The Swerve: How the World Became Modern

The Swerve: How the World Became Modern
Author: Stephen Greenblatt
Publisher: W. W. Norton & Company
Total Pages: 388
Release: 2011-09-26
Genre: History
ISBN: 0393083381

Winner of the Pulitzer Prize for Nonfiction • Winner of the National Book Award • New York Times Bestseller Renowned scholar Stephen Greenblatt brings the past to vivid life in what is at once a supreme work of scholarship, a literary page-turner, and a thrilling testament to the power of the written word. In the winter of 1417, a short, genial, cannily alert man in his late thirties plucked a very old manuscript off a dusty shelf in a remote monastery, saw with excitement what he had discovered, and ordered that it be copied. He was Poggio Bracciolini, the greatest book hunter of the Renaissance. His discovery, Lucretius’ ancient poem On the Nature of Things, had been almost entirely lost to history for more than a thousand years. It was a beautiful poem of the most dangerous ideas: that the universe functions without the aid of gods, that religious fear is damaging to human life, that pleasure and virtue are not opposites but intertwined, and that matter is made up of very small material particles in eternal motion, randomly colliding and swerving in new directions. Its return to circulation changed the course of history. The poem’s vision would shape the thought of Galileo and Freud, Darwin and Einstein, and—in the hands of Thomas Jefferson—leave its trace on the Declaration of Independence. From the gardens of the ancient philosophers to the dark chambers of monastic scriptoria during the Middle Ages to the cynical, competitive court of a corrupt and dangerous pope, Greenblatt brings Poggio’s search and discovery to life in a way that deepens our understanding of the world we live in now. “An intellectually invigorating, nonfiction version of a Dan Brown–like mystery-in-the-archives thriller.” —Boston Globe

A Cultural History of Sexuality in the Middle Ages

A Cultural History of Sexuality in the Middle Ages
Author: Ruth Evans
Publisher: Bloomsbury Publishing
Total Pages: 314
Release: 2012-03-01
Genre: History
ISBN: 1350995703

Historians of sexuality have often assumed that medieval people were less interested in sex than we are. But people in the Middle Ages wrote a great deal about sex: in confessors' manuals, in virginity treatises, and in literary texts. This volume looks afresh at the cultural meanings that sex had throughout the period, presenting new evidence and offering new interpretations of known material. Acknowledging that many of the categories that we use today to talk about sexuality are inadequate for understanding sex in premodern times, the volume draws on important recent work in the historiography of medieval sexuality to address the conceptual and methodological challenges the period presents. A Cultural History of Sexuality in the Middle Ages presents an overview of the period with essays on heterosexuality, homosexuality, sexual variations, religious and legal issues, health concerns, popular beliefs about sexuality, prostitution and erotica.

The Creator as Critic and Other Writings by E.M. Forster

The Creator as Critic and Other Writings by E.M. Forster
Author: Edward Morgan Forster
Publisher: Dundurn
Total Pages: 821
Release: 2008-02-25
Genre: Literary Collections
ISBN: 1550025228

These essays, lectures, memoirs, and broadcasts are the thought-provoking products of Forsters engagement with the literary, political, and social events of his time.

Arthur Golding’s 'A Moral Fabletalk' and Other Renaissance Fable Translations

Arthur Golding’s 'A Moral Fabletalk' and Other Renaissance Fable Translations
Author: Liza Blake
Publisher: MHRA
Total Pages: 596
Release: 2017-01-03
Genre: Literary Criticism
ISBN: 1781886067

This volume brings together five translations of Aesopian fables that range from the beginning to the end of the English Renaissance. At the centre of the volume is an edition of the entirety of Arthur Golding’s manuscript translation of emblematic fables, A Morall Fabletalke (c. 1580s). By situating Golding’s text alongside William Caxton’s early printed translation from French (1485), Richard Smith’s English version of Robert Henryson’s Middle-Scots Moral Fabillis (1577), John Brinsley’s grammar school translation (1617), and John Ogilby’s politicized fables translated at the end of the English Civil War (1651), this book shows the wide-ranging forms and functions of the fable during this period.

Better a Shrew than a Sheep

Better a Shrew than a Sheep
Author: Pamela Allen Brown
Publisher: Cornell University Press
Total Pages: 279
Release: 2018-08-06
Genre: Literary Criticism
ISBN: 1501722360

In a study that explodes the assumption that early modern comic culture was created by men for men, Pamela Allen Brown shows that jest books, plays, and ballads represented women as laugh-getters and sought out the laughter of ordinary women. Disputing the claim that non-elite women had little access to popular culture because of their low literacy and social marginality, Brown demonstrates that women often bested all comers in the arenas of jesting, gaining a few heady moments of agency. Juxtaposing the literature of jest against court records, sermons, and conduct books, Brown employs a witty, entertaining style to propose that non-elite women used jests to test the limits of their subjection. She also shows how women's mocking laughter could function as a means of social control in closely watched neighborhoods. While official culture beatified the sheep-like wife and disciplined the scold, jesting culture often applauded the satiric shrew, whether her target was priest, cuckold, or rapist. Brown argues that listening for women's laughter can shed light on both the dramas of the street and those of the stage: plays from The Massacre of the Innocents to The Merry Wives of Windsor to The Woman's Prize taught audiences the importance of gossips' alliances as protection against slanderers, lechers, tyrants, and wife-beaters. Other jests, ballads, jigs, and plays show women reveling in tales of female roguery or scoffing at the perverse patience of Griselda. As Brown points out, some women found Griselda types annoying and even foolish: better be a shrew than a sheep.

Catalogue

Catalogue
Author: Sotheby, Wilkinson & Hodge
Publisher:
Total Pages: 408
Release: 1914
Genre: Art
ISBN: