Encyclopedia of American Opera

Encyclopedia of American Opera
Author: Ken Wlaschin
Publisher: McFarland
Total Pages: 487
Release: 2024-10-16
Genre: Music
ISBN: 1476612382

This encyclopedia lists, describes and cross-references everything to do with American opera: works (both operas and operettas), composers, librettists, singers, and source authors, along with relevant recordings. The approximately 1,750 entries range from ballad operas and composers of the 18th century to modern minimalists and video opera artists. Each opera entry consists of plot, history, premiere and cast, followed by a chronological listing of recordings, movies and videos.

Here Comes Kitty

Here Comes Kitty
Author: Richard Jacob Kraft
Publisher: Siglio Press
Total Pages: 0
Release: 2015
Genre: Art
ISBN: 9781938221088

In this wildly irreverent collage narrative, Los Angeles artist Richard Kraft reassembles a pre-perestroika era comic about a Polish spy infiltrating the Nazis, orchestrating a multiplicity of voices into joyous cacophony. Like an Indian miniature painting, each comic book page is densely layered, collapsing foreground and background, breaking the frame and merging time. An enormous cast of characters emerges as Kraft appropriates images and texts from an extraordinary variety of sources (the Amar Chitra Katha comics of Hindu mythology, Jimmy Swaggart's Old and New Testament stories, the 1960s English football annual Scorcher, underground porn comics like Cherry, images from art history, outdated encyclopedias and more). Kraft constructs a world constantly in flux, rich with dark humor and revelatory nonsense. Writer Danielle Dutton's set of 16 interpolations punctuate the book using similar strategies of appropriation and juxtaposition to create texts that sing in the same arresting register as Kraft's collages. Here Comes Kitty also includes a conversation between poet Ann Lauterbach and artist Richard Kraft.

Gilbert and Sullivan

Gilbert and Sullivan
Author: Kurt Gänzl
Publisher: State University of New York Press
Total Pages: 389
Release: 2021-10-01
Genre: Performing Arts
ISBN: 1438485476

In this, the first book to focus on the original cast members of the classic Gilbert and Sullivan comic operas, world-renowned musical theater expert Kurt Gänzl provides a concise history of the writing and production of each opera, vividly colored by the often little-known life stories of these early performers. Meticulously researched and lavishly illustrated with rare photographs, Gilbert and Sullivan: The Players and the Plays delves into the professional and personal lives of the British and American actors and singers who created the celebrated "famous fourteen" Gilbert and Sullivan operas.

The Barber of Seville and The Marriage of Figaro

The Barber of Seville and The Marriage of Figaro
Author: Pierre-Augustin Beaumarchais
Publisher: Penguin UK
Total Pages: 217
Release: 2005-03-31
Genre: Drama
ISBN: 0141960736

A French courtier, secret agent, libertine and adventurer, Beaumarchais (1732-99) was also author of two sparkling plays about the scoundrelly valet Figaro - triumphant successes that were used as the basis of operas by Mozart and Rossini. A highly engaging comedy of intrigue, The Barber of Seville portrays the resourceful Figaro foiling a jealous old man's attempts to keep his beautiful ward from her lover. And The Marriage of Figaro - condemned by Louis XVI for its daring satire of nobility and privilege - depicts a master and servant set in opposition by their desire for the same woman. With characteristic lightness of touch, Beaumarchais created an audacious farce of disguise and mistaken identity that balances wit, frivolity and seriousness in equal measure.

A Short History of Opera

A Short History of Opera
Author: Donald Jay Grout
Publisher: Columbia University Press
Total Pages: 1049
Release: 2003
Genre: Opera
ISBN: 0231119585

"The fourth edition incorporates new scholarship that traces the most important developments in the evolution of musical drama. After surveying anticipations of the operatic form in the lyric theater of the Greeks, medieval dramatic music, and other forerunners, the book reveals the genre's beginnings in the seventeenth century and follows its progress to the present day."--Jacket.

150 Years of Popular Musical Theatre

150 Years of Popular Musical Theatre
Author: Andrew Lamb
Publisher: Yale University Press
Total Pages: 400
Release: 2000-01-01
Genre: Music
ISBN: 9780300075380

Covers the development of musicals, from the earliest European operetta styles of France and Germany to the modern musical of the United States and Britain.

Anything Goes

Anything Goes
Author: Ethan Mordden
Publisher: Oxford University Press
Total Pages: 359
Release: 2013-10
Genre: History
ISBN: 0199892830

Offers a history of American musical theater from the 1920s through to the 1970s, and includes such famous works as "Oklahoma!," "The Red Mill," and "Porgy and Bess."

Opera for the People

Opera for the People
Author: Katherine K. Preston
Publisher: Oxford University Press
Total Pages: 649
Release: 2017-10-11
Genre: Music
ISBN: 0199371660

Opera for the People is an in-depth examination of a forgotten chapter in American social and cultural history: the love affair that middle-class Americans had with continental opera (translated into English) in the 1870s, 1880s, and 1890s. Author Katherine Preston reveals how-contrary to the existing historiography on the American musical culture of this period-English-language opera not only flourished in the United States during this time, but found its success significantly bolstered by the support of women impresarios, prima-donnas, managers, and philanthropists who provided financial backing to opera companies. This rich and compelling study details the lives and professional activities of several important players in American postbellum opera, including manager Effie Ober, philanthropist Jeannette Thurber, and performers/artistic directors Caroline Richings, Euphrosyne Parepa-Rosa, Clara Louise Kellogg, and "the people's prima donna" Emma Abbott. Drawing from an impressive range of primary sources, including contemporaneous music and theater periodicals, playbills, memoirs, librettos, scores, and reviews and commentary on the performances in digitized newspapers, Preston tells the story of how these and other women influenced the activities of some of the more than one hundred opera companies touring the United States during the second half of the 19th century, performing opera in English for a diverse range of audiences. Countering a pervasive and misguided historical understanding of opera reception in the United States-unduly influenced by modern attitudes about the genre as elite, exclusive, expensive, and of interest only to a niche market-Opera for the People demonstrates the important (and hitherto unsuspected) place of opera in the rich cornucopia of late-century American musical theatre, which would eventually lead to the emergence of American musical comedy.