The Failure Of Poetry The Promise Of Language
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Author | : Laura (Riding) Jackson |
Publisher | : University of Michigan Press |
Total Pages | : 284 |
Release | : 2007 |
Genre | : Literary Criticism |
ISBN | : 9780472069576 |
Brings together four decades of largely unpublished work by Jackson, exploring the rationale for her renunciation of poetry in 1941 after two decades as a poet
Author | : Jeremy Noel-Tod |
Publisher | : |
Total Pages | : 727 |
Release | : 2013-05-23 |
Genre | : Literary Criticism |
ISBN | : 0199640254 |
This impressive volume provides over 1,700 biographical entries on poets writing in English from 1910 to the present day, including T. S. Eliot, Dylan Thomas, and Carol Ann Duffy. Authoritative and accessible, it is a must-have for students of English and creative writing, as well as for anyone with an interest in poetry.
Author | : C. Billitteri |
Publisher | : Springer |
Total Pages | : 238 |
Release | : 2009-04-13 |
Genre | : Literary Criticism |
ISBN | : 023062040X |
This book takes up the utopian desire for a perfect language of words that give direct expression to the real, known in Western thought as Cratylism, and its impact on the social visions and poetic projects of three of the most intellectually ambitious of American writers: Walt Whitman, Laura (Riding) Jackson, and Charles Olson.
Author | : Ewan James Jones |
Publisher | : Cambridge University Press |
Total Pages | : 261 |
Release | : 2014-07-31 |
Genre | : Literary Criticism |
ISBN | : 1107068444 |
This book argues that Coleridge's most important philosophical ideas were expressed not through theoretical argument but through his poems.
Author | : Tom Fisher |
Publisher | : University of Iowa Press |
Total Pages | : 190 |
Release | : 2017-07 |
Genre | : Literary Criticism |
ISBN | : 1609384806 |
Writing Not Writing is both a detailed analysis of four individual poets who left poetry behind and a theoretically provocative exploration of the political and ethical possibilities of silence, not-doing, and disavowal. Reading the silences of George Oppen, Carl Rakosi, and Bob Kaufman, the renunciation of Laura Riding, and other more contemporary instances and modes of poetic abnegation, Tom Fisher explores silence, refusal, and disavowal as political and ethical modes of response in a time of continuous crisis. Through a turn away from writing, these poets offer strategies of refusal and departure that leave anagrammatical hollows behind, activating the negational capacities of writing and aesthetics to disrupt the empire of sense, speech, and agency.
Author | : Michael Palmer |
Publisher | : New Directions Publishing |
Total Pages | : 120 |
Release | : 2000 |
Genre | : Poetry |
ISBN | : 9780811214797 |
The Promises of Glass, Michael Palmer's first new collection since At Passages (New Directions, 1995), contains seven sections: "The White Notebook", "The Promises of Glass", "Q", "Four Kitaj Studies", "Five Easy Poems" "In an X", and "Tower". These gorgeous new poems explore language and the "salt sea of autobiographies". His work also examines what Marjorie Perloff has described as "the absurdist 'displacement by degrees' one experiences in the post-urban world of late twentieth-century America."
Author | : Justin A. Sider |
Publisher | : University of Virginia Press |
Total Pages | : 373 |
Release | : 2018-11-29 |
Genre | : Literary Criticism |
ISBN | : 0813941830 |
Valedictory addresses offer a way to conceptualize the relation of self to others, private to public, ephemeral to eternal. Whether deathbed pronouncements, political capitulations, or seafaring farewells, "parting words" played a crucial role in the social imagination of Victorian writing. In this compelling new book, Justin Sider traces these public addresses across a wide range of works, from poems by Byron, Tennyson, and Browning, to essays by Twain and Wilde, to novels by Dickens and Eliot. Ironically, while the Victorian era saw the loss of faith in a unitary national public, it asked poetry to address just such a public. Attending to the form, rather than the discursive content, of poets' engagement with public culture, Parting Words explains how the valedictory allowed Victorian poets to explore the ways their poems might be received by distant and anonymous readers in an emergent mass culture. Using a wide array of materials such as letters and reviews to describe the rapidly changing print culture in which poets were intervening, Sider shows how the growing diversification and destabilization of the Victorian reading public was countered by the demand for a public poetry. Characteristically, the speakers of Tennyson's "Ulysses" and Matthew Arnold's "Empedocles on Etna" imagine their farewells as simultaneous entrances into a public space where they and their readers, however distant, might yet meet. This new consciousness anticipated modernist poetry, which in turn used the valedictory to underscore the futility and alienation of such hopes.
Author | : Arjun Appadurai |
Publisher | : University of Chicago Press |
Total Pages | : 189 |
Release | : 2016 |
Genre | : Business & Economics |
ISBN | : 022631877X |
In this short but ambitious book, Arjun Appadurai argues that the failure of the financial system in 2007-08 in the United States was primarily a failure of language. This argument does not deny that greed, ignorance, weak regulation, and irresponsible risk-taking were important factors in the collapse. But the new role of language in the marketplace, for Appadurai, is the condition of possibility for all these more easily identifiable flaws. Attempts to rectify the social pathologies of contemporary finance must address that failure of language. "Banking on Words "focuses on derivatives as the distinctive innovation of our financial era. Derivatives are written promises concerning the uncertain future prices of financial assets and the substance of these contracts is expressed in terms of money. The recent failure of derivatives markets was systematic and should be understood as failed promises. While it is well-known that derivatives pile risk on risk with little basis in real production and trade, Appadurai reveals this process in a fresh light from which some policy conclusions may be drawn. While critical of derivative finance s present social infrastructure and supporting ideology, Appadurai acknowledges its capacity for creating vast new forms of wealth and asks the crucial question: if we want access to that wealth, what kind of social arrangements would we need to make sure that it benefits all of society rather than reinforcing a system that benefits the few who are already well off? His bold answer involves not the repair of the force of promises but rather the repair and reconstruction of the idea of the individual to enable new sorts of solidarity between dividuals, agents whose very partiality may allow for new aggregations of aspiration, interest and affiliation. This amounts to nothing less than a new ideology of sociality."
Author | : Carrie Noland |
Publisher | : Princeton University Press |
Total Pages | : 277 |
Release | : 2021-03-09 |
Genre | : Literary Criticism |
ISBN | : 0691227543 |
Taking seriously Guillaume Apollinaire's wager that twentieth-century poets would one day "mechanize" poetry as modern industry has mechanized the world, Carrie Noland explores poetic attempts to redefine the relationship between subjective expression and mechanical reproduction, high art and the world of things. Noland builds upon close readings to construct a tradition of diverse lyricists--from Arthur Rimbaud, Blaise Cendrars, and René Char to contemporary performance artists Laurie Anderson and Patti Smith--allied in their concern with the nature of subjectivity in an age of mechanical reproduction.
Author | : |
Publisher | : |
Total Pages | : 500 |
Release | : 1884 |
Genre | : Books |
ISBN | : |