The English Castle 1066 1650
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| Author | : John Goodall |
| Publisher | : Paul Mellon Ctr for Studies |
| Total Pages | : 548 |
| Release | : 2011 |
| Genre | : Architecture |
| ISBN | : 9780300110586 |
From coast to coast, the English landscape is still richly studded with castles both great and small. As homes or ruins, these historic buildings are today largely objects of curiosity. For centuries, however, they were at the heart of the kingdom's social and political life. The English Castle is a riveting architectural study that sets this legion of buildings in historical context, tracing their development from the Norman Conquest in 1066 through the civil wars of the 1640s. In this magnificent, compellingly written volume, which includes over 350 illustrations, John Goodall brings to life the history of the English castle over six centuries. In it he explores the varied architecture of these buildings and describes their changing role in warfare, politics, domestic living, and governance.
| Author | : Stuart Reid |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 174 |
| Release | : 2012-09-20 |
| Genre | : History |
| ISBN | : 1782004386 |
With the exception of the key royal sites, such as Stirling and Edinburgh, few Scottish castles were located at strategic points, or were intended to house garrisons required to defend or subjugate towns. Instead they were primarily fortified dwelling houses, erected in an environment of weak Royal authority and endemic feuding between rival clans and groups, in both Highland and Lowland areas. Although some enceinte castles were developed during the 16th and 17th centuries, most defensive construction focused on the tower house, a distinctive vernacular style of Scottish fortification. This book examines the design, development, and purpose of these quintessentially Scottish buildings, and also covers larger sites such as Urquhart and Blackness.
| Author | : Rodney Castleden |
| Publisher | : Quercus |
| Total Pages | : 668 |
| Release | : 2014-08-19 |
| Genre | : Architecture |
| ISBN | : 1623655439 |
To many, medieval castles are the essence of Britain and Ireland's fascinating past. Immersed in history and centuries old, each one tells a story of Kings, Queens and feuding lords; war and bloody conflict; treason, revenge and murder. In Castles of Britain and Ireland, Rodney Castleden weaves a fascinating and detailed narrative of 115 of the grandest and most historically significant castles in the British Isles, including Balmoral in Scotland, Bunratty in Ireland, Caernarfon in Wales and St Michael's Mount in England. As well as the details of the construction, function, and often the destruction of these magnificent buildings, each chapter also tells the human stories behind these ancient walls, with fascinating details of everyday life within.
| Author | : Dan Spencer |
| Publisher | : Amberley Publishing Limited |
| Total Pages | : 400 |
| Release | : 2018-03-15 |
| Genre | : History |
| ISBN | : 1445662698 |
In this highly readable and groundbreaking book, the ‘story’ of the castle is integrated into changes in warfare throughout this period providing us with a new understanding of their role.
| Author | : Elmer Kennedy-Andrews |
| Publisher | : Boydell & Brewer Ltd |
| Total Pages | : 320 |
| Release | : 2008 |
| Genre | : Literary Criticism |
| ISBN | : 1843841754 |
Ideas of home, place and identity have been continually questioned, re-imagined and re-constructed in Northern Irish poetry. Concentrating on the period since the outbreak of the Troubles in the late 1960s, this study provides a detailed consideration of the work of several generations of poets, from Hewitt and MacNeice, to Fiacc and Montague, to Simmons, Heaney, Mahon and Longley, to Muldoon, Carson, Paulin and McGuckian, to McDonald, Morrissey, Gillis and Flynn. It traces the extent to which their writing represents a move away from concepts of rootedness and towards a deterritorialized poetics of displacement, mobility, openness and pluralism in an era of accelerating migration and globalisation. In the new readings of place, inherited maps are no longer reliable, and home is no longer the stable ground of identity but seems instead to be always where it is not. The crossing of boundaries and the experience of diaspora open up new understandings of the relations between places, a new sense of the permeability and contingency of cultures, and new concepts of identity and home. Professor ELMER KENNEDY-ANDREWS teaches in the Department of English at the University of Ulster.
| Author | : Richard Barras |
| Publisher | : Springer |
| Total Pages | : 360 |
| Release | : 2016-09-22 |
| Genre | : Business & Economics |
| ISBN | : 1137319216 |
This two-volume book explores how the great buildings of England bear witness to a thousand years of the nation’s history. In every age, investment in iconic buildings reaches a climax when the prevailing mode of production is operating most effectively, surplus wealth is most plentiful, and the dominant class rules supreme. During such periods of stability and prosperity, the demand for new buildings is strong, structural and stylistic innovations abound, and there is fierce competition to build for lasting fame. Each such climax produces a unique vintage of hegemonic buildings that are monuments to the wealth and power of those who ruled their world. This first volume provides an introduction to the study of wealth accumulation over the past millennium. There follow three case studies of iconic building investment from the eleventh to the seventeenth century. During the eleventh and twelfth centuries the conquering Norman kings and barons erected castles throughout the country to cement their feudal power. During the thirteenth and fourteenth centuries the great wealth of the ecclesiastical estates funded the lavish construction of Gothic cathedrals and abbeys. During the sixteenth and early seventeenth centuries Tudor and Jacobean magnates vied to build the most magnificent palaces and prodigy houses. The English Revolution brought this era to a close.
| Author | : Richard Barber |
| Publisher | : Penguin UK |
| Total Pages | : 557 |
| Release | : 2013-08-29 |
| Genre | : History |
| ISBN | : 1846147638 |
A fascinating recreation of the world of one of England's most charismatic monarchs, from award-winning author and historian Richard Barber The destruction of the French army at Crécy in 1346 and the subsequent siege and capture of Calais marked a new era in European history. The most powerful, glamorous and respected of all western monarchies had been completely humiliated by England, a country long viewed either as a chaotic backwater or a mere French satellite. The young Edward III's triumph would launch both countries, as we now know, into a grim cycle of some 90 years of further fighting ending with English defeat, but after Crécy anything seemed possible - Edward's claim to be King of France could be pressed home and, in any event, enormous rewards of land, treasure and prestige were available both to the king and to the close companions who had made the victory possible. It was to enshrine this moment that Edward created one of the most famous of all knightly orders, the Company of the Garter. Barber writes about both the great campaigns and the individuals who formed the original membership of the Company - and through their biographies makes the period tangible and fascinating. This is a book about knighthood, battle tactics and grand strategy, but it is also about fashion, literature and the privates lives of everyone from queens to freebooters. Barber's book is a remarkable achievement - but also an extremely enjoyable one. Reviews: 'Barber [has an] infectious passion for and deep knowledge of his subject matter ... elegant prose and rigorous historical analysis ... a valuable and thorough addition to the body of work on this most impressive of English monarchs' Sunday Times 'In Edward III and the Triumph of England [Barber] has written the kind of book that the king would have enjoyed: full of battles, glitter and ceremony ... he has an original eye and an elegant pen' Jonathan Sumption, Literary Review 'Barber share's his hero's love of chivalry ... The book sparkle[s] with some of Edward's own glitz' Telegraph 'This absorbing book is layered rather than linear, sifting with uncommon sensitivity through challenging sources to test the boundaries of what we can and cannot know ... We discover the complexity of the world in which Edward and his commanders lived' Helen Castor, The Times About the author: Richard Barber has had a huge influence on the study of medieval history and literature, both as a writer and as a publisher. His major works include The Knight and Chivalry (winner of the Somerset Maugham Award), Edward Prince of Wales and Aquitaine, The Penguin Guide to Medieval Europe and The Holy Grail: The History of a Legend. He lives in East Anglia.
| Author | : Dominique Battles |
| Publisher | : Routledge |
| Total Pages | : 252 |
| Release | : 2013-09-13 |
| Genre | : Literary Criticism |
| ISBN | : 1136156623 |
This book explores how the cultural distinctions and conflicts between Anglo-Saxons and Normans originating with the Norman Conquest of 1066 prevailed well into the fourteenth century and are manifest in a significant number of Middle English romances including King Horn, Havelok the Dane, Sir Orfeo, Sir Gawain and the Green Knight, and others. Specifically, the study looks at how the material culture of these poems (architecture, battle tactic, landscapes) systematically and persistently distinguishes between Norman and Anglo-Saxon cultural identity. Additionally, it examines the influence of the English Outlaw Tradition, itself grounded in Anglo-Saxon resistance to the Norman Conquest, as expressed in specific recurring scenes (disguise and infiltration, forest exile) found in many Middle English romances. In the broadest sense, a significant number of Middle English romances, including some of the most well-read and often-taught, set up a dichotomy of two ruling houses headed by a powerful lord, who compete for power and influence. This book examines the cultural heritage behind each of these pairings to show how poets repeatedly contrast essentially Norman and Anglo-Saxon values and ruling styles.
| Author | : Neil Christie |
| Publisher | : Routledge |
| Total Pages | : 934 |
| Release | : 2017-12-02 |
| Genre | : Social Science |
| ISBN | : 1351191411 |
"This monograph details the results of a major archaeological project based on and around the historic town of Wallingford in south Oxfordshire. Founded in the late Saxon period as a key defensive and administrative focus next to the Thames, the settlement also contained a substantial royal castle established shortly after the Norman Conquest. The volume traces the pre-town archaeology of Wallingford and then analyses the town's physical and social evolution, assessing defences, churches, housing, markets, material culture, coinage, communications and hinterland. Core questions running through the volume relate to the roles of the River Thames and of royal power in shaping Wallingford's fortunes and identity and in explaining the town's severe and early decline."
| Author | : Sara N. James |
| Publisher | : Oxbow Books |
| Total Pages | : 369 |
| Release | : 2016-10-31 |
| Genre | : History |
| ISBN | : 1785702262 |
Art in England fills a void in the scholarship of both English and medieval art by offering the first single volume overview of artistic movements in Medieval and Early Renaissance England. Grounded in history and using the chronology of the reign of monarchs as a structure, it is contextual and comprehensive, revealing unobserved threads of continuity, patterns of intention and unique qualities that run through English art of the medieval millennium. By placing the English movement in a European context, this book brings to light many ingenious innovations that focused studies tend not to recognize and offers a fresh look at the movement as a whole. The media studied include architecture and related sculpture, both ecclesiastical and secular; tomb monuments; murals, panel paintings, altarpieces, and portraits; manuscript illuminations; textiles; and art by English artists and by foreign artists commissioned by English patrons.
