Download The Film Theory Reader full books in PDF, epub, and Kindle. Read online free The Film Theory Reader ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!
| Author | : Marc Furstenau |
| Publisher | : |
| Total Pages | : 304 |
| Release | : 2010 |
| Genre | : Social Science |
| ISBN | : 9780415493222 |
"The Film Theory Reader brings together a range of key theoretical texts, organized thematically to emphasise the development of specific critical concepts and theoretical models in the field of film theory.
| Author | : Robert Stam |
| Publisher | : John Wiley & Sons |
| Total Pages | : 392 |
| Release | : 2017-11-20 |
| Genre | : Performing Arts |
| ISBN | : 1119491576 |
This book is a lively and provoking introduction to film theory. It is suitable for students from any discipline but is particularly aimed at students studying film and literature as it examines issues common to both subjects such as realism, illusionism, narration, point of view, style, semiotics, psychoanalysis and multiculturalism. It also includes coverage of theorists common to both, Barthes, Lacan and Bakhtin among others. Robert Stam, renowned for his clarity of writing, will also include studies of cinema specialists providing readers with a depth of reference not generally available outside the field of film studies itself. Other material covered includes film adaptations of works of literature and analogies between literary and film criticism.
| Author | : Mark J.P. Wolf |
| Publisher | : Routledge |
| Total Pages | : 369 |
| Release | : 2013-10-08 |
| Genre | : Social Science |
| ISBN | : 1135205191 |
In the early days of Pong and Pac Man, video games appeared to be little more than an idle pastime. Today, video games make up a multi-billion dollar industry that rivals television and film. The Video Game Theory Reader brings together exciting new work on the many ways video games are reshaping the face of entertainment and our relationship with technology. Drawing upon examples from widely popular games ranging from Space Invaders to Final Fantasy IX and Combat Flight Simulator 2, the contributors discuss the relationship between video games and other media; the shift from third- to first-person games; gamers and the gaming community; and the important sociological, cultural, industrial, and economic issues that surround gaming. The Video Game Theory Reader is the essential introduction to a fascinating and rapidly expanding new field of media studies.
| Author | : Rushton, Richard |
| Publisher | : McGraw-Hill Education (UK) |
| Total Pages | : 219 |
| Release | : 2010-02-01 |
| Genre | : Performing Arts |
| ISBN | : 0335234232 |
'What is Film Theory? is an introduction to the key elements of film theory. So, what is film theory as a subject? Film studies is divided in to key subjects and themes: there's film art which looks at the aesthetics of film; cinema studies which looks at institutions, films themeselves and the industry; film theory which looks at the concepts, philosophies and disciplines which underline film studies. As such, the book will look at subjects including semiotics and strucutalism, psychoanalysis, formalist film theory, cognitive approaches and neoformalism. In the light of the readers' reports it will also address more 'cultural' issues such as queer theory, ethnicity, postcolonialism and world cinema..
| Author | : Philip Rosen |
| Publisher | : Columbia University Press |
| Total Pages | : 568 |
| Release | : 1986 |
| Genre | : Performing Arts |
| ISBN | : 9780231058810 |
This essential anthology presents the most significant and influential writings on film theory from the last twenty years. The book includes many seminal articles by film scholars such as Christian Metz, Jean-Louis Baudry, Stephen Heath, Peter Wollen, Laura Mulvey, and Noel Burch, and by the era's leading cultural thinkers as well: Roland Barthes, Julia Kristeva, and Jean-Francois Lyotard, to name a few.
| Author | : Antony Easthope |
| Publisher | : Routledge |
| Total Pages | : 229 |
| Release | : 2014-07-22 |
| Genre | : Literary Criticism |
| ISBN | : 1317895673 |
During the twentieth century, the medium of film has developed as a means of understanding the complexity of modern life. Since 1968, film theory has concentrated not so much on theme or content but on the deeper question of how the medium works on its viewer. Film theory has been profoundly influenced by the writings of such modern thinkers as Saussure, Freud, Lacan, Anthusser, Derrida and Kristeva. It combines modes of textual analysis relating to linguistics and semiology, a Marxist reading of ideology, and theories of subjectivity, the spectator and gender redefined by psychoanalysis. This judicious selection from key work by Stephen Heath, Fredric Jameson, Laura Mulvey, Mary Ann Doanne and others, represents some of the most important contemporary writing about film. It provides a consistent and developing analysis that will be of interest to students concerned with film and film studies, as well as students of cultural, media and communication studies.
| Author | : Sue Thornham |
| Publisher | : NYU Press |
| Total Pages | : 367 |
| Release | : 1999-04 |
| Genre | : Performing Arts |
| ISBN | : 0814782442 |
For the past twenty-five years, cinema has been a vital terrain on which feminist debates about culture, representation, and identity have been fought. This anthology charts the history of those debates, bringing together the key, classic essays in feminist film theory. Feminist Film Theory maps the impact of major theoretical developments on this growing field-from structuralism and psychoanalysis in the 1970s, to post-colonial theory, queer theory, and postmodernism in the 1990s. Covering a wide range of topics, including oppressive images, "woman" as fetishized object of desire, female spectatorship, and the cinematic pleasures of black women and lesbian women, Feminist Film Theory is an indispensable reference for scholars and students in the field. Contributors include Judith Butler, Carol J. Clover, Barbara Creed, Michelle Citron, Mary Ann Doane, Teresa De Lauretis, Jane Gaines, Christine Gledhill, Molly Haskell, bell hooks, Claire Johnston, Annette Kuhn, Julia Lesage, Judith Mayne, Tania Modleski, Laura Mulvey, B. Ruby Rich, Kaja Silverman, Sharon Smith, Jackie Stacey, Janet Staiger, Anna Marie Taylor, Valerie Walkerdine, and Linda Williams.
| Author | : Siegfried Kracauer |
| Publisher | : Princeton University Press |
| Total Pages | : 492 |
| Release | : 1997 |
| Genre | : Performing Arts |
| ISBN | : 9780691037042 |
This study explores the distinctive qualities of the cinematic medium. It includes an introduction which examines "Theory of Film" in the context of Kracauer's extensive film criticism from the 1920s, and provides a framework for appreciating its significance in contemporary film theory.
| Author | : Thomas Elsaesser |
| Publisher | : Routledge |
| Total Pages | : 371 |
| Release | : 2009-12-16 |
| Genre | : Social Science |
| ISBN | : 1135967067 |
What is the relationship between cinema and spectator? That is the central question for film theory, and renowned film scholars Thomas Elsaesser and Malte Hagener use this question to guide students through all of the major film theories – from the classical period to today – in this insightful, engaging book. Every kind of cinema (and film theory) imagines an ideal spectator, and then imagines a certain relationship between the mind and body of that spectator and the screen. Using seven distinctive configurations of spectator and screen that move progressively from ‘exterior’ to ‘interior’ relationships, the authors retrace the most important stages of film theory from 1945 to the present, from neo-realist and modernist theories to psychoanalytic, ‘apparatus’, phenomenological and cognitivist theories.
| Author | : Thomas Elsaesser |
| Publisher | : Routledge |
| Total Pages | : 290 |
| Release | : 2015-03-12 |
| Genre | : Performing Arts |
| ISBN | : 1317581148 |
What is the relationship between cinema and spectator? This is the key question for film theory, and one that Thomas Elsaesser and Malte Hagener put at the center of their insightful and engaging book, now revised from its popular first edition. Every kind of cinema (and every film theory) first imagines an ideal spectator, and then maps certain dynamic interactions between the screen and the spectator’s mind, body and senses. Using seven distinctive configurations of spectator and screen that move progressively from ‘exterior’ to ‘interior’ relationships, the authors retrace the most important stages of film theory from its beginnings to the present—from neo-realist and modernist theories to psychoanalytic, ‘apparatus,’ phenomenological and cognitivist theories, and including recent cross-overs with philosophy and neurology. This new and updated edition of Film Theory: An Introduction through the Senses has been extensively revised and rewritten throughout, incorporating discussion of contemporary films like Her and Gravity, and including a greatly expanded final chapter, which brings film theory fully into the digital age.
