The Early Finn Cycle

The Early Finn Cycle
Author: Kevin Murray
Publisher:
Total Pages: 0
Release: 2017
Genre: Fenian cycle
ISBN: 9781846826306

The Finn (or Fenian) Cycle (fianaigecht) is classified by modern scholarship as one of four medieval Irish literary cycles along with the Ulster Cycle, the Cycle of Historical Tales (or Cycles of the Kings) and the Mythological Cycle. It is primarily composed of material dealing with the legendary character Finn mac Cumaill, his warrior band (fian), his son Oisin, and his grandson Oscar. In a fashion recalling the expansion of the Arthurian legend throughout Britain and Europe, the traditions centered on Finn grew from localized beginnings to spread throughout the entire Gaelic-speaking world. This study takes as its focus the early Finn Cycle, up to and including the composition of the most significant fianaigecht tale, Acallam na senorach ('The colloquy of the ancients'), at the beginning of the Early Modern Irish period. The volume also deals in detail with topics such as the nature of the fian ; the extent of early fragmentary Finn Cycle sources; the background to Toraigheacht Dhiarmada agus Ghrainne ('The pursuit of Diarmaid and Grainne'); the boyhood deeds and death of Finn; and the development of the Fenian lay tradition. The Early Finn Cycle details and investigates the primary and secondary sources for the study of this material and traces the literary development of the early fianaigecht corpus. In so doing, it seeks to account for the emergence of the Finn Cycle from fragmentarily documented beginnings, to become the dominant genre of Gaelic literature after 1200. [Subject: Celtic Studies, Legend & Mythology, Finn Cycle, Early Modern Studies, Irish Studies, Literary Criticism]

The High Deeds of Finn and other Bardic Romances of Ancient Ireland

The High Deeds of Finn and other Bardic Romances of Ancient Ireland
Author: Thomas William Hazen Rolleston
Publisher: Library of Alexandria
Total Pages: 295
Release: 2020-09-28
Genre: Fiction
ISBN: 1465592407

Long ago there dwelt in Ireland the race called by the name of De Danaan, or People of the Goddess Dana. They were a folk who delighted in beauty and gaiety, and in fighting and feasting, and loved to go gloriously apparelled, and to have their weapons and household vessels adorned with jewels and gold. They were also skilled in magic arts, and their harpers could make music so enchanting that a man who heard it would fight, or love, or sleep, or forget all earthly things, as they who touched the strings might will him to do. In later times the Danaans had to dispute the sovranty of Ireland with another race, the Children of Miled, whom men call the Milesians, and after much fighting they were vanquished. Then, by their sorceries and enchantments, when they could not prevail against the invaders, they made themselves invisible, and they have dwelt ever since in the Fairy Mounds and raths of Ireland, where their shining palaces are hidden from mortal eyes. They are now called the Shee, or Fairy Folk of Erinn, and the faint strains of unearthly music that may be heard at times by those who wander at night near to their haunts come from the harpers and pipers who play for the People of Dana at their revels in the bright world underground. At the time when the tale begins, the People of Dana were still the lords of Ireland, for the Milesians had not yet come. They were divided it is said, into many families and clans; and it seemed good to them that their chiefs should assemble together, and choose one to be king and ruler over the whole people. So they met in a great assembly for this purpose, and found that five of the greatest lords all desired the sovranty of Erin. These five were B—v the Red, and Ilbrech of Assaroe, and Lir from the Hill of the White Field, which is on Slieve Fuad in Armagh; and Midir the Proud, who dwelt at Slieve Callary in Longford; and Angus of Brugh na Boyna, which is now Newgrange on the river Boyne, where his mighty mound is still to be seen. All the Danaan lords saving these five went into council together, and their decision was to give the sovranty to B—v the Red, partly because he was the eldest, partly because his father was the Dagda, mightiest of the Danaans, and partly because he was himself the most deserving of the five. All were content with this, save only Lir, who thought himself the fittest for royal rule; so he went away from the assembly in anger, taking leave of no one. When this became known, the Danaan lords would have pursued Lir, to burn his palace and inflict punishment and wounding on himself for refusing obedience and fealty to him whom the assembly had chosen to reign over them. But B—v the Red forbade them, for he would not have war among the Danaans; and he said, "I am none the less King of the People of Dana because this man will not do homage to me." Thus it went on for a long time. But at last a great misfortune befell Lir, for his wife fell ill, and after three nights she died. Sorely did Lir grieve for this, and he fell into a great dejection of spirit, for his wife was very dear to him and was much thought of by all folk, so that her death was counted one of the great events of that time.

Arthur in Early Welsh Poetry

Arthur in Early Welsh Poetry
Author: Nerys Ann Jones
Publisher: MHRA
Total Pages: 249
Release: 2019-07-12
Genre:
ISBN: 1781889082

For over a thousand years, Arthur has had widespread appeal and influence like no other literary character or historical figure. Yet, despite the efforts of modern scholars, the earliest references to Arthurian characters are still shrouded in uncertainty. They are mostly found in poetic texts scattered throughout the four great compilations of early and medieval Welsh literature produced between 1250 and 1350. Whilst some are thought to predate their manuscript sources by several centuries, many of these poems are notoriously difficult to date. None of them are narrative in nature and very few focus solely on Arthurian material but they are characterised by an allusiveness which would have been appreciated by their intended audiences in the courts of princes and noblemen the length and breadth of Wales. They portray Arthur in a variety of roles: as a great leader of armies, a warrior with extraordinary powers, slayer of magical creatures, rescuer of prisoners from the Otherworld, a poet and the subject of prophecy. They also testify to the possibility of lost tales about him, his father, Uthr, his son, Llachau, his wife, Gwenhwyfar, and one of his companions, Cai, and associate him with a wide array of both legendary and historical figures. Arthur in Early Welsh Poetry, the fourth volume in the MHRA Library of Medieval Welsh Literature series, provides discussion of each of the references to Arthurian characters in early Welsh poetic sources together with an image from the earliest manuscript, a transliteration, a comprehensive edition, a translation (where possible) and a word-list. The nine most significant texts are interpreted in more detail with commentary on metrical, linguistic and stylistic features.

Early Irish Myths and Sagas

Early Irish Myths and Sagas
Author:
Publisher: Penguin UK
Total Pages: 321
Release: 1981-09-17
Genre: Social Science
ISBN: 0141934816

First written down in the eighth century AD, these early Irish stories depict a far older world - part myth, part legend and part history. Rich with magic and achingly beautiful, they speak of a land of heroic battles, intense love and warrior ideals, in which the otherworld is explored and men mingle freely with the gods. From the vivid adventures of the great Celtic hero Cu Chulaind, to the stunning 'Exile of the Sons of Uisliu' - a tale of treachery, honour and romance - these are masterpieces of passion and vitality, and form the foundation for the Irish literary tradition: a mythic legacy that was a powerful influence on the work of Yeats, Synge and Joyce.