The English Reformation In The Spanish Imagination
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| Author | : Deborah R. Forteza |
| Publisher | : University of Toronto Press |
| Total Pages | : 188 |
| Release | : 2022-01-27 |
| Genre | : Literary Criticism |
| ISBN | : 1487563523 |
The English Reformation in the Spanish Imagination examines early modern Spanish literary works that represent English Catholics and figures from the English Reformation, including Henry and Elizabeth Tudor, Anne Boleyn, Catherine of Aragon, Sir Francis Drake, and Mary Stuart. Deborah R. Forteza compares these texts to assess how rhetorical and genre distinctions open and constrain the Spanish representations and how these exchanges inform Anglo-Spanish perceptions and relations. The book focuses on the literary representation of characters as classical and biblical monsters and saints and considers how these images were transformed and deployed in lesser-known poems, plays, and novels in order to capture the Spanish imagination. Through these sources, Forteza reveals the complex fraternal and antagonistic links between England and Spain, including Black Legend and Counter-Reformation exchanges. In examining the works that shaped Spain’s view of England at the time, The English Reformation in the Spanish Imagination demonstrates the importance of transnational study and why it is essential for a more nuanced understanding of Spanish literature.
| Author | : Eduardo Olid Guerrero |
| Publisher | : U of Nebraska Press |
| Total Pages | : 461 |
| Release | : 2019-03 |
| Genre | : Biography & Autobiography |
| ISBN | : 1496213807 |
Queen Elizabeth I was an iconic figure in England during her reign, with many contemporary English portraits and literary works extolling her virtue and political acumen. In Spain, however, her image was markedly different. While few Spanish fictional or historical writings focus primarily on Elizabeth, numerous works either allude to her or incorporate her as a character. The Image of Elizabeth I in Early Modern Spain explores the fictionalized, historical, and visual representations of Elizabeth I and their impact on the Spanish collective imagination. Drawing on works by Miguel de Cervantes, Lope de Vega, Pedro de Ribadeneira, Luis de Góngora, Cristóbal de Virués, Antonio Coello, and Calderón de la Barca, among others, the contributors to this volume limn contradictory assessments of Elizabeth's physical appearance, private life, personality, and reign. In doing so they articulate the various and sometimes conflicting ways in which the Tudor monarch became both the primary figure in English propaganda efforts against Spain and a central part of the Spanish political agenda. This edited volume revives and questions the image of Elizabeth I in early modern Spain as a means of exploring how the queen's persona, as mediated by its Spanish reception, has shaped the ways in which we understand Anglo-Spanish relations during a critical era for both kingdoms.
| Author | : Victor Houliston |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 288 |
| Release | : 2023-11-30 |
| Genre | : Foreign Language Study |
| ISBN | : 1350379379 |
Presenting the text of a notorious Jesuit attack on Queen Elizabeth I's treatment of her Catholic subjects, this volume highlights the European context of the English Reformation and Robert Persons's role as propagandist. In De persecutione Anglicana, Robert Persons (1546–1610) graphically describes the conditions in prisons, the harassment of Catholics at home and the gruesome manner of execution for treason. The work culminates in the arrest of the famous Jesuit martyr Edmund Campion, with rapidly revised versions bringing the narrative up to date after Campion's execution on 1 December 1581. Written in Latin to appeal to readers throughout Europe, it was translated into French, Italian and German, making it arguably the most important Latin martyrological work by an English Catholic of the Elizabethan period. This critical edition comprises the Latin text, English translation and commentary, and a textual history, appending additional material from the revised versions. Persons was actively involved in the drive to restore Roman Catholicism in England, as missionary strategist, controversialist and founder of English colleges abroad. He worked closely with the superior general of the Society of Jesus, Claudio Acquaviva, negotiating with Philip II of Spain, the Duke of Guise, the Duke of Parma and successive popes. Thanks to the growth of early modern British Catholic studies, his prolific and provocative English writings attract increasing scholarly attention, but his Latin texts have often been glossed over.
| Author | : María Odette Canivell Arzú |
| Publisher | : Lexington Books |
| Total Pages | : 295 |
| Release | : 2018-12-17 |
| Genre | : Literary Criticism |
| ISBN | : 1498536964 |
In Literary Narratives and the Cultural Imagination: King Arthur and Don Quixote as National Heroes the author examines traditional Arthurian and Cervantine literary narratives to discuss how the two literary figures became paladins of their respective nations. Whereas the former bestows upon the homeland a positive image of Britain, based on military might, a glorious past and a promise of return, the latter contributes to a negative image of Spain based on a narrative of defeat and faded glory. In the analysis of the political intentions behind the literature that gave wings to the rise as paragons of these very famous literary characters, a semblance of the national imaginaries of the countries of their birth appears. Indeed, the tradition of Waterloo and the tradition of La Mancha are polar opposites in their Weltanschauung, and they only have in common that both heroes, Arthur and Quijote, are depicted as paladins of justice, benefactors, and redeemers of their land of birth. It is this idealized view of what is possibly the figment of a writer’s (or many different writers) pen that astonishes the reader, for behind it lies an intention to market (for internal and external consumption) both literary creations, exceeding the boundaries of the creative fiction that invented them to transform them into myths and political symbols of their respective nations.
| Author | : Anita Savo |
| Publisher | : University of Toronto Press |
| Total Pages | : 234 |
| Release | : 2024-05-01 |
| Genre | : Literary Criticism |
| ISBN | : 1487553250 |
Portraying Authorship argues that the medieval Castilian writer Juan Manuel fashioned a seemingly modern authorial persona from the accumulation and synthesis of medieval authorial roles. In the manuscript culture of medieval Castile and across Latin Europe, writers typically referred to their work in ways that corresponded to their role in the bookmaking process: scribes took credit for preserving the works of others, compilers for combining disparate texts in productive ways, commentators for explaining obscure works, and authors for writing their own words. Combining literary analysis with book history, Anita Savo reveals how Juan Manuel forged his authorial persona, “Don Juan,” by adopting all four medieval writerly roles, thereby reaping the ethical benefits of each one. Each chapter in Portraying Authorship highlights a different authorial role to show how Don Juan – and others who wrote in his name – assumed responsibility for that role and adapted its rhetoric to his vernacular literary project. The book concludes that Don Juan’s authorial self-portrait not only gave the humanist writers of the fifteenth century a model to imitate, but also persuaded subsequent scribes, editors, and translators to portray him as an individual author. In doing so, Portraying Authorship illuminates how Juan Manuel’s concept of authorship helped to secure him a privileged position in narratives of Spanish literary history.
| Author | : Robin M Bower |
| Publisher | : University of Toronto Press |
| Total Pages | : 334 |
| Release | : 2024-05-01 |
| Genre | : Literary Criticism |
| ISBN | : 1487547897 |
The thirteenth-century poet Gonzalo de Berceo is the first named author of Old Spanish letters and the most prolific contributor to the emergence of the body of learned vernacular verse known as the mester de clerecía. In the Doorway of All Worlds focuses on the four hagiographies Berceo produced as a unified body of poetic expression and world-building. Robin M. Bower traces the poet’s intricate juxtaposition of contraries to shed light on a poetic world that will innovate a deceptively simple poetic vernacular and elevate its capacity to express nuance, power, and mystery. The book examines the entanglements that bind formal and lexical choices, the inscription of performance sites and audiences, and problematic source authority. It argues that Berceo’s elaboration of a poetic vernacular was wholly enmeshed in the immediate human, experiential world and the diverse cultural, religious, linguistic, and literary contexts that framed it. The book also highlights how Berceo invented a literary vernacular that befits the spoken idiom not only for the crafting of learned fictions, but for giving linguistic shape to the ineffable. In the Doorway of All Worlds ultimately reveals how Berceo freed the meanings trapped in relics, shrines, and the impenetrable texts from which he translated the saints to circulate in a new time.
| Author | : Enrique Fernández |
| Publisher | : University of Toronto Press |
| Total Pages | : 254 |
| Release | : 2024-01-31 |
| Genre | : Literary Criticism |
| ISBN | : 1487549806 |
La Celestina, a Spanish literary masterpiece second only in importance to Don Quixote in Spanish literature, has been shaped by the inclusion of images from its very first edition in 1499. The subsequent five centuries were punctuated by many illustrated editions; imaginary portraits of the eponymous procuress Celestina by painters such as Murillo, Goya, and Picasso; and, more recently, screen and stage adaptations. Celestina became the prototype from which later representations of procuresses and bawds derived. The Image of Celestina sheds light on the visual culture that developed around La Celestina, including paintings, illustrations, and advertisements. Enrique Fernández examines La Celestina as a mixed-media text, incorporating methods from disciplines such as art history and women’s and cinema studies, and considers a variety of images including promotional posters, lobby pictures, and playbills of theatrical and cinematic adaptations of the book. Using a visual studies approach, The Image of Celestina ultimately illuminates the culture of Celestina, a mythical figure, who surpasses the literary text in which she originated.
| Author | : Ignacio Infante |
| Publisher | : University of Toronto Press |
| Total Pages | : 204 |
| Release | : 2023-04-28 |
| Genre | : Literary Criticism |
| ISBN | : 1442629762 |
A Planetary Avant-Garde explores how experimental poetics and literature networks have aesthetically and politically responded to the legacy of Iberian colonialism across the world. The book examines avant-garde responses to Spanish and Portuguese imperialism across Europe, Latin America, West Africa, and Southeast Asia between 1909 and 1929. Ignacio Infante critically traces the hegemony and resistance to the colonial regimes of Spain and Portugal across particular avant-garde networks, expanding our understanding of Western colonial and imperial ideologies of the early twentieth century. The book extends geopolitical dimensions of the historical avant-garde into a wider transnational and planetary framework, including divergent experiences of modernity, forms of experimental poetics, and understandings of history. It sheds light on topics, such as the relation between Portuguese futurism and European colonialism in West Africa, the Latin American avant-garde’s critique of European historicism, the development of Brazilian modernism in relation to the European avant-garde, the comparative poetics of modernism in the Philippines, and the 1929 Barcelona World’s Fair. Grounded in extensive archival research, A Planetary Avant-Garde provides a new understanding of the historical avant-garde from a global and multilingual perspective.
| Author | : Alexandra Walsham |
| Publisher | : Cambridge University Press |
| Total Pages | : 465 |
| Release | : 2020-11-12 |
| Genre | : History |
| ISBN | : 1108829996 |
Recasts the Reformation as a battleground over memory, in which new identities were formed through acts of commemoration, invention and repression.
| Author | : Professor Susan Larson |
| Publisher | : University of Toronto Press |
| Total Pages | : 328 |
| Release | : 2024-08-30 |
| Genre | : Literary Criticism |
| ISBN | : 1487529120 |
Comfort and domestic space are complex narratives that can help draw our attention to everything from urban planning, everyday objects, and new technologies to class conflict, racial and ethnic segregation, and the gendering of domestic labour. Comfort and Domestic Space in Modern Spain delves into the history of ideas surrounding the modern home. It explores how the collective experience of domestic space has been shaped by government ideologues, technocrats, and artists as well as working- and middle-class Spaniards since the late nineteenth century. The book focuses on the social and cultural meanings of domestic space in ways that invite us to cross boundaries between private and public, the particular and the general, the local and the global, and to pay attention to the role of the cultural imagination in making a house into a home. Considering a wide variety of voices and perspectives that have resulted in new ideas about how to inhabit domestic space, Comfort and Domestic Space in Modern Spain brings together an international, interdisciplinary group of scholars to illuminate the cultural history of everyday life.
