The Figure Of Orpheus In Antiquity And The Middle Ages
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Orpheus in Middle Ages
Author | : John Block Friedman |
Publisher | : Syracuse University Press |
Total Pages | : 292 |
Release | : 2000-06-01 |
Genre | : Literary Criticism |
ISBN | : 9780815628255 |
Orpheus, the Thracian signer who charmed nature with the music of his lyre and traveled to the underworld to win back his wife, Ewydice, is a familiar figure in Western culture. Yet, as each age modified his deeds and altered the narrative to make the Orpheus myth conform to the values of the day, his legend acquired many new and surprising meanings. Friedman examines the various reshaping's of the myth from the Hellenistic age through the late Middle Ages. He presents primarily a literary study, but draws as well upon art and iconography, indicating how literary characterizations of Orpheus gave rise to new iconographical details for his portrayals in art, which in turn led to different portrayals in literature. He first outlines the figure of Orpheus in antiquity. He continues with an examination of the significant conceptual changes in the Orpheus myth. In the religious and philosophical writings of Hellenistic Jews and, later, Christians, Orpheus appears as a monotheist. He emerges as a Good Shepherd figure in late antique art and eventually is identified with Christ as a guide of men's souls to the afterlife. In the Middle Ages, Orpheus' relationship with Ewydice gains importance. The pair first serve a didactic and moralizing purpose, coming together as in Boethius' Consolation of Philosophy, more as the abstractions of reason and passion than as tragic lovers. In the later Middle Ages, however, they appear as a secular couple who illustrate the power of the god Amor over the human heart. Orpheus becomes a courtly knight and the writer of elegant love lyrics. The blending of these two medieval traditions is seen in Robert Henryson's Orpheus and Eurydice. Friedman pays special attention to this work as well as to the romance Sir Orfeo. Thus, the propagation of religious belief—one of the primary concerns of the early Middle Ages— was reflected in the early conceptions of Orpheus. Later, with the growth of the courtly love tradition Orpheus and Eurydice became significant as lovers. This book illustrates the vitality and flexibility that a myth must possess as it adapts to different eras and embodies the interests and concerns of each.
"Celebrating Confusion"
Author | : Kenneth Nally |
Publisher | : Cambridge Scholars Publishing |
Total Pages | : 350 |
Release | : 2009-01-14 |
Genre | : Performing Arts |
ISBN | : 1443803650 |
Though widely lauded as one of the most creative and challenging forces in Irish theatre Frank McGuinness’s plays have often met with a tempestuous reception. This new work details the significance of key productions of his plays in the context of Ireland’s culture and society. Charting McGuinness’s development as a dramatist from The Factory Girls through to Gates of Gold it combines cultural, political and theatrical analysis to position McGuinness as the most significant Irish playwright of his generation. Textual analysis supports considerations of theatrical performance to show how visual art, stagecraft, sculpture and song are central to our understanding of McGuinness’s theatre. Drawing forth the range of sexual, familial and national identities found in McGuinness’s work this book shows the significance of symbols in theatre that often seeks to confuse the simplicities of absolutes in order to show the complexities of difference. Wide-ranging, theoretically astute and written in a lucid and engaging style, Celebrating Confusion will appeal to all readers who are interested in Irish Theatre and its intersection with the politics and culture of contemporary Ireland.
Seeing Sodomy in the Middle Ages
Author | : Robert Mills |
Publisher | : University of Chicago Press |
Total Pages | : 421 |
Release | : 2015-02-27 |
Genre | : Social Science |
ISBN | : 022616926X |
During the Middle Ages in Europe, some sexual and gendered behaviors were labeled “sodomitical” or evoked the use of ambiguous phrases such as the “unmentionable vice” or the “sin against nature.” How, though, did these categories enter the field of vision? How do you know a sodomite when you see one? In Seeing Sodomy in the Middle Ages, Robert Mills explores the relationship between sodomy and motifs of vision and visibility in medieval culture, on the one hand, and those categories we today call gender and sexuality, on the other. Challenging the view that ideas about sexual and gender dissidence were too confused to congeal into a coherent form in the Middle Ages, Mills demonstrates that sodomy had a rich, multimedia presence in the period—and that a flexible approach to questions of terminology sheds new light on the many forms this presence took. Among the topics that Mills covers are depictions of the practices of sodomites in illuminated Bibles; motifs of gender transformation and sex change as envisioned by medieval artists and commentators on Ovid; sexual relations in religious houses and other enclosed spaces; and the applicability of modern categories such as “transgender,” “butch” and “femme,” or “sexual orientation” to medieval culture. Taking in a multitude of images, texts, and methodologies, this book will be of interest to all scholars, regardless of discipline, who engage with gender and sexuality in their work.
Orphism and Christianity in Late Antiquity
Author | : Miguel Herrero de Jáuregui |
Publisher | : Walter de Gruyter |
Total Pages | : 457 |
Release | : 2010 |
Genre | : History |
ISBN | : 3110206331 |
Many recent discoveries have confirmed the importance of Orphism for ancient Greek religion, philosophy, and literature. However, its nature and role are still very controversial. The key problem of its relationship to Christianity has been discussed by ancient and modern authors from many different viewpoints, albeit too often tainted with apologetic interests and unconscious projections. This free and thorough study of the ancient sources sheds light on these questions and illuminates the complexity of the encounter between Classical culture and Jewish-Christian tradition. New perspectives on the relationship between Classical and Jewish-Christian culture On the avowed subject of Orphism Author is specialist within the field.
The Jesus Mysteries
Author | : Timothy Freke |
Publisher | : Harmony |
Total Pages | : 253 |
Release | : 2001-12-18 |
Genre | : Social Science |
ISBN | : 0676806570 |
Drawing on the cutting edge of modern scholarship, this astonishing book completely undermines the traditional history of Christianity that has been perpetuated for centuries by the Church and presents overwhelming evidence that the Jesus of the New Testament is a mythical figure. “Whether you conclude that this book is the most alarming heresy of the millennium or the mother of all revelations, The Jesus Mysteries deserves to be read.” —Fort Worth Star-Telegram Far from being eyewitness accounts, as is traditionally held, the Gospels are actually Jewish adaptations of ancient Pagan myths of the dying and resurrecting godman Osiris-Dionysus. The supernatural story of Jesus is not the history of a miraculous Messiah but a carefully crafted spiritual allegory designed to guide initiates on a journey of mystical discovery. A little more than a century ago, most people believed that the strange story of Adam and Eve was history; today it is understood to be a myth. Within a few decades, authors Timothy Freke and Peter Gandy argue, we will likewise be amazed that the fabulous story of God incarnate—who was born of a virgin, who turned water into wine, and who rose from the dead—could have been interpreted as anything but a profound parable.
Dissertation Abstracts
Author | : |
Publisher | : |
Total Pages | : 1378 |
Release | : 1966 |
Genre | : Dissertations, Academic |
ISBN | : |
Abstracts of dissertations and monographs in microform.
The Trials of Orpheus
Author | : Jenny C Mann |
Publisher | : Princeton University Press |
Total Pages | : 296 |
Release | : 2025-01-28 |
Genre | : Literary Criticism |
ISBN | : 0691219249 |
A revealing look at how the Orpheus myth helped Renaissance writers and thinkers understand the force of eloquence In ancient Greek mythology, the lyrical songs of Orpheus charmed the gods, and compelled animals, rocks, and trees to obey his commands. This mythic power inspired Renaissance philosophers and poets as they attempted to discover the hidden powers of verbal eloquence. They wanted to know: How do words produce action? In The Trials of Orpheus, Jenny Mann examines the key role the Orpheus story played in helping early modern writers and thinkers understand the mechanisms of rhetorical force. Mann demonstrates that the forms and figures of ancient poetry indelibly shaped the principles of sixteenth- and seventeenth-century scientific knowledge. Mann explores how Ovid's version of the Orpheus myth gave English poets and natural philosophers the lexicon with which to explain language's ability to move individuals without physical contact. These writers and thinkers came to see eloquence as an aesthetic force capable of binding, drawing, softening, and scattering audiences. Bringing together a range of examples from drama, poetry, and philosophy by Bacon, Lodge, Marlowe, Montaigne, Shakespeare, and others, Mann demonstrates that the fascination with Orpheus produced some of the most canonical literature of the age. Delving into the impact of ancient Greek thought and poetry in the early modern era, The Trials of Orpheus sheds light on how the powers of rhetoric became a focus of English thought and literature.
The Love of a Good Man
Author | : Michael G. Khmelnitsky |
Publisher | : JLRB Press |
Total Pages | : 136 |
Release | : 2024-01-11 |
Genre | : Poetry |
ISBN | : 1738894991 |
This book, divided into four parts, uses the Ancient Greek taxonomy of love as its guiding principle: The first part, “Loving Men,” ventures into the realms of ἀγάπη (brotherly love), φιλία (friendship), ξενία (guest-friendship), and στοργή (familial affection). The second part, “Loving a Man,” is devoted to ἔρως (intimate love) and contains the poems for which the author’s self-severing lover serves as a muse. The third part, “Loving Me,” is firmly entrenched in the domain of φιλαυτία (self-love) and traces the highest points of the author’s poetic self-definition and sexual awakening. The fourth part contains the eponymous, epic queer poem of 652 lines (give or take) that embodies an exuberant and unholy union between T. S. Eliot’s “Prufrock” and J. F. Shade’s “Pale Fire.” While We Were Hateful People, Michael G. Khmelnitsky’s previous poetry collection, was a meditation on neurodivergence, queerness, and heteronormativity, The Love of a Good Man evinces an examination of the other side of this coin—the vagaries of homosocial affinity and homosexual desire, their seeming impossibility, their historiography, and their erasure—prompted by the author’s abrupt disaffection by a man.