The First Moderns
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| Author | : William R. Everdell |
| Publisher | : University of Chicago Press |
| Total Pages | : 514 |
| Release | : 2009-02-15 |
| Genre | : History |
| ISBN | : 0226224848 |
A lively and accessible history of Modernism, The First Moderns is filled with portraits of genius, and intellectual breakthroughs, that richly evoke the fin-de-siècle atmosphere of Paris, Vienna, St. Louis, and St. Petersburg. William Everdell offers readers an invigorating look at the unfolding of an age. "This exceptionally wide-ranging history is chock-a-block with anecdotes, factoids, odd juxtapositions, and useful insights. Most impressive. . . . For anyone interested in learning about late 19th- and early 20th- century imaginative thought, this engagingly written book is a good place to start."—Washington Post Book World "The First Moderns brilliantly maps the beginning of a path at whose end loom as many diasporas as there are men."—Frederic Morton, The Los Angeles Times Book Review "In this truly exciting study of the origins of modernist thought, poet and teacher Everdell roams freely across disciplinary lines. . . . A brilliant book that will prove useful to scholars and generalists for years to come; enthusiastically recommended."—Library Journal, starred review "Everdell has performed a rare service for his readers. Dispelling much of the current nonsense about 'postmodernism,' this book belongs on the very short list of profound works of cultural analysis."—Booklist "Innovative and impressive . . . [Everdell] has written a marvelous, erudite, and readable study."-Mark Bevir, Spectator "A richly eclectic history of the dawn of a new era in painting, music, literature, mathematics, physics, genetics, neuroscience, psychiatry and philosophy."—Margaret Wertheim, New Scientist "[Everdell] has himself recombined the parts of our era's intellectual history in new and startling ways, shedding light for which the reader of The First Moderns will be eternally grateful."—Hugh Kenner, The New York Times Book Review "Everdell shows how the idea of "modernity" arose before the First World War by telling the stories of heroes such as T. S. Eliot, Max Planck, and Georges Serault with such a lively eye for detail, irony, and ambiance that you feel as if you're reliving those miraculous years."—Jon Spayde, Utne Reader
| Author | : William R. Everdell |
| Publisher | : University of Chicago Press |
| Total Pages | : 532 |
| Release | : 1997-05-15 |
| Genre | : Art |
| ISBN | : 9780226224800 |
Throughout the worlds of art and ideas, of science and philosophy, Modernism was dawning, and with it a new mode of conceptualization.
| Author | : Mary Poovey |
| Publisher | : University of Chicago Press |
| Total Pages | : 446 |
| Release | : 2009-11-30 |
| Genre | : Social Science |
| ISBN | : 0226675181 |
How did the fact become modernity's most favored unit of knowledge? How did description come to seem separable from theory in the precursors of economics and the social sciences? Mary Poovey explores these questions in A History of the Modern Fact, ranging across an astonishing array of texts and ideas from the publication of the first British manual on double-entry bookkeeping in 1588 to the institutionalization of statistics in the 1830s. She shows how the production of systematic knowledge from descriptions of observed particulars influenced government, how numerical representation became the privileged vehicle for generating useful facts, and how belief—whether figured as credit, credibility, or credulity—remained essential to the production of knowledge. Illuminating the epistemological conditions that have made modern social and economic knowledge possible, A History of the Modern Fact provides important contributions to the history of political thought, economics, science, and philosophy, as well as to literary and cultural criticism.
| Author | : Daniel B. Schwartz |
| Publisher | : Princeton University Press |
| Total Pages | : 291 |
| Release | : 2013-12-01 |
| Genre | : Philosophy |
| ISBN | : 069116214X |
Pioneering biblical critic, theorist of democracy, and legendary conflater of God and nature, Jewish philosopher Baruch Spinoza (1632-1677) was excommunicated by the Sephardic Jews of Amsterdam in 1656 for his "horrible heresies" and "monstrous deeds." Yet, over the past three centuries, Spinoza's rupture with traditional Jewish beliefs and practices has elevated him to a prominent place in genealogies of Jewish modernity. The First Modern Jew provides a riveting look at how Spinoza went from being one of Judaism's most notorious outcasts to one of its most celebrated, if still highly controversial, cultural icons, and a powerful and protean symbol of the first modern secular Jew. Ranging from Amsterdam to Palestine and back again to Europe, the book chronicles Spinoza's posthumous odyssey from marginalized heretic to hero, the exemplar of a whole host of Jewish identities, including cosmopolitan, nationalist, reformist, and rejectionist. Daniel Schwartz shows that in fashioning Spinoza into "the first modern Jew," generations of Jewish intellectuals--German liberals, East European maskilim, secular Zionists, and Yiddishists--have projected their own dilemmas of identity onto him, reshaping the Amsterdam thinker in their own image. The many afterlives of Spinoza are a kind of looking glass into the struggles of Jewish writers over where to draw the boundaries of Jewishness and whether a secular Jewish identity is indeed possible. Cumulatively, these afterlives offer a kaleidoscopic view of modern Jewish cultureand a vivid history of an obsession with Spinoza that continues to this day.
| Author | : Carole Paul |
| Publisher | : Getty Publications |
| Total Pages | : 372 |
| Release | : 2012-11-16 |
| Genre | : Art |
| ISBN | : 1606061208 |
In the eighteenth and early nineteenth centuries the first modern, public museums of art—civic, state, or national—appeared throughout Europe, setting a standard for the nature of such institutions that has made its influence felt to the present day. Although the emergence of these museums was an international development, their shared history has not been systematically explored until now. Taking up that project, this volume includes chapters on fifteen of the earliest and still major examples, from the Capitoline Museum in Rome, opened in 1734, to the Alte Pinakothek in Munich, opened in 1836. These essays consider a number of issues, such as the nature, display, and growth of the museums’ collections and the role of the institutions in educating the public. The introductory chapters by art historian Carole Paul, the volume’s editor, lay out the relationship among the various museums and discuss their evolution from private noble and royal collections to public institutions. In concert, the accounts of the individual museums give a comprehensive overview, providing a basis for understanding how the collective emergence of public art museums is indicative of the cultural, social, and political shifts that mark the transformation from the early-modern to the modern world. The fourteen distinguished contributors to the book include Robert G. W. Anderson, former director of the British Museum in London; Paula Findlen, Ubaldo Pierotti Professor of Italian History at Stanford University; Thomas Gaehtgens, director of the Getty Research Institute; and Andrew McClellan, dean of academic affairs and professor of art history at Tufts University. Show more Show less
| Author | : Diane Radycki |
| Publisher | : Yale University Press |
| Total Pages | : 258 |
| Release | : 2013-04-30 |
| Genre | : Art |
| ISBN | : 0300185308 |
DIVA major new look at the life and career of a pioneering woman artist/div
| Author | : Peter Hebblethwaite |
| Publisher | : Paulist Press |
| Total Pages | : 662 |
| Release | : 2018 |
| Genre | : Biography & Autobiography |
| ISBN | : 1587687593 |
A thoughtful, highly acclaimed biography of Giovanni Battista Montini, Paul VI, which sheds light on and powerfully underscores the personal and ecclesial sides of a man who brought modernity to the church.
| Author | : Tom Wood |
| Publisher | : |
| Total Pages | : 300 |
| Release | : 2019-03-21 |
| Genre | : True Crime |
| ISBN | : 9781789720723 |
In 1935, the deaths of Isabella Ruxton and Mary Rogerson were reported in newspapers worldwide. But behind the headlines was a different, more important story: the groundbreaking work of Scottish forensic scientists who developed new techniques to solve the case and shape the future of scientific criminal investigation.
| Author | : Elisabeth Basford |
| Publisher | : The History Press |
| Total Pages | : 317 |
| Release | : 2021-02-05 |
| Genre | : Biography & Autobiography |
| ISBN | : 0750997001 |
Princess Diana is seen as the first member of the British royal family to tear up the rulebook, and the Duchess of Cambridge is modernising the monarchy in strides. But before them was another who paved the way. Princess Mary was born in 1897. Despite her Victorian beginnings, she strove to make a princess's life meaningful, using her position to help those less fortunate and defying gender conventions in the process. As the only daughter of King George V and Queen Mary, she would live to see not only two of her brothers ascend the throne but also her niece Queen Elizabeth II. She was one of the hardest-working members of the royal family, known for her no-nonsense approach and her determination in the face of adversity. During the First World War she came into her own, launching an appeal to furnish every British troop and sailor with a Christmas gift, and training as a nurse at Great Ormond Street Hospital. From her dedication to the war effort, to her role as the family peacemaker during the Abdication Crisis, Mary was the princess who redefined the title for the modern age. In the first biography in decades, Elisabeth Basford offers a fresh appraisal of Mary's full and fascinating life.
| Author | : Gilles Néret |
| Publisher | : Taschen |
| Total Pages | : 102 |
| Release | : 2003 |
| Genre | : Art |
| ISBN | : 9783822819494 |
The inventor of modernity Violently criticized during his lifetime for his supposedly provocative paintings, French painter Edouard Manet (1832-1883) is now considered a master of inestimable importance in the history of painting. His 1863 painting "D�jeuner sur l'herbe" depicting two clothed men picnicing with a nude woman--now considered one of the most memorable images of the 19th century--stirred up controversy for what many considered its vulgar audacity. It was famously rejected by the Paris Salon and exhibited in the Salon des Refus�s. Manet's bold style helped pave the way from Realism to Impressionism, and in doing so ushered in the age of modern art. About the Series: Each book in TASCHEN's Basic Art series features: a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance a concise biography approximately 100 illustrations with explanatory captions
