The English Print 1688 1802
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| Author | : Tim Clayton |
| Publisher | : Yale University Press |
| Total Pages | : 337 |
| Release | : 1997 |
| Genre | : Art |
| ISBN | : 9780300066500 |
Before the invention of photography, prints were the principal means for reproducing and disseminating visual information. The engraver did for the image what the printer did for the written word, and painters were compared and judged on the evidence of prints of their work. In this authoritative and innovative book, Timothy Clayton describes the growth of the print trade in England during the eighteenth century, a period during which Britain emerged from artistic obscurity to dominate the international print market. This highly readable account offers a fascinating tour of the principal outlets for prints in London, the provinces, and the British colonies over a period of more than one hundred years. Clayton considers the variety of published material -- history prints, topography, portraiture, satire, propaganda -- the channels of distribution, and the various audiences to which prints were addressed. He examines the effect of the sudden and dramatic influx of foreign prints in the second decade of the eighteenth century and traces the way in which English engravers and printsellers attempted to establish a national industry. Prints were used to promote English entertainments, luxury industries, landscapes, gardens, and paintings and to demonstrate the increasing wealth and sophistication of the English nation. Their influence over the commercialization of leisure and the development of luxury manufacturing was considerable. By the 1760s, British engravers and painters were winning recognition and establishing a new reputation on the Continent through the dissemination of their work. During the following decade, the enthusiasm for English prints developed into full-blown anglomania, and engraved scenes from English literature and national history were displayed on walls throughout Europe.
| Author | : Peter S. Forsaith |
| Publisher | : Routledge |
| Total Pages | : 210 |
| Release | : 2017-08-18 |
| Genre | : Art |
| ISBN | : 1351608460 |
The face of John Wesley (1703–91), the Methodist leader, became one of the most familiar images in the English-speaking and transatlantic worlds through the late eighteenth and nineteenth centuries. After the dozen or so painted portraits made during his lifetime came numbers of posthumous portraits and moralising ‘scene paintings’, and hundreds of variations of prints. It was calculated that six million copies were produced of one print alone – an 1827 portrait by John Jackson R.A. as frontispiece for a hymn book. Illustrated by nearly one hundred images, many in colour, with a comprehensive appendix listing known Wesley images, this book offers a much-needed comprehensive and critical survey of one of the most influential religious and public figures of eighteenth-century Britain. Besides chapters on portraits from the life and after, scene paintings and prints, it explores aspects of Wesley’s (and Methodism’s) attitudes to art, and the personality cult which gathered around Wesley as Methodism expanded globally. It will be of interest to art historians as a treatment of an individual sitter and subject, as well as to scholars engaged in Wesley and Methodist studies. It is also significant for the field of material studies, given the spread and use of the image, on artefacts as well as on paper.
| Author | : Elisabeth Soulier-Detis |
| Publisher | : Lutterworth Press |
| Total Pages | : 233 |
| Release | : 2010-05-27 |
| Genre | : Art |
| ISBN | : 071889698X |
This engaging study reveals how a half-hidden thread of Masonic symbolism runs through Hogarth's work. The classical and Biblical references, whose ambiguity and apparent paradoxical relation with the eighteenth-century situations depicted have often been underlined, gain coherence and unity when they are analyzed in the symbolic framework of freemasonry and alchemy Hogarth was busy both using and concealing in his prints. The coded meaning is often entirely at odds with the surface one, a factsuspected but never proved by critics so far. A very original and titillating book for academics and general reader alike. Readers will be intrigued by the secrecy of symbols from mythological, biblical and Masonic references and hidden codes that have to be deciphered. Furthermore, they will be also left intrigued by the secret message that the very popular and well-known painter is attempting to deliver. Academics will be interested in the book since this thorough approach has never been proposed by any of Hogarth's scholars so far.
| Author | : Tim Shephard |
| Publisher | : Routledge |
| Total Pages | : 416 |
| Release | : 2013-07-31 |
| Genre | : Music |
| ISBN | : 1135956464 |
As a coherent field of research, the field of music and visual culture has seen rapid growth in recent years. The Routledge Companion to Music and Visual Culture serves as the first comprehensive reference on the intersection between these two areas of study, an ideal introduction for those coming to the field for the first time as well as a useful source of information for seasoned researchers. This collection of over forty entries, from musicologists and art historians from the US and UK, delineate the key concepts in the field in five parts: Starting Points Methodologies Reciprocation – the musical in visual culture and the visual in musical culture Convergence –in metaphor, in conception, and in practice Hybrid Arts This reference work speaks to the important questions concerning this burgeoning field of research –what are the established approaches to studying musical and visual cultures side by side? What have been the major points of contact between these two areas and what kind of questions can this interdisciplinary research address moving forward? The Routledge Companion to Music and Visual Culture is an indispensable guide for anyone interested in the field of music and visual culture.
| Author | : Toby Burrows |
| Publisher | : Routledge |
| Total Pages | : 154 |
| Release | : 2018-10-03 |
| Genre | : Art |
| ISBN | : 1351208543 |
Today’s libraries and museums are heavily indebted to the passions and obsessions of numerous individual collectors who devoted their lives to amassing collections of books, manuscripts, artworks, and other culturally significant objects. Collecting the Past brings together the latest research on a wide range of significant British collectors from the eighteenth to the twentieth centuries, including Hans Sloane, Sarah Sophia Banks, Thomas Phillipps, Sydney Cockerell, J. P. Morgan Jr., Alfred Chester Beatty and R. E. Hart. Contributors to the volume examine the phenomenon of collecting in a variety of settings and across a range of different materials. Considering the aims and motives that led these collectors to assemble such remarkable collections, the book also examines the history of these collections after the collector’s death. Particular attention is given to the often complicated relationship between collectors and the public institutions that subsequently came to house their collections. Situated within the framework of cultural collecting more generally, this book offers an authoritative series of essays on key collectors. Collecting the Past should be most interesting to researchers, academics and postgraduate students engaged in the study of museum studies, book history, manuscript studies, museum history, library history and the history of collecting. Professionals in libraries, museums and galleries will also find the volume of great interest.
| Author | : Martin Brückner |
| Publisher | : UNC Press Books |
| Total Pages | : 502 |
| Release | : 2012-12-01 |
| Genre | : History |
| ISBN | : 0807838721 |
Maps were at the heart of cultural life in the Americas from before colonization to the formation of modern nation-states. The fourteen essays in Early American Cartographies examine indigenous and European peoples' creation and use of maps to better represent and understand the world they inhabited. Drawing from both current historical interpretations and new interdisciplinary perspectives, this collection provides diverse approaches to understanding the multilayered exchanges that went into creating cartographic knowledge in and about the Americas. In the introduction, editor Martin Bruckner provides a critical assessment of the concept of cartography and of the historiography of maps. The individual essays, then, range widely over space and place, from the imperial reach of Iberian and British cartography to indigenous conceptualizations, including "dirty," ephemeral maps and star charts, to demonstrate that pre-nineteenth-century American cartography was at once a multiform and multicultural affair. This volume not only highlights the collaborative genesis of cartographic knowledge about the early Americas; the essays also bring to light original archives and innovative methodologies for investigating spatial relations among peoples in the western hemisphere. Taken together, the authors reveal the roles of early American cartographies in shaping popular notions of national space, informing visual perception, animating literary imagination, and structuring the political history of Anglo- and Ibero-America. The contributors are: Martin Bruckner, University of Delaware Michael J. Drexler, Bucknell University Matthew H. Edney, University of Southern Maine Jess Edwards, Manchester Metropolitan University Junia Ferreira Furtado, Universidade Federal de Minas Gerais, Brazil William Gustav Gartner, University of Wisconsin–Madison Gavin Hollis, Hunter College of the City University of New York Scott Lehman, independent scholar Ken MacMillan, University of Calgary Barbara E. Mundy, Fordham University Andrew Newman, Stony Brook University Ricardo Padron, University of Virginia Judith Ridner, Mississippi State University
| Author | : Cindy McCreery |
| Publisher | : Oxford University Press |
| Total Pages | : 316 |
| Release | : 2004 |
| Genre | : Art |
| ISBN | : 9780199267569 |
This is the first scholarly study to focus on satirical prints of women in the late eighteenth century. This was the golden age of graphic satire: thousands of prints were published, and they were viewed by nearly all sections of the population. These prints both reflected and sought to shape contemporary debate about the role of women in society. Cindy McCreery's study examines the beliefs and prejudices of Georgian England which they revealed.
| Author | : Linda Eaton |
| Publisher | : The Monacelli Press, LLC |
| Total Pages | : 385 |
| Release | : 2014-09-23 |
| Genre | : Design |
| ISBN | : 1580933939 |
The Winterthur Museum’s richly illustrated history of British and American fabrics made or used from 1700–1850 is a visual reference for designers and a definitive contribution to textile studies. From slipcovers that belonged to George Washington, to bedhangings described by Harriet Beecher Stowe, Delaware’s Winterthur Museum holds some of the finest cotton and linen textiles made or used in America and Britain between 1700 and 1850. One of the fastest growing and potentially most lucrative trades in the eighteenth and early nineteenth centuries, on the forefront of developments in science and engineering, chemistry and technology, the textile industry is a fascinating lens into international trade relations and cultural exchange over nearly two centuries. Printed Textiles is a major update to the classic text published by Winterthur in 1970—a sourcebook compiled by celebrated curator Florence Montgomery that detailed all aspects of the fabrics’ lifespan, from their design and method of manufacture to their use and exchange value. Linda Eaton, Director of Collections and Senior Curator of Textiles, updates the classic with a particular focus on furnishing fabrics—referred to as “furnitures.” Building on research that has come to light since 1970 and benefiting from the technical and scientific expertise of the conservators and scientists at Winterthur, Eaton presents a thorough and sweeping study enriched by the diverse approaches to material culture today. With hundreds of beautifully photographed samples—engagingly contextualized with iconic figures in American history including Betsy Ross and Benjamin Franklin—this significant addition to textile scholarship allows for a full appreciation of these fascinating fabrics. Printed Textiles is destined to become an essential reference for interior designers, fashion and textile design students, conservators, collectors, and anyone with an interest in the textile industry.
| Author | : David J. Ibbetson |
| Publisher | : Cambridge University Press |
| Total Pages | : 423 |
| Release | : 2019 |
| Genre | : History |
| ISBN | : 1108483062 |
A Festschrift in honour of Professor Sir John Baker, presented by leading scholars on the sources of English legal history.
| Author | : Reginald McGinnis |
| Publisher | : Routledge |
| Total Pages | : 250 |
| Release | : 2013-10-17 |
| Genre | : Literary Criticism |
| ISBN | : 1135024626 |
Are legal concepts of intellectual property and copyright related to artistic notions of invention and originality? Do literary and legal scholars have anything to learn from each other, or should the legal debate be viewed as separate from questions of aesthetics? Bridging what are usually perceived as two distinct areas of inquiry, this interdisciplinary volume begins with a reflection on the "origins" of literary and legal questions in the Enlightenment to consider their ramifications in the post-Enlightenment and contemporary world. Tying in to the growing scholarly interest in connections between law and literature, on the one hand, and to the contemporary interrogation of "originality" and "authorship," on the other hand, the present volume furthers research in the field by providing a dense study of the legal and historical context to re-examine our current assumptions about supposed earlier Enlightenment and Romantic ideals of individual authorship and originality.
