Twentieth Century Harmony
Author | : Vincent Persichetti |
Publisher | : London : Faber & Faber |
Total Pages | : 287 |
Release | : 1961 |
Genre | : Harmony |
ISBN | : 9780571112166 |
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Author | : Vincent Persichetti |
Publisher | : London : Faber & Faber |
Total Pages | : 287 |
Release | : 1961 |
Genre | : Harmony |
ISBN | : 9780571112166 |
Author | : Wilfrid Dunwell |
Publisher | : London : Novello |
Total Pages | : 252 |
Release | : 1960 |
Genre | : Harmony |
ISBN | : |
Author | : Peter Sabbagh |
Publisher | : Universal-Publishers |
Total Pages | : 188 |
Release | : 2003 |
Genre | : Music |
ISBN | : 9781581125955 |
In the history of music there are seldom as rapid musical developments as we can find in Scriabin's works. In only 31 years Scriabin made a breathtaking development: in his early works he still uses a romantic tonal language, while his later works are far-reaching into the 20th century. Scriabin's development is gradual and consequent, each step can be derived from the preceding, thus connecting the music of the 19th and 20th centuries. He can be regarded as a key composer of his age.Harmony is the central factor in Scriabin's musical thinking. From harmony everything else is developed. It defines the form, also the melody and tone systems are developed from it.This book is concerned with the following basic issues: Which elements in Scriabin's harmony are new, and what has been derived from the tradition? Why is the development in Scriabin's works consequent, once started, why did it have to follow a certain course? Is there something elemental in Scriabin's way of thinking that pushes ahead this development?
Author | : Ton de Leeuw |
Publisher | : Amsterdam University Press |
Total Pages | : 223 |
Release | : 2005 |
Genre | : Music |
ISBN | : 9053567658 |
Ton de Leeuw was a truly groundbreaking composer. As evidenced by his pioneering study of compositional methods that melded Eastern traditional music with Western musical theory, he had a profound understanding of the complex and often divisive history of twentieth-century music. Now his renowned chronicle Music of the Twentieth Century is offered here in a newly revised English-language edition. Music of the Twentieth Century goes beyond a historical survey with its lucid and impassioned discussion of the elements, structures, compositional principles, and terminologies of twentieth-century music. De Leeuw draws on his experience as a composer, teacher, and music scholar of non-European music traditions, including Indian, Indonesian, and Japanese music, to examine how musical innovations that developed during the twentieth century transformed musical theory, composition, and scholarly thought around the globe.
Author | : Dmitri Tymoczko |
Publisher | : OUP USA |
Total Pages | : 469 |
Release | : 2011-03-21 |
Genre | : Mathematics |
ISBN | : 0195336674 |
In this groundbreaking book, Tymoczko uses contemporary geometry to provide a new framework for thinking about music, one that emphasizes the commonalities among styles from Medieval polyphony to contemporary jazz.
Author | : Stefan M. Kostka |
Publisher | : |
Total Pages | : 0 |
Release | : 2000 |
Genre | : Harmony |
ISBN | : 9780072419962 |
Tonal Harmony with an Introduction to 20th-Century Music is intended for a two-year course in music theory/harmony. It offers a clear and thorough introduction to the resources and practice of Western music from the 17th century to the present day. Its concise, one-volume format and flexible approach make the book usable in a broad range of theory curricula. The text provides students with a comprehensive but accessible and highly practical set of tools for the understanding of music. Actual musical practice is emphasized more than rules or prohibitions. Principles are explained and illustrated, and exceptions are noted. In its presentation of harmonic procedures, the text introduces students to the most common vocal and instrumental textures encountered in tonal music. Traditional four-part chorale settings are used to introduce many concepts, but three-part instrumental and vocal textures are also presented in illustrations and drill work, along with a variety of keyboard styles. To encourage the correlation of writing and performing skills, we have included musical examples in score and reduced-score formats as well as charts on instrumental ranges and transpositions. Some of the assignments ask the student to write for small ensembles suitable for performance in class. Instructors may modify these assignments to make them most appropriate for their particular situations. - Preface.
Author | : W. A. Mathieu |
Publisher | : Simon and Schuster |
Total Pages | : 724 |
Release | : 1997-08-01 |
Genre | : Music |
ISBN | : 1620554011 |
An exploration of musical harmony from its ancient fundamentals to its most complex modern progressions, addressing how and why it resonates emotionally and spiritually in the individual. W. A. Mathieu, an accomplished author and recording artist, presents a way of learning music that reconnects modern-day musicians with the source from which music was originally generated. As the author states, "The rules of music--including counterpoint and harmony--were not formed in our brains but in the resonance chambers of our bodies." His theory of music reconciles the ancient harmonic system of just intonation with the modern system of twelve-tone temperament. Saying that the way we think music is far from the way we do music, Mathieu explains why certain combinations of sounds are experienced by the listener as harmonious. His prose often resembles the rhythms and cadences of music itself, and his many musical examples allow readers to discover their own musical responses.
Author | : Xuan Thuan Trinh |
Publisher | : |
Total Pages | : 392 |
Release | : 2001 |
Genre | : Science |
ISBN | : |
For 300 years, Trinh Xuan Thuan writes, since the time of Isaac Newton, scientists saw reality as a giant clock--a sterile mechanism in which one part acts on another in a deterministic fashion. But the discoveries of the last few decades have changed all that, conjuring up instead a universe brimming with unpredictability, creativity, and chance. Writing with exceptional grace and clarity, Thuan vividly describes these important scientific discoveries, intriguing new theories about chaos, gravity, strange attractors, fractals, symmetry, superstrings, and the strangeness of atoms. Equally important, he reveals how these discoveries have shaped our view of the universe--for instance, how quantum mechanics brought indeterminism to the subatomic universe. Thuan deftly describes quantum mechanics, discusses its relationship to the theories of relativity (which deal inability to accept it. Indeed, throughout Chaos and Harmony, he makes clear as never before the mind-bending ideas of modern physics, such as the effect of gravity on time (it slows it down), the impossibility of crossing the speed-of-light barrier (it would actually reverse time), the role of fractals as "the language of nature," and the unreasonable effectiveness of mathematics in understanding the universe. From the subatomic world to the vast realm of quasars and galaxies, from the nature of mathematics to the fractal characteristics of the human circulatory system, Trinh Xuan Thuan takes us on a breathtaking tour of the universe. With striking examples and clear, plain language, he shows how science has actually restored mystery to the world around us--a world of symmetry and chaos, contingency and creativity.
Author | : James R. Goff Jr. |
Publisher | : UNC Press Books |
Total Pages | : 424 |
Release | : 2014-02-01 |
Genre | : History |
ISBN | : 1469616882 |
Comprehensive and richly illustrated, Close Harmony traces the development of the music known as southern gospel from its antebellum origins to its twentieth-century emergence as a vibrant musical industry driven by the world of radio, television, recordings, and concert promotions. Marked by smooth, tight harmonies and a lyrical focus on the message of Christian salvation, southern gospel--particularly the white gospel quartet tradition--had its roots in nineteenth-century shape-note singing. The spread of white gospel music is intricately connected to the people who based their livelihoods on it, and Close Harmony is filled with the stories of artists and groups such as Frank Stamps, the Chuck Wagon Gang, the Blackwood Brothers, the Rangers, the Swanee River Boys, the Statesmen, and the Oak Ridge Boys. The book also explores changing relations between black and white artists and shows how, following the civil rights movement, white gospel was influenced by black gospel, bluegrass, rock, metal, and, later, rap. With Christian music sales topping the $600 million mark at the close of the twentieth century, Close Harmony explores the history of an important and influential segment of the thriving gospel industry.