The Folk Society
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Romancing the Folk
| Author | : Benjamin Filene |
| Publisher | : UNC Press Books |
| Total Pages | : 344 |
| Release | : 2000 |
| Genre | : Music |
| ISBN | : 9780807848623 |
In American music, the notion of "roots" has been a powerful refrain, but just what constitutes our true musical traditions has often been a matter of debate. As Benjamin Filene reveals, a number of competing visions of America's musical past have vied fo
Journal of the Folk-Song Society
| Author | : Folk-Song Society (Great Britain) |
| Publisher | : |
| Total Pages | : 452 |
| Release | : 1918 |
| Genre | : Folk songs |
| ISBN | : |
Contains music.
The Folk Society as Type
| Author | : Albert L. Wahrhaftig |
| Publisher | : |
| Total Pages | : 50 |
| Release | : 1968 |
| Genre | : Cherokee Indians |
| ISBN | : |
The Folk
| Author | : Ross Cole |
| Publisher | : Univ of California Press |
| Total Pages | : 275 |
| Release | : 2021-09-07 |
| Genre | : Music |
| ISBN | : 0520383745 |
"Who were 'the folk'? This question has haunted generations of radicals and reactionaries alike. The Folk traces the musical culture of these elusive figures in Britain and the US during a crucial period from 1870 to 1930, and beyond to the contemporary alt-right. It follows an insistent set of disputes surrounding the practice of collecting, ideas of racial belonging, the poetics of nostalgia, and the pre-history of European fascism. It is the biography of a people who exist only as a symptom of the modern imagination and the archaeology of a landscape directing the flow of global politics today"--
Intentional Community and the Folk Society
| Author | : Community Service, Inc |
| Publisher | : Community Service (OH) |
| Total Pages | : 20 |
| Release | : 1991-05 |
| Genre | : Collective settlements |
| ISBN | : 9780910420112 |
Rainbow Quest
| Author | : Ronald D. Cohen |
| Publisher | : |
| Total Pages | : 392 |
| Release | : 2002 |
| Genre | : Music |
| ISBN | : |
This study reconstructs the history of the folk-music revival in the States, tracing its origins to the early decades of the 20th century. Drawing on scores of interviews and numerous manuscript collections, as well as his own extensive files, Cohen shows how a broad range of traditions - from hillbilly, gospel, blues and sea shanties to cowboy, ethnic and political-protest music - all contributed to the genre known as folk.
