The Epic Rhapsode And His Craft
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Author | : José Miguel González |
Publisher | : Harvard University Press |
Total Pages | : 0 |
Release | : 2013 |
Genre | : Acting |
ISBN | : 9780674055896 |
This book argues that oracular utterance, dramatic acting, and rhetorical delivery powerfully elucidate the practice of epic rhapsodes in Homeric performance. Attention to these domains reveals a shifting dynamic of competition and emulation among rhapsodes, actors, and orators that shaped their texts and their crafts.
Author | : Tom Phillips |
Publisher | : Oxford University Press (UK) |
Total Pages | : 367 |
Release | : 2020 |
Genre | : Language Arts & Disciplines |
ISBN | : 0198848560 |
Untimely Epic offers a new interpretation of time in Apollonius Rhodius' Argonautica: rather than focusing predominantly on the structure of the narrative, it employs a range of theoretical concepts drawn from ancient and modern criticism to address how the poem shapes readers' experience of time and temporality.
Author | : José M. González |
Publisher | : Walter de Gruyter GmbH & Co KG |
Total Pages | : 378 |
Release | : 2015-12-14 |
Genre | : Literary Criticism |
ISBN | : 3110422980 |
Not a few of the more prominent and persistent controversies among classical scholars about approaches and methods arise from a failure to appreciate the fundamental role of time in structuring the interpretation of Greek culture. Diachrony showcases the corresponding importance of diachronic models for the study of ancient Greek literature and culture. Diachronic models of culture reach beyond mere historical change to the systemically evolving dynamics of cultural institutions, practices, and artifacts. The papers collected here illustrate the construction and proper use of such models. They emphasize the complementarity of synchronic and diachronic perspectives and highlight the need to assess how well diachronic models fit history. The contributors to this volume strive to be methodologically explicit as they tackle a wide range of subjects with a variety of diachronic approaches. Their work shows both the difficulty and the promise of diachronic analysis. Our incomplete knowledge of Greek antiquity throughout time and the Greeks' own preoccupation with the past in the construction of their present make diachronic analysis not just invaluable but indispensable for the study of ancient Greek literature and culture.
Author | : Jonathan Ready |
Publisher | : University of Texas Press |
Total Pages | : 441 |
Release | : 2018-08-13 |
Genre | : Literary Criticism |
ISBN | : 1477316035 |
Before they were written down, the poems attributed to Homer were performed orally, usually by rhapsodes (singers/reciters) who might have traveled from city to city or enjoyed a position in a wealthy household. Even after the Iliad and the Odyssey were committed to writing, rhapsodes performed the poems at festivals, often competing against each other. As they recited the epics, the rhapsodes spoke as both the narrator and the characters. These different acts—performing the poem and narrating and speaking in character within it—are seldom studied in tandem. Homer in Performance breaks new ground by bringing together all of the speakers involved in the performance of Homeric poetry: rhapsodes, narrators, and characters. The first part of the book presents a detailed history of the rhapsodic performance of Homeric epic from the Archaic to the Roman Imperial periods and explores how performers might have shaped the poems. The second part investigates the Homeric narrators and characters as speakers and illuminates their interactions. The contributors include scholars versed in epigraphy, the history of art, linguistics, and performance studies, as well as those capable of working with sources from the ancient Near East and from modern Russia. This interdisciplinary approach makes the volume useful to a spectrum of readers, from undergraduates to veteran professors, in disciplines ranging from classical studies to folklore.
Author | : Andrew Porter |
Publisher | : BRILL |
Total Pages | : 132 |
Release | : 2022-01-17 |
Genre | : History |
ISBN | : 9004455558 |
How can the ancient relationship between Homer and the Epic Cycle be recovered? Using the most significant research in the field, Andrew Porter questions many ancient and modern assumptions and offers alternative perspectives better aligned with ancient epic performance realities and modern epic studies.
Author | : Christos Tsagalis |
Publisher | : Walter de Gruyter GmbH & Co KG |
Total Pages | : 497 |
Release | : 2017-05-22 |
Genre | : Literary Criticism |
ISBN | : 3110532115 |
This book offers a new edition and comprehensive commentary of the extant fragments of genealogical and antiquarian epic dating to the archaic period (8th-6th cent. BC). By means of a detailed study of the multifaceted material pertaining to the remains of archaic Greek epic other than Homer, Hesiod, and the Homeric Hymns, it provides readers with a critical reassessment of the ancient evidence, allows access to new material hitherto unnoticed or scattered in various journals after the publication of the three standard editions now available to us, and offers a full-scale commentary of the extant fragments. This book fills a gap in the study of archaic Greek poetry, since it offers a guiding tool for the further exploration of Greek epic tradition in the archaic period and beyond.
Author | : Jonathan L. Ready |
Publisher | : Oxford University Press |
Total Pages | : 371 |
Release | : 2019-07-30 |
Genre | : Poetry |
ISBN | : 0192571931 |
Written texts of the Iliad and the Odyssey achieved an unprecedented degree of standardization after 150 BCE, but what about Homeric texts prior to the emergence of standardized written texts? Orality, Textuality, and the Homeric Epics sheds light on that earlier history by drawing on scholarship from outside the discipline of classical studies to query from three different angles what it means to speak of Homeric poetry together with the word "text". Part I utilizes work in linguistic anthropology on oral texts and oral intertextuality to illuminate both the verbal and oratorical landscapes our Homeric poets fashion in their epics and what the poets were striving to do when they performed. Looking to folkloristics, part II examines modern instances of the textualization of an oral traditional work in order to reconstruct the creation of written versions of the Homeric poems through a process that began with a poet dictating to a scribe. Combining research into scribal activity in other cultures, especially in the fields of religious studies and medieval studies, with research into performance in the field of linguistic anthropology, part III investigates some of the earliest extant texts of the Homeric epics, the so-called wild papyri. By looking at oral texts, dictated texts, and wild texts, this volume traces the intricate history of Homeric texts from the Archaic to the Hellenistic period, long before the emergence of standardized written texts, in a comparative and interdisciplinary study that will benefit researchers in a number of disciplines across the humanities.
Author | : Alex C. Purves |
Publisher | : Oxford University Press, USA |
Total Pages | : 233 |
Release | : 2019 |
Genre | : Poetry |
ISBN | : 0190857927 |
This book draws on studies of movement, gesture, and early film to offer a series of readings on repetition through the body in Homer. Each chapter presents an argument based on a specific posture, action or gesture (falling, running, leaping, standing, and crouching), through which to rethink epic practices of embodiment and formularity.
Author | : Alexander Loney |
Publisher | : Oxford University Press |
Total Pages | : 611 |
Release | : 2018-07-26 |
Genre | : Literary Collections |
ISBN | : 0190905360 |
This volume brings together 29 junior and senior scholars to discuss aspects of Hesiod's poetry and its milieu and to explore questions of reception over two and half millennia from shortly after the poems' conception to Twitter hashtags. Rather than an exhaustive study of Hesiodic themes, the Handbook is conceived as a guide through terrain, some familiar, other less charted, examining both Hesiodic craft and later engagements with Hesiod's stories of the gods and moralizing proscriptions of just human behavior. The volume opens with the "Hesiodic Question," to address questions of authorship, historicity, and the nature of composition of Hesiod's two major poems, the Theogony and Works and Days. Subsequent chapters on the archaeology and economic history of archaic Boiotia, Indo-European poetics, and Hesiodic style offer a critical picture of the sorts of questions that have been asked rather than an attempt to resolve debate. Other chapters discuss Hesiod's particular rendering of the supernatural and the performative nature of the Works and Days, as well as competing diachronic and synchronic temporalities and varying portrayals of female in the two poems. The rich story of reception ranges from Solon to comic books. These chapters continue to explore the nature of Hesiod's poetics, as different writers through time single out new aspects of his art less evident to earlier readers. Long before the advent of Christianity, classical writers leveled their criticism at Hesiod's version of polytheism. The relative importance of Hesiod's two major poems across time also tells us a tale of the age receiving the poems. In the past two centuries, artists and writers have come to embrace the Hesiodic stories for themselves for the insight they offer of the human condition but even as old allegory looks quaint to modern eyes new forms of allegory take form.
Author | : Derek Attridge |
Publisher | : Oxford University Press |
Total Pages | : 462 |
Release | : 2019-02-14 |
Genre | : Literary Criticism |
ISBN | : 0192569570 |
Was the experience of poetry—or a cultural practice we now call poetry—continuously available across the two-and-a-half millennia from the composition of the Homeric epics to the publication of Ben Jonson's Works and the death of Shakespeare in 1616? How did the pleasure afforded by the crafting of language into memorable and moving rhythmic forms play a part in the lives of hearers and readers in Ancient Greece and Rome, Europe during Late Antiquity and the Middle Ages, and Britain during the Renaissance? In tackling these questions, this book first examines the evidence for the performance of the Iliad and the Odyssey and of Ancient Greek lyric poetry, the impact of the invention of writing on Alexandrian verse, the performances of poetry that characterized Ancient Rome, and the private and public venues for poetic experience in Late Antiquity. It moves on to deal with medieval verse, exploring the oral traditions that spread across Europe in the vernacular languages, the place of manuscript transmission, the shift from roll to codex and from papyrus to parchment, and the changing audiences for poetry. A final part investigates the experience of poetry in the English Renaissance, from the manuscript verse of Henry VIII's court to the anthologies and collections of the late Elizabethan era. Among the topics considered in this part are the importance of the printed page, the continuing significance of manuscript circulation, the performance of poetry in pageants and progresses, and the appearance of poets on the Elizabethan stage. In tracking both continuity and change across these many centuries, the book throws fresh light on the role and importance of poetry in western culture.