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| Author | : N. Roy Clifton |
| Publisher | : University of Delaware Press |
| Total Pages | : 436 |
| Release | : 1983 |
| Genre | : Performing Arts |
| ISBN | : 9780874131895 |
An application of the classical figures of speech to the criticism of the motion picture. The author defines and illustrates each figure by literary analysis, then presents the filmic analogies. The occurrence in film of fantasy, allegory, and abstraction are also discussed.
| Author | : John Reich |
| Publisher | : Open SUNY Textbooks |
| Total Pages | : |
| Release | : 2017-07-10 |
| Genre | : |
| ISBN | : 9781942341475 |
Exploring Movie Construction & Production contains eight chapters of the major areas of film construction and production. The discussion covers theme, genre, narrative structure, character portrayal, story, plot, directing style, cinematography, and editing. Important terminology is defined and types of analysis are discussed and demonstrated. An extended example of how a movie description reflects the setting, narrative structure, or directing style is used throughout the book to illustrate building blocks of each theme. This approach to film instruction and analysis has proved beneficial to increasing students¿ learning, while enhancing the creativity and critical thinking of the student.
| Author | : David Bordwell |
| Publisher | : Univ of California Press |
| Total Pages | : 336 |
| Release | : 2005-03 |
| Genre | : Performing Arts |
| ISBN | : 9780520241978 |
Staging and style -- Feuillade, or, Storytelling -- Mizoguchi, or, Modulation -- Angelopoulos, or, Melancholy -- Hou, or, Constraints -- Staging and stylistics.
| Author | : Martin Halliwell |
| Publisher | : Routledge |
| Total Pages | : 476 |
| Release | : 2017-03-02 |
| Genre | : Literary Criticism |
| ISBN | : 1351928848 |
This book traces the concept of idiocy as it has developed in fiction and film in the nineteenth and twentieth centuries. It focuses particularly on visual images of idiocy and argues that writers as diverse as Gustave Flaubert, Fyodor Dostoevsky, Joseph Conrad, John Steinbeck, Flannery O'Connor and Rohinton Mistry, and filmmakers such as Jean Renoir, Akira Kurosawa, Alfred Hitchcock, Werner Herzog and John Huston have all been attracted to idiot figures as a way of thinking through issues of language acquisition, intelligence, creativity, disability, religion and social identity. Martin Halliwell provides a lively and detailed discussion of the most significant literary and cinematic uses of idiocy, arguing that scientific conceptions of the term as a classifiable medical condition are much too narrow. With the explosion of interest in idiocy among American and European filmmakers in the 1990s and the growing interest in its often overlooked history, this book offers a timely reassessment of idiocy and its distinctive place at the intersection of science and culture.
| Author | : James Christie |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2010 |
| Genre | : Motion picture producers and directors |
| ISBN | : 9781593935276 |
Richard Donner is one of Hollywood's most important filmmakers, the driving force behind iconic hits The Omen, Superman, The Goonies, and the Lethal Weapon series. His films - which have grossed billions of dollars at the box-office - touch generations of moviegoers, yet little is known about the man responsible for their success. In the only authorized biography, author James Christie charts Donner's transformation from wayward New York youth to Hollywood hotshot, revealing a power generator personality every bit as large as his blockbuster movies. Based on extensive interviews with Richard Donner, his friends, family members, and many of those who have worked with and for the filmmaker, You're the Director... You figure it out goes behind the scenes on butting heads with Steve McQueen, sidestepping Marlon Brando's eccentricities, exploring the secrets of these and other big screen collaborations with Gregory Peck, Richard Pryor, Jackie Gleason, Mel Gibson, Bill Murray, Jodie Foster, Sylvester Stallone, Julia Roberts, Bruce Willis, and many more.
| Author | : Tom Gunning |
| Publisher | : University of Illinois Press |
| Total Pages | : 334 |
| Release | : 1994 |
| Genre | : Art |
| ISBN | : 9780252063664 |
The legendary filmmaker D. W. Griffith directed nearly 200 films during 1908 and 1909, his first years with the Biograph Company. While those one-reel films are a testament to Griffith's inspired genius as a director, they also reflect a fundamental shift in film style from "cheap amusements" to movie storytelling complete with characters and narrative impetus. In this comprehensive historical investigation, drawing on films preserved by the Library of Congress and the Museum of Modern Art, Tom Gunning reveals that the remarkable cinematic changes between 1900 and 1915 were a response to the radical reorganization within the film industry and the evolving role of film in American society. The Motion Picture Patents Company, the newly formed Film Trust, had major economic aspirations. The newly emerging industry's quest for a middle-class audience triggered Griffith's early experiments in film editing and imagery. His unique solutions permanently shaped American narrative film.
| Author | : Richard Walsh |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 627 |
| Release | : 2021-01-14 |
| Genre | : Religion |
| ISBN | : 0567686914 |
The T&T Clark Handbook of Jesus and Film introduces postgraduate readers to the critical field of Jesus and/on film. The bulk of biblical films feature Jesus, as protagonist, in cameo, or as a looming background presence or pattern. The handbook assesses the field in light of the work of important biblical film critics including chapters from the leading voices in the field and showcasing the diversity of work done by scholars in the field. Movies discussed include The Passion of the Christ, The King of Kings, Jesus of Nazareth, Monty Python's Life of Brian, Son of Man, and Mary Magdalene. The chapters range across two broad areas: 1) Jesus films, understood broadly as filmed passion plays, other relocations of Jesus, historical Jesus treatments, and Jesus adjacent cinema (privileging invented characters or “minor” gospel characters); and 2) other cinematic Jesuses, including followers who imitate Jesus devotionally or aesthetically, (Christian) Christ figures, antichrists, yet other messiahs, and competing Jesuses in a pluralist world. As one leaves the confines of Christian theology, the question of what a film or interpreter is doing with Jesus or Christ becomes something to be determined, not necessarily something traditional.
| Author | : Smithsonian Institution. Board of Regents |
| Publisher | : |
| Total Pages | : 510 |
| Release | : 1872 |
| Genre | : Discoveries in science |
| ISBN | : |
