Getting Away With It

Getting Away With It
Author: Steven Soderbergh
Publisher: Macmillan
Total Pages: 236
Release: 1999
Genre: Biography & Autobiography
ISBN: 9780571190256

Steven Soderbergh and Richard Lester are a generation apart, but theyshare a sense of humour and a passion for cinema. Soderbergh's freshman film, sex, lies and videotape, inaugurated a movementin US independent cinema. Lester's freewheeling work in the '60s and '70s (Help!, A Hard Day's Night, The Knack, How I Won the War, Petulia) helped create a 'new wave' of British film-making. Here, the two cineastes discuss their mutual passion for the medium in a frank,funny and free-ranging series of interviews. Also included is Soderbergh's diary of an extraordinary twelve months in which he ventured into 'guerilla film-making' with offbeatprojects Schizopolis and Gray's Anatomy, before returning to the Hollywood fray with the George Clooney hit Out of Sight.

The Man who "framed" the Beatles

The Man who
Author: Andrew Yule
Publisher: Dutton Adult
Total Pages: 384
Release: 1994
Genre: Biography & Autobiography
ISBN: 9781556113901

Examines the life and work of the director of "A Hard Day's Night," "The Three Muskateers," and "Superman II"

A Wish Beyond the Stars

A Wish Beyond the Stars
Author: Richard Lester
Publisher:
Total Pages: 190
Release: 2012
Genre: Biography & Autobiography
ISBN: 9781618630988

As far back as he can remember, Johnny Martino has wished beyond the stars. As an actor in Hollywood, Johnny found himself side by side with the fictional Godfather of all time -- Marlon Brando. It was a wish comes true. In real-life, part of Johnny's childhood was spent in Sicily with Lucky Luciano-the father of organized crime in America. A Wish Beyond The Stars journeys to the underworld, the world of Hollywood, and everywhere in between. When you wish beyond the stars, anything can happen-and even the bad guys can become the heroes-both on-screen and in real life. "Leave the gun. Take the cannoli, but you can never forget Johnny Martino." (Charlie Carlson, Author & Entertainer)

Beatles at the Movies

Beatles at the Movies
Author: Roy Carr
Publisher:
Total Pages: 175
Release: 1996
Genre: Motion pictures and rock music
ISBN: 9781873884447

It's Been A Hard Day's Night, Help , Yellow Submarine, Magical Mystery Tour, Let It Be.... These were the five films made by the Beatles, films that, like the band itself, broke new ground, set new trends and became cult favorites that continue to fascinate fans a quarter of a century later. Beatles at the Movies provides detailed behind-the-scene takes on the making of these films. It describes each movie location, the antics of the Fab Four in front of -- and behind -- the camera, the day-to-day events and the sometimes unusual problems the crew encountered. It also provides in-depth information on the recordings of the songs used in each movie. Featuring a foreword by Richard Lester, director of the first two Beatles films, it gives an insider's point of view on these films that no other book has ever offered. Beatlemania has experienced a major resurgence. ABC's documentary on the band (which was re-broadcast in the fall of 1996), and the release of their two "new" singles generated tremendous fanfare. Two more double-CD sets of Beatles recordings have been released, and the Beatles are crawling all over the World Wide Web. Beatles at the Movies taps into this continuing interest, and will have tremendous appeal for movie fans and fans of the greatest rock 'n' roll band in history.

Easy Riders Raging Bulls

Easy Riders Raging Bulls
Author: Peter Biskind
Publisher: Simon and Schuster
Total Pages: 516
Release: 2011-12-13
Genre: Performing Arts
ISBN: 1439126615

In 1969, a low-budget biker movie, Easy Rider, shocked Hollywood with its stunning success. An unabashed celebration of sex, drugs, and rock 'n' roll (onscreen and off), Easy Rider heralded a heady decade in which a rebellious wave of talented young filmmakers invigorated the movie industry. In Easy Riders, Raging Bulls, Peter Biskind takes us on the wild ride that was Hollywood in the '70s, an era that produced such modern classics as The Godfather, Chinatown, Shampoo, Nashville, Taxi Driver, and Jaws. Easy Riders, Raging Bulls vividly chronicles the exuberance and excess of the times: the startling success of Easy Rider and the equally alarming circumstances under which it was made, with drugs, booze, and violent rivalry between costars Dennis Hopper and Peter Fonda dominating the set; how a small production company named BBS became the guiding spirit of the youth rebellion in Hollywood and how, along the way, some of its executives helped smuggle Huey Newton out of the country; how director Hal Ashby was busted for drugs and thrown in jail in Toronto; why Martin Scorsese attended the Academy Awards with an FBI escort when Taxi Driver was nominated; how George Lucas, gripped by anxiety, compulsively cut off his own hair while writing Star Wars, how a modest house on Nicholas Beach occupied by actresses Margot Kidder and Jennifer Salt became the unofficial headquarters for the New Hollywood; how Billy Friedkin tried to humiliate Paramount boss Barry Diller; and how screenwriter/director Paul Schrader played Russian roulette in his hot tub. It was a time when an "anything goes" experimentation prevailed both on the screen and off. After the success of Easy Rider, young film-school graduates suddenly found themselves in demand, and directors such as Francis Coppola, Peter Bogdanovich, George Lucas, and Martin Scorsese became powerful figures. Even the new generation of film stars -- Nicholson, De Niro, Hoffman, Pacino, and Dunaway -- seemed a breed apart from the traditional Hollywood actors. Ironically, the renaissance would come to an end with Jaws and Star Wars, hugely successful films that would create a blockbuster mentality and crush innovation. Based on hundreds of interviews with the directors themselves, producers, stars, agents, writers, studio executives, spouses, and ex-spouses, this is the full, candid story of Hollywood's last golden age. Never before have so many celebrities talked so frankly about one another and about the drugs, sex, and money that made so many of them crash and burn. By turns hilarious and shocking, Easy Riders, Raging Bulls is the ultimate behind-the-scenes account of Hollywood at work and play.

Richard Lester

Richard Lester
Author: Diane Rosenfeldt
Publisher: Hall Reference Books
Total Pages: 168
Release: 1978
Genre: Performing Arts
ISBN:

Citizen Spielberg

Citizen Spielberg
Author: Lester D. Friedman
Publisher: University of Illinois Press
Total Pages: 378
Release: 2010-10-01
Genre: Performing Arts
ISBN: 0252091299

Steven Spielberg is the director or producer of over one third of the thirty highest grossing films of all time, yet most film scholars dismiss him as little more than a modern P. T. Barnum--a technically gifted and intellectually shallow showman who substitutes spectacle for substance. To date, no book has attempted to analyze the components of his worldview, the issues which animate his most significant works, the roots of his immense acceptance, and the influence his vast spectrum of imaginative products exerts on the public consciousness. In Citizen Spielberg, Lester D. Friedman fills that void with a systematic analysis of the various genres in which the director has worked, including science fiction (E.T.), adventure (Raiders trilogy), race films (The Color Purple, Amistad), and war films (Saving Private Ryan, Schindler’s List). Friedman concludes that Spielberg’s films present a sustained artistic vision combined with a technical flair matched by few other filmmakers, and makes a compelling case for Spielberg to be considered as a major film artist.

Doing Philosophy at the Movies

Doing Philosophy at the Movies
Author: Richard A. Gilmore
Publisher: SUNY Press
Total Pages: 200
Release: 2005-03-17
Genre: Performing Arts
ISBN: 9780791463925

"Doing Philosophy at the Movies finds the roots of profound philosophical ideas in the relatively ordinary context of popular, mostly Hollywood, movies. Richard A. Gilmore suggests that narratives of popular films like Hitchcock's "Vertigo, John Ford's "The Searchers, Woody Allen's "Crimes and Misdemeanors, the Coen Brothers' "Fargo, and Danny Boyle's "Trainspotting mirror certain epiphanies in the works of great philosophers. Via Plato. Aristotle, Kant, Nietzsche, Wittgenstein, and Zizck. Gilmore addresses such themes as the nature of philosophy, the possibility of redemption through love, catharsis, the sublime, and the human problem of death. Gilmore argues that seeing these movies through the lens of certain philosophical ideas can show how deeply relevant both philosophy and the movies can be.