The Failure of Poetry, the Promise of Language

The Failure of Poetry, the Promise of Language
Author: Laura (Riding) Jackson
Publisher: University of Michigan Press
Total Pages: 284
Release: 2007
Genre: Literary Criticism
ISBN: 9780472069576

Brings together four decades of largely unpublished work by Jackson, exploring the rationale for her renunciation of poetry in 1941 after two decades as a poet

The Oxford Companion to Modern Poetry in English

The Oxford Companion to Modern Poetry in English
Author: Jeremy Noel-Tod
Publisher:
Total Pages: 727
Release: 2013-05-23
Genre: Literary Criticism
ISBN: 0199640254

This impressive volume provides over 1,700 biographical entries on poets writing in English from 1910 to the present day, including T. S. Eliot, Dylan Thomas, and Carol Ann Duffy. Authoritative and accessible, it is a must-have for students of English and creative writing, as well as for anyone with an interest in poetry.

Language and the Renewal of Society in Walt Whitman, Laura (Riding) Jackson, and Charles Olson

Language and the Renewal of Society in Walt Whitman, Laura (Riding) Jackson, and Charles Olson
Author: C. Billitteri
Publisher: Springer
Total Pages: 238
Release: 2009-04-13
Genre: Literary Criticism
ISBN: 023062040X

This book takes up the utopian desire for a perfect language of words that give direct expression to the real, known in Western thought as Cratylism, and its impact on the social visions and poetic projects of three of the most intellectually ambitious of American writers: Walt Whitman, Laura (Riding) Jackson, and Charles Olson.

Coleridge and the Philosophy of Poetic Form

Coleridge and the Philosophy of Poetic Form
Author: Ewan James Jones
Publisher: Cambridge University Press
Total Pages: 261
Release: 2014-07-31
Genre: Literary Criticism
ISBN: 1107068444

This book argues that Coleridge's most important philosophical ideas were expressed not through theoretical argument but through his poems.

Writing Not Writing

Writing Not Writing
Author: Tom Fisher
Publisher: University of Iowa Press
Total Pages: 190
Release: 2017-07
Genre: Literary Criticism
ISBN: 1609384806

Writing Not Writing is both a detailed analysis of four individual poets who left poetry behind and a theoretically provocative exploration of the political and ethical possibilities of silence, not-doing, and disavowal. Reading the silences of George Oppen, Carl Rakosi, and Bob Kaufman, the renunciation of Laura Riding, and other more contemporary instances and modes of poetic abnegation, Tom Fisher explores silence, refusal, and disavowal as political and ethical modes of response in a time of continuous crisis. Through a turn away from writing, these poets offer strategies of refusal and departure that leave anagrammatical hollows behind, activating the negational capacities of writing and aesthetics to disrupt the empire of sense, speech, and agency.

The Promises of Glass

The Promises of Glass
Author: Michael Palmer
Publisher: New Directions Publishing
Total Pages: 120
Release: 2000
Genre: Poetry
ISBN: 9780811214797

The Promises of Glass, Michael Palmer's first new collection since At Passages (New Directions, 1995), contains seven sections: "The White Notebook", "The Promises of Glass", "Q", "Four Kitaj Studies", "Five Easy Poems" "In an X", and "Tower". These gorgeous new poems explore language and the "salt sea of autobiographies". His work also examines what Marjorie Perloff has described as "the absurdist 'displacement by degrees' one experiences in the post-urban world of late twentieth-century America."

Parting Words

Parting Words
Author: Justin A. Sider
Publisher: University of Virginia Press
Total Pages: 373
Release: 2018-11-29
Genre: Literary Criticism
ISBN: 0813941830

Valedictory addresses offer a way to conceptualize the relation of self to others, private to public, ephemeral to eternal. Whether deathbed pronouncements, political capitulations, or seafaring farewells, "parting words" played a crucial role in the social imagination of Victorian writing. In this compelling new book, Justin Sider traces these public addresses across a wide range of works, from poems by Byron, Tennyson, and Browning, to essays by Twain and Wilde, to novels by Dickens and Eliot. Ironically, while the Victorian era saw the loss of faith in a unitary national public, it asked poetry to address just such a public. Attending to the form, rather than the discursive content, of poets' engagement with public culture, Parting Words explains how the valedictory allowed Victorian poets to explore the ways their poems might be received by distant and anonymous readers in an emergent mass culture. Using a wide array of materials such as letters and reviews to describe the rapidly changing print culture in which poets were intervening, Sider shows how the growing diversification and destabilization of the Victorian reading public was countered by the demand for a public poetry. Characteristically, the speakers of Tennyson's "Ulysses" and Matthew Arnold's "Empedocles on Etna" imagine their farewells as simultaneous entrances into a public space where they and their readers, however distant, might yet meet. This new consciousness anticipated modernist poetry, which in turn used the valedictory to underscore the futility and alienation of such hopes.

Banking on Words

Banking on Words
Author: Arjun Appadurai
Publisher: University of Chicago Press
Total Pages: 189
Release: 2016
Genre: Business & Economics
ISBN: 022631877X

In this short but ambitious book, Arjun Appadurai argues that the failure of the financial system in 2007-08 in the United States was primarily a failure of language. This argument does not deny that greed, ignorance, weak regulation, and irresponsible risk-taking were important factors in the collapse. But the new role of language in the marketplace, for Appadurai, is the condition of possibility for all these more easily identifiable flaws. Attempts to rectify the social pathologies of contemporary finance must address that failure of language. "Banking on Words "focuses on derivatives as the distinctive innovation of our financial era. Derivatives are written promises concerning the uncertain future prices of financial assets and the substance of these contracts is expressed in terms of money. The recent failure of derivatives markets was systematic and should be understood as failed promises. While it is well-known that derivatives pile risk on risk with little basis in real production and trade, Appadurai reveals this process in a fresh light from which some policy conclusions may be drawn. While critical of derivative finance s present social infrastructure and supporting ideology, Appadurai acknowledges its capacity for creating vast new forms of wealth and asks the crucial question: if we want access to that wealth, what kind of social arrangements would we need to make sure that it benefits all of society rather than reinforcing a system that benefits the few who are already well off? His bold answer involves not the repair of the force of promises but rather the repair and reconstruction of the idea of the individual to enable new sorts of solidarity between dividuals, agents whose very partiality may allow for new aggregations of aspiration, interest and affiliation. This amounts to nothing less than a new ideology of sociality."

Poetry at Stake

Poetry at Stake
Author: Carrie Noland
Publisher: Princeton University Press
Total Pages: 277
Release: 2021-03-09
Genre: Literary Criticism
ISBN: 0691227543

Taking seriously Guillaume Apollinaire's wager that twentieth-century poets would one day "mechanize" poetry as modern industry has mechanized the world, Carrie Noland explores poetic attempts to redefine the relationship between subjective expression and mechanical reproduction, high art and the world of things. Noland builds upon close readings to construct a tradition of diverse lyricists--from Arthur Rimbaud, Blaise Cendrars, and René Char to contemporary performance artists Laurie Anderson and Patti Smith--allied in their concern with the nature of subjectivity in an age of mechanical reproduction.