journal editors; directing national government programs or being involved in historic preservation; teaching undergraduate and graduate students; producing music festivals; pursuing a career in politics; or even becoming a stand-up comedian. A comprehensive guide to the range of good work carried out by today's folklorists, What Folklorists Do is essential reading for folklore students and professionals and those in positions to hire them. Audio book narrated by Walter Brown. Produced by Speechki in 2021.
Author | : Lawrence R. Rodgers |
Publisher | : University of Oklahoma Press |
Total Pages | : 293 |
Release | : 2014-10-20 |
Genre | : Biography & Autobiography |
ISBN | : 0806186291 |
Folklorist, writer, editor, regionalist, cultural activist—Benjamin Albert Botkin (1901–1975) was an American intellectual who made a mark on the twentieth century, even though most people may be unaware of it. This book, the first to reevaluate the legacy of Botkin in the history of American culture, celebrates his centenary through a collection of writings that assess his influence on scholarship and the American scene. Through his work with the Federal Writers' Project during the New Deal, the Writers' Unit of the Library of Congress Project, and the Archive of American Folksong, Botkin did more to collect and disseminate the nation's folk-cultural heritage than any other individual in the twentieth century. This volume focuses on Botkin's eclectic but interrelated concerns, work, and vision and offers a detailed sense of his life, milieu, influences, and long-term contributions. Just as Botkin boldly cut across the boundaries between high and low, popular and folk, this book brings together reflections that range from the historical to the philosophical to the disarmingly personal. One group of articles looks at his career and includes the first extended analysis of Botkin's poetry; another probes the fruitful relationships Botkin had with leading musicologists, composers, poets, and intellectuals of his day. This is also the first book to bring together a collection of Botkin's best-known writings, giving readers an opportunity to appreciate his wide-ranging mind and clear, often memorable prose. For Botkin, the blurring of art and science, literature and folklore was not just a philosophy but a way of life. This book reflects that life and invites fans and those new to Botkin to appraise his lasting contributions.
Author | : |
Publisher | : |
Total Pages | : 508 |
Release | : 1957 |
Genre | : Folk dancing |
ISBN | : |
Author | : Jeana Jorgensen |
Publisher | : Dr Jeana Jorgensen LLC |
Total Pages | : 298 |
Release | : 2021-10-31 |
Genre | : Social Science |
ISBN | : |
When's the last time you got to pick a folklorist's brain? Did you know memes count as folklore? Or that folklorists assign numbers to fairy tales to keep track of them all? The field of folklore studies is over two centuries old, and it's full of amazing insights about human behavior, creativity, and community. Folklore studies is as interdisciplinary as it gets, squished somewhere between anthropology and linguistics and religious studies and comparative literature and more. It’s all about the informal human interactions, the million tiny acts and stories and beliefs and arts that function as social glue even if they seem beneath notice. Do traditional holiday foods have a deeper meaning? Yep. Same with folk music, ballads, proverbs, jokes, urban legends, body art, and a ton more genres covered in this book. Is the whole book as easy to read and irreverent as this description? Yep. This fun, accessible guide to the academic study of folklore packs in a college class's worth of material, from basic concepts and major folklore genres to special topics based on identity, fancy theories, and more. If you've always wanted to take a folklore class, or you're a writer or artist using folklore in your work, or you're just generally interested in the topic, this is the book for you! “This wonderfully insightful book introduces the reader to folklore with warmth and good humor. Students and others interested in folklore will love it!” - Libby Tucker, Distinguished Service Professor of English, Binghamton University and author of Haunted Halls: Ghostlore of American College Campuses “Dr. Jeana Jorgensen knows her stuff and, just as importantly, knows how to communicate it. Folklore 101 is a treasure trove of knowledge, the kind it would take years of college courses to accumulate yourself. If you're curious about academic folklore, this clear, engaging book is where you want to start." – Dr. Sara Cleto, co-founder of The Carterhaugh School of Folklore and the Fantastic
Author | : Aaron Shepard |
Publisher | : Shepard Publications |
Total Pages | : 119 |
Release | : 2022 |
Genre | : Language Arts & Disciplines |
ISBN | : 1620352176 |
Fifteen years after publishing "The Business of Writing for Children" -- the all-time online bestseller among guides to children's writing -- award-winning author Aaron Shepard returns with a new collection of articles on the art and business of creating literature for young people. Topics include managing time in stories, structuring a chapter book, retelling folktales and legends, obtaining permissions, databases and business forms for children's writers, performance tips for author readings, online interaction with young readers, reviving a book with print on demand, converting from picture book to ebook, and more. Whether you're aiming at traditional publishers or choosing to self publish, let "Adventures in Writing for Children" help you pursue an adventure of your own. ///////////////////////////////////////////////// Aaron Shepard is the author of "The Legend of Lightning Larry," "The Baker's Dozen," and sixteen more picture books and early readers, along with several chapter books for middle grades, extensive resources for storytelling and reader's theater, and a graphic novel. His publishers have included Atheneum, Scribners, Clarion, Lothrop, Dial, and HarperCollins, as well as Cricket and Australia's School Magazine. Aaron's work has been honored by the American Library Association, the National Council for the Social Studies, the American Folklore Society, The New York Public Library, and the Bank Street College of Education. He has been a judge for the Golden Kite Awards of the Society of Children's Book Writers and Illustrators. ///////////////////////////////////////////////// "Simply stated, anyone aspiring to write a book -- any kind of book -- for a child should read Aaron Shepard's 'Adventures in Writing for Children.' This little volume fully lives up to its hype. An invaluable addition to personal and community library collections and reading lists." -- Small Press Bookwatch, March 2015 ///////////////////////////////////////////////// CONTENTS Real Time Break It Down, Build It Up The Art of Retelling Building a Legend The Perils of Permissions Databases for the Children's Writer Business Forms for the Children's Writer The Magic of Reading to Children Tinker, Tailor, Writer, Storyteller Works in Progress Saving "The Sea King's Daughter" From Picture Book to Ebook This Is Not a Test What's Good for Business . . . Real Books Kidwriting Quotes ///////////////////////////////////////////////// SAMPLE My earlier book on children's writing, "The Business of Writing for Children," was drawn mainly from two sources: handouts from the classes and workshops I used to give, and my articles for "Once Upon A Time" and the "SCBWI Bulletin" (earlier called the "SCBW Bulletin") -- the newsletter of the Society of Children's Book Writers and Illustrators. In selecting the articles to include in that book, I tried to keep a balance among its main subject areas -- writing, publishing, marketing -- and to avoid domination by my personal specialties. I also chose to omit my more controversial articles, to make the book more generally accessible. Naturally, these criteria left out a number of articles I considered valuable. I'm pleased to offer at least some of them now, in this second collection. I've also included later articles, with some brand new ones -- some of which I've meant to write for years. (There's nothing like publishing a book to help you tie up loose ends.) And as an added treat, I've thrown in the children's writer quotations featured on my Web site.
Author | : Robert Baron |
Publisher | : Univ. Press of Mississippi |
Total Pages | : 399 |
Release | : 2010-12-06 |
Genre | : Social Science |
ISBN | : 1604733160 |
A landmark volume exploring the public presentation and application of folk culture in collaboration with communities, Public Folklore is available again with a new introduction discussing recent trends and scholarship. Editors Robert Baron and Nick Spitzer provide theoretical framing to contributions from leaders of major American folklife programs and preeminent folklore scholars, including Roger D. Abrahams, Robert Cantwell, Gerald L. Davis, Archie Green, Bess Lomax Hawes, Richard Kurin, Daniel Sheehy, and Barbara Kirshenblatt-Gimblett. Their essays present vivid accounts of public folklore practice in a wide range of settings—nineteenth-century world's fairs and minstrel shows, festivals, museums, international cultural exchange programs, concert stages, universities, and hospitals. Drawing from case studies, historical analyses, and their own experiences as advocates, field researchers, and presenters, the essayists recast the history of folklore in terms of public practice, while discussing standards for presentation to new audiences. They approach engagement with tradition bearers as requiring collaboration and dialogue. They critically examine who has the authority to represent folk culture, the ideologies informing these representations, and the effect upon folk artists of encountering revived and new audiences within and beyond their own communities. In discussions of the relationship between public practice and the academy, this volume also offers new models for integrating public folklore training within graduate studies.
Author | : Charles Camp |
Publisher | : |
Total Pages | : 128 |
Release | : 1989 |
Genre | : Folklore |
ISBN | : |