The Film Criticism of Otis Ferguson
Author | : Otis Ferguson |
Publisher | : Philadelphia : Temple University Press |
Total Pages | : 504 |
Release | : 1971 |
Genre | : Performing Arts |
ISBN | : |
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Author | : Otis Ferguson |
Publisher | : Philadelphia : Temple University Press |
Total Pages | : 504 |
Release | : 1971 |
Genre | : Performing Arts |
ISBN | : |
Author | : David Bordwell |
Publisher | : University of Chicago Press |
Total Pages | : 183 |
Release | : 2016-04-04 |
Genre | : Literary Criticism |
ISBN | : 022635220X |
Pauline Kael, Andrew Sarris, and Roger Ebert were three of America's most revered and widely read film critics, more famous than many of the movies they wrote about. But their remarkable contributions to the burgeoning American film criticism of the 1960s and beyond were deeply influenced by four earlier critics: Otis Ferguson, James Agee, Manny Farber, and Parker Tyler. Film scholar and critic David Bordwell restores to a wider audience the work of Ferguson, Agee, Farber, and Tyler, critics he calls the 'Rhapsodes' for the passionate and deliberately offbeat nature of their vernacular prose.
Author | : Phillip Lopate |
Publisher | : National Geographic Books |
Total Pages | : 0 |
Release | : 2008-01-10 |
Genre | : Performing Arts |
ISBN | : 1598530224 |
An anthology of unparalleled scope, American Movie Critics charts the rise of movies as art, industry, and mass entertainment. Here are the great movie critics who forged a forceful new vernacular idiom for talking about the new art,—Otis Ferguson, James Agee, Richard Schickel, Pauline Kael, Andrew Sarris, and Molly Haskell, among them. Here too are notable American writers, including Carl Sandburg, H. L. Mencken, Susan Sontag, and John Ashbery, weighing in on a range of cinematic experiences. The volume's narrative continues to the present with a sampling of the best of today's reviewers, including J. Hoberman, Roger Ebert, A. O. Scott, and Manohla Dargis. This paperback edition includes additional material reflecting the impact of the Internet and DVDs on film criticism.
Author | : A. O. Scott |
Publisher | : Penguin |
Total Pages | : 306 |
Release | : 2017-02-07 |
Genre | : Literary Criticism |
ISBN | : 0143109979 |
The New York Times film critic shows why we need criticism now more than ever Few could explain, let alone seek out, a career in criticism. Yet what A.O. Scott shows in Better Living Through Criticism is that we are, in fact, all critics: because critical thinking informs almost every aspect of artistic creation, of civil action, of interpersonal life. With penetrating insight and warm humor, Scott shows that while individual critics--himself included--can make mistakes and find flaws where they shouldn't, criticism as a discipline is one of the noblest, most creative, and urgent activities of modern existence. Using his own film criticism as a starting point--everything from his infamous dismissal of the international blockbuster The Avengers to his intense affection for Pixar's animated Ratatouille--Scott expands outward, easily guiding readers through the complexities of Rilke and Shelley, the origins of Chuck Berry and the Rolling Stones, the power of Marina Abramovich and 'Ode on a Grecian Urn.' Drawing on the long tradition of criticism from Aristotle to Susan Sontag, Scott shows that real criticism was and always will be the breath of fresh air that allows true creativity to thrive. "The time for criticism is always now," Scott explains, "because the imperative to think clearly, to insist on the necessary balance of reason and passion, never goes away."
Author | : Jonathan Kahana |
Publisher | : Oxford University Press |
Total Pages | : 1057 |
Release | : 2016-01-21 |
Genre | : Art |
ISBN | : 0190459328 |
Bringing together an expansive range of writing by scholars, critics, historians, and filmmakers, The Documentary Film Reader presents an international perspective on the most significant developments and debates from several decades of critical writing about documentary. Each of the book's seven sections covers a distinct period in the history of documentary, collecting both contemporary and retrospective views of filmmaking in the era. And each section is prefaced by an introductory essay that explains its design and provides critical context. Painstakingly selected from the archives of more than a hundred years of cinema practice and theory, the essays, reviews, interviews, manifestos, and ephemera gathered in this volume suit the needs and interests of the beginning student, the advanced scholar, the casual reader, and the working documentarian.
Author | : Frank Manchel |
Publisher | : Fairleigh Dickinson Univ Press |
Total Pages | : 988 |
Release | : 1990 |
Genre | : Art |
ISBN | : 9780838631867 |
The four volumes of Film Study include a fresh approach to each of the basic categories in the original edition. Volume one examines the film as film; volume two focuses on the thematic approach to film; volume three draws on the history of film; and volume four contains extensive appendices listing film distributors, sources, and historical information as well as an index of authors, titles, and film personalities.
Author | : Brian Kellow |
Publisher | : Penguin |
Total Pages | : 441 |
Release | : 2012-10-30 |
Genre | : Biography & Autobiography |
ISBN | : 0143122207 |
“A smart and eminently readable examination of the life and career of one of the twentieth century’s most influential movie critics.”—Los Angeles Times “Engrossing and thoroughly researched.”—Entertainment Weekly • A New York Times Book Review Notable Book of 2011 • The first major biography of the most influential, powerful, and controversial film critic of the twentieth century Pauline Kael was, in the words of Entertainment Weekly's movie reviewer Owen Gleiberman, "the Elvis or Beatles of film criticism." During her tenure at The New Yorker from 1968 to 1991, she was the most widely read and, often enough, the most provocative critic in America. In this first full-length biography of the legend who changed the face of film criticism, acclaimed author Brian Kellow (author of Can I Go Now?: The Life of Sue Mengers, Hollywood's First Superagent) gives readers a richly detailed view of Kael's remarkable life—from her youth in rural California to her early struggles to establish her writing career to her peak years at The New Yorker.
Author | : Jerry Roberts |
Publisher | : Santa Monica Press |
Total Pages | : 330 |
Release | : 2010-02-19 |
Genre | : Performing Arts |
ISBN | : 1595809228 |
The Complete History of American Film Criticism is a chronicle of the lives and work of the most influential film critics of the past 100 years. From the first movie review in the New York Times in 1896 through the Silent Era, the pre- and postwar years, the Film Generation of the 1960s, the Golden Age of the 1970s, and into the 21st century, critics have educated generations of discriminating moviegoers on the differences between good films and bad. They call attention to great directors, cinematographers, production designers, screenwriters, and actors, and shed light on their artistic visions and storytelling sensibilities. People interested in what the great film critics had to say have usually been shortchanged as to their backgrounds, and just why they are qualified to sit in judgment. Using mini-biographies, placed within a chronological framework, The Complete History of American Film Criticism is the biography of a profession whose cultural impact has left an indelible mark on the 20th century’s most significant art form.
Author | : Otis Ferguson |
Publisher | : |
Total Pages | : 338 |
Release | : 1982 |
Genre | : Juvenile Nonfiction |
ISBN | : |
Author | : Manny Farber |
Publisher | : |
Total Pages | : 0 |
Release | : 2009 |
Genre | : Motion pictures |
ISBN | : 9781598530506 |
Farber was a unique figure among American movie critics, and long revered by his peers. This volume covers the spectrum from his early and previously uncollected weekly reviews to his brilliant later essays, and defines his enduring significance as writer and thinker.