The Family Tree of Clois Miles Rainwater and Nancy Jane McIlhaney

The Family Tree of Clois Miles Rainwater and Nancy Jane McIlhaney
Author: Susan Rainwater
Publisher: Lulu.com
Total Pages: 354
Release: 2013-12-15
Genre: History
ISBN: 1304719022

A genealogical work covering the origins of one Texas family; Clois Miles Rainwater and Nancy Jane McIlhaney. Includes genealogical research, historical photos, personal anecdotes, and register reports.

Shelton, Wininger, and Pace Families

Shelton, Wininger, and Pace Families
Author: Alvin Harold Casey
Publisher:
Total Pages: 874
Release: 1988
Genre: Reference
ISBN:

Descendants of John Shelton born in late 1700's. He married Catherine Messer in 1805 in Hawkins County, Tennessee.

Olliff Family History

Olliff Family History
Author: Robert Brooks Casey
Publisher:
Total Pages: 426
Release: 1992
Genre: Reference
ISBN:

Family history and genealogical information about the descendants of John Shears Olliff and Johannah Jackson. John was born ca. 1752 in North Carolina. He was the son of J. Olliff and Mary Shears. Johannah was born ca. 1755. She was the daughter of Joseph Jackson and Ann Jarvis. John Olliff married Johanna Jackson ca. 1785 in North Carolina. They lived in Bulloch Co., Georgia and were the parents of three sons and three daughters. Descendants lived primarily in Georgia.

General Farm Program

General Farm Program
Author: United States. Congress. House. Committee on Agriculture
Publisher:
Total Pages: 112
Release: 1957
Genre: Agricultural policies and programs
ISBN:

History of Lawrence, Orange, and Washington Counties, Indiana: From the Earliest Time to the Present: Together With Interesting Biographical Sketches,

History of Lawrence, Orange, and Washington Counties, Indiana: From the Earliest Time to the Present: Together With Interesting Biographical Sketches,
Author: Anonymous
Publisher: Legare Street Press
Total Pages: 0
Release: 2022-10-26
Genre: History
ISBN: 9781015495012

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

A Documentary History of Arkansas

A Documentary History of Arkansas
Author: C. Fred Williams
Publisher: University of Arkansas Press
Total Pages: 348
Release: 2013-08-01
Genre: History
ISBN: 9781610751308

A Documentary History of Arkansas provides a comprehensive look at Arkansas history from the state's earliest events to the present. Here are newspaper articles, government bulletins, legislative acts, broadsides, letters, and speeches that, taken collectively, give a firsthand glimpse at how the twenty-fifth state's history was made. Enhanced by additional documents and brought up to date since its original publication in 1984, this new edition is the standard source for essential primary documents illustrating the state's political, social, economic, educational, and environmental history.

Arkansas, 1800-1860

Arkansas, 1800-1860
Author: S. Charles Bolton
Publisher: University of Arkansas Press
Total Pages: 225
Release: 1998-09-01
Genre: History
ISBN: 1557285195

Often thought of as a primitive backwoods peopled by rough hunters and unsavory characters, early Arkansas was actually productive and dynamic in the same manner as other American territories and states. In this, the second volume in the Histories of Arkansas, S. Charles Bolton describes the emigration, mostly from other southern states, that carried Americans into Arkansas; the growth of an agricultural economy based on cotton, corn, and pork; the dominance of evangelical religion; and the way in which women coped with the frontier and made their own contributions toward its improvement. He closely compares the actual lifestyles of the settlers with the popularly held, uncomplimentary image. Separate chapters deal with slavery and the lives of the slaves and with Indian affairs, particularly the dispossession of the native Quapaws and the later-arriving Cherokees. Political chapters explore opportunism in Arkansas Territory, the rise of the Democratic Party under the control of the Sevier-Johnson group known as the Dynasty, and the forces that led Arkansas to secede from the Union. In addition, Arkansas’s role in the Mexican War and the California gold rush is treated in detail. In truth, geographic isolation and a rugged terrain did keep Arkansas underpopulated, and political violence and a disastrous experience in state banking tarnished its reputation, but the state still developed rapidly and successfully in this period, playing an important role on the southwestern frontier. Winner of the 1999 Booker Worthen Literary Prize

Hollywood Highbrow

Hollywood Highbrow
Author: Shyon Baumann
Publisher: Princeton University Press
Total Pages: 242
Release: 2018-06-05
Genre: Performing Arts
ISBN: 0691187282

Today's moviegoers and critics generally consider some Hollywood products--even some blockbusters--to be legitimate works of art. But during the first half century of motion pictures very few Americans would have thought to call an American movie "art." Up through the 1950s, American movies were regarded as a form of popular, even lower-class, entertainment. By the 1960s and 1970s, however, viewers were regularly judging Hollywood films by artistic criteria previously applied only to high art forms. In Hollywood Highbrow, Shyon Baumann for the first time tells how social and cultural forces radically changed the public's perceptions of American movies just as those forces were radically changing the movies themselves. The development in the United States of an appreciation of film as an art was, Baumann shows, the product of large changes in Hollywood and American society as a whole. With the postwar rise of television, American movie audiences shrank dramatically and Hollywood responded by appealing to richer and more educated viewers. Around the same time, European ideas about the director as artist, an easing of censorship, and the development of art-house cinemas, film festivals, and the academic field of film studies encouraged the idea that some American movies--and not just European ones--deserved to be considered art.