The Ethics of Wagner's The Ring of the Nibelung
Author | : Mary Elizabeth Lewis |
Publisher | : New York ; London : G.P. Putnam |
Total Pages | : 220 |
Release | : 1906 |
Genre | : Composers |
ISBN | : |
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Author | : Mary Elizabeth Lewis |
Publisher | : New York ; London : G.P. Putnam |
Total Pages | : 220 |
Release | : 1906 |
Genre | : Composers |
ISBN | : |
Author | : Roger Scruton |
Publisher | : Penguin UK |
Total Pages | : 466 |
Release | : 2016-06-09 |
Genre | : Music |
ISBN | : 0241188563 |
'The ideal interpreter of the Ring ... a fascinating and valuable study ... absorbing and convincing' Sunday Times The Ring of the Nibelung is one of the greatest works of art created in modern times. Roger Scruton's brilliant and passionate exploration of the drama, music, symbolism and philosophy of Wagner's masterpiece - with its themes of love, death, sacrifice and freedom - shows how, ultimately, it expresses the truth about the human condition. 'Highly original and penetrating ... tremendous' Tim Blanning, Literary Review 'A rich, historical account ... After reading this book, only the most unadventurous reader would turn down the chance to see Wagner's masterpiece' Economist 'A brilliant gallop through the master's religious, musical and philosophical contexts' Sue Prideaux, Spectator 'Scruton is one of the finest philosopher-musicians since Schopenhauer' Jonathan Gaisman, Standpoint
Author | : Richard Wagner |
Publisher | : Penguin UK |
Total Pages | : 708 |
Release | : 2018-07-26 |
Genre | : Music |
ISBN | : 0241305861 |
A superb new translation of one of the greatest nineteenth century poems: the libretto to Wagner's Ring cycle The scale and grandeur of Wagner's The Ring of the Nibelung has no precedent and no successor. It preoccupied Wagner for much of his adult life and revolutionized the nature of opera, the orchestra, the demands on singers and on the audience itself. The four operas-The Rhinegold, The Valkyrie, Siegfried and Twilight of the Gods - are complete worlds, conjuring up extraordinary mythological landscapes through sound as much as staging. Wagner wrote the entire libretto before embarking on the music. Discarding the grand choruses and bravura duets central to most operas, he used the largest musical forces in the context often of only a handful of singers on stage. The words were essential: he was telling a story and making an argument in a way that required absolute attention to what was said. The libretto for The Ring lies at the heart of nineteenth century culture. It is in itself a work of power and grandeur and it had an incalculable effect on European and specifically German culture. John Deathridge's superb new translation, with notes and a fascinating introduction, is essential for anyone who wishes to get to grips with one of the great musical experiences.
Author | : Burton D. Fisher |
Publisher | : Opera Journeys Publishing |
Total Pages | : 140 |
Release | : 2005 |
Genre | : Music |
ISBN | : 0977145581 |
Opera classics library explores the inner soul of Wagner's colossus of music theater. All of the Ring's mysteries are unlocked, and its immensity and complexity are analyzed and made coherent for the newcomer as well as for the seasoned enthusiast.
Author | : Barry Millington |
Publisher | : Thames & Hudson |
Total Pages | : 509 |
Release | : 1993-08-17 |
Genre | : Music |
ISBN | : 0500771464 |
"Scrupulous . . . planned and executed with quite unusual care." —Opera There has long been a need for a modern English translation of Wagner's Ring—a version that is reliable and readable yet at the same time is a true reflection of the literary quality of the German libretto. This acclaimed translation, which follows the verse form of the original exactly, fills that niche. It reads smoothly and idiomatically, yet is the result of prolonged thought and deep background knowledge. The translation is accompanied by Stewart Spencer's introductory essay on the libretto and a series of specially commissioned texts by Barry Millington, Roger Hollinrake, Elizabeth Magee and Warren Darcy that discuss the cycle's musical structure, philosophical implications, medieval sources and Wagner's own changing attitude to its meaning. With a glossary of names, a review of audio and video recordings, and a select bibliography, the book is an essential complement to Wagner's great epic.
Author | : Karol Berger |
Publisher | : Univ of California Press |
Total Pages | : 548 |
Release | : 2024-10-29 |
Genre | : Music |
ISBN | : 0520409256 |
Beyond Reason relates Wagner's works to the philosophical and cultural ideas of his time, centering on the four music dramas he created in the second half of his career: Der Ring des Nibelungen, Tristan und Isolde, Die Meistersinger von Nürnberg, and Parsifal. Karol Berger seeks to penetrate the "secret" of large-scale form in Wagner's music dramas and to answer those critics, most prominently Nietzsche, who condemned Wagner for his putative inability to weld small expressive gestures into larger wholes. Organized by individual opera, this is essential reading for both musicologists and Wagner experts.
Author | : Richard H. Bell |
Publisher | : Wipf and Stock Publishers |
Total Pages | : 263 |
Release | : 2020-01-21 |
Genre | : Music |
ISBN | : 1498235646 |
Wagner's Ring is one of the greatest of all artworks of Western civilization, but what is it all about? The power and mystery of Wagner's creation was such that he himself felt he stood before his work "as though before some puzzle." A clue to the Ring's greatness lies in its multiple avenues of self-disclosure and the corresponding plethora of interpretations that over the years has granted ample scope for directors and will no doubt do so well into the distant future. One possible interpretation, which Richard Bell argues should be taken seriously, is the Ring as Christian theology. In this first of two volumes, Bell considers, among other things, how the composer's Christian interests may be detected in the "forging" of his Ring, looking at how he appropriated his sources (whether they be myths and sagas, writers, poets, or philosophers) and considering works composed around the same time, especially his Jesus of Nazareth.
Author | : Matthew Bribitzer-Stull |
Publisher | : Cambridge University Press |
Total Pages | : 357 |
Release | : 2015-05-14 |
Genre | : History |
ISBN | : 1107098394 |
Through analysis, Matthew Bribitzer-Stull explores the legacy of the leitmotif, from Wagner's Ring cycle to present-day Hollywood film music.
Author | : Richard H. Bell |
Publisher | : |
Total Pages | : 363 |
Release | : 2020 |
Genre | : Music |
ISBN | : 1498235743 |
(Vol 1.) Wagner's Ring is one of the greatest of all artworks of Western civilization, but what is it all about? The power and mystery of Wagner's creation was such that he himself felt he stood before his work "as though before some puzzle." A clue to the Ring's greatness lies in its multiple avenues of self-disclosure and the corresponding plethora of interpretations that over the years has granted ample scope for directors and will no doubt do so well into the distant future. One possible interpretation, which Richard Bell argues should be taken seriously, is the Ring as Christian theology. In this first of two volumes, Bell considers, among other things, how the composer's Christian interests may be detected in the "forging" of his Ring, looking at how he appropriated his sources (whether they be myths and sagas, writers, poets, or philosophers) and considering works composed around the same time, especially his Jesus of Nazareth. -- back cover.
Author | : Renée Vink |
Publisher | : |
Total Pages | : 322 |
Release | : 2012-06 |
Genre | : Literature and myth |
ISBN | : 9783905703252 |
"Both Rings were round and there the resemblance ceases," wrote J.R.R. Tolkien about the rings in his epic The Lord of the Rings and Richard Wagner's opera cycle The Ring of the Nibelung. Or did he? The answer is not as straightforward as many Tolkien fans believe, whether they agree with the statement or consider it misguided. Nor is the statement itself as transparently defensive as some Wagner buffs suggest. Much has been said and written about Wagner and Tolkien, a subject that tends to generate a certain amount of heat, mostly due to the former's controversial status as Hitler's favourite composer. But until now the various, often contradictory opinions and the facts and perceptions on which they are based were rarely discussed at length or analysed in depth. The publication in 2009 of Tolkien's The Legend and Sigurd and Gudr n with its partly Wagnerian content reinforced the need for a systematic treatment of the subject. This book offers one. There is more to both Rings than their common roundness, and the resemblance between Tolkien and Wagner goes beyond a Ring of Power and some narrative elements: they shared a number of preoccupations and interests - nature, nation, the North, death and immortality, language and above all, myth. This is a book about the two great mythmakers of their times, and about what they have in common despite everything that separates them.