Celluloid Skyline

Celluloid Skyline
Author: James Sanders
Publisher: Bloomsbury Publishing
Total Pages: 496
Release: 2002
Genre: Manhattan (New York, N.Y.)
ISBN: 9780747559795

A tale of two cities, both called 'New York'. The first is a real city, an urban agglomeration of millions. The second is a mythic city, so rich in memory and association and sense of place that to people everywhere it has come to seem real: the New York of films such as 42nd Street, Rear Window, King Kong, Dead End, The Naked City, Ghostbusters, Annie Hall, Taxi Driver, and Do the Right Thing. The dream city of the movies - created by more than a century of films, since the very dawn of the medium itself - may hold the secret to the glamour of its real counterpart. Here are the cocktail parties and power lunches, the subway chases and opening nights, the playground rumbles and observation-deck romances. Here is an invented Gotham, a place designed specifically for action, drama, and adventure, a city of bright avenues and mysterious sidestreets, of soaring towers and intimate corners, where remarkable people do exciting, amusing, romantic, scary things. Sanders takes the reader from the tenement to the penthouse, from New York to Hollywood and back again, from 1896 to the present, all the while showing how the real and mythic cities reflected, changed, and taught each other.

The End of Celluloid

The End of Celluloid
Author: Matt Hanson
Publisher: Rotovision
Total Pages: 186
Release: 2004
Genre: Art
ISBN:

Explores the diverse and inspirational works of filmakers such as Lars Von Trier, Spike Jonze and David Lynch, as well as computer game creators, music pioneers and commercial directors. The author highlights how new techniques and innovative talent are infiltrating the mainstream.

The Celluloid Closet

The Celluloid Closet
Author: Vito Russo
Publisher:
Total Pages: 296
Release: 1981
Genre: Performing Arts
ISBN:

Praised by the Chicago Tribune as "an impressive study" and written with incisive wit and searing perception--the definitive, highly acclaimed landmark work on the portrayal of homosexuality in film.

Celluloid Symphonies

Celluloid Symphonies
Author: Julie Hubbert
Publisher: Univ of California Press
Total Pages: 1050
Release: 2011-03-02
Genre: Performing Arts
ISBN: 0520947436

Celluloid Symphonies is a unique sourcebook of writings on music for film, bringing together fifty-three critical documents, many previously inaccessible. It includes essays by those who created the music—Max Steiner, Erich Korngold, Jerry Goldsmith, Elmer Bernstein and Howard Shore—and outlines the major trends, aesthetic choices, technological innovations, and commercial pressures that have shaped the relationship between music and film from 1896 to the present. Julie Hubbert’s introductory essays offer a stimulating overview of film history as well as critical context for the close study of these primary documents. In identifying documents that form a written and aesthetic history for film music, Celluloid Symphonies provides an astonishing resource for both film and music scholars and for students.

Celluloid Revolt

Celluloid Revolt
Author: Christina Gerhardt
Publisher: Camden House (NY)
Total Pages: 340
Release: 2019
Genre: History
ISBN: 1571139958

Provides new insights into German-language cinema around 1968 and its relationship to the period's epoch-making cultural and political happenings. The epoch-making revolutionary period universally known in Germany as '68 can be argued to have predated that year and to have extended well into the 1970s. It continues to affect German and Austrian society and culture to this day. Yet while scholars have written extensively about 1968 and the cinema of other countries, relatively little sustained scholarly attention has thus far been paid to 1968 and West German, East German, and Austrian cinemas. Now, five decades later, Celluloid Revolt sets out to redress that situation, generating new insights into what constituted German-language cinema around 1968 and beyond. Contributors engage a range of cinemas, spanning experimental and avant-garde cinema, installations and exhibits; short films, animated films, and crime films; collectively produced cinemas, feminist films, and Arbeiterfilme (workers' films); as well as their relationship to cinemas of other countries, such as French cinéma vérité and US direct cinema. Contributors: Marco Abel, Tilman Baumgärtel, Madeleine Bernstorff, Timothy Scott Brown, Michael Dobstadt, Sean Eedy, Thomas Elsaesser, IanFleishman, Christina Gerhardt, Lisa Haegele, Randall Halle, Priscilla Layne, Ervin Malakaj, Kalani Michell, Evelyn Preuss, Patricia Anne Simpson, Fabian Tietke, Andrew Stefan Weiner. Christina Gerhardt is Associate Professor of German and Film Studies at the University of Hawai'i at Manoa. Marco Abel is Professor of English and Film Studies at the University of Nebraska-Lincoln.

Celluloid Mavericks

Celluloid Mavericks
Author: Greg Merritt
Publisher: Da Capo Press
Total Pages: 416
Release: 1999-12-31
Genre: Performing Arts
ISBN: 9781560252320

Celluloid Mavericks: A History of American Independent Filmmaking documents this rich history, showing what it meant to be "independent" in the 1930s and what it means today. Author Greg Merritt distinguishes between indie and semi-indie productions, explores the genres represented under the independent umbrella, and addresses the question of what makes a movie independent -- its "spirit" or the budget backing the production. From one-reel flicks at the turn of the century to the blockbusters of the ‘90s, Celluloid Mavericks takes readers on a fascinating tour of the industry.

Celluloid Ceiling

Celluloid Ceiling
Author: Gabrielle Kelly
Publisher: Aurora Metro Publications Ltd.
Total Pages: 385
Release: 2014-05-27
Genre: Performing Arts
ISBN: 0956632955

An extensive overview of female film directors worldwide, showing how they are breaking through the 'Celluloid Ceiling', and succeeding in a still very male-dominated industry. The book contains exclusive interviews with women film directors, explores the impact of digital technology, and reaches some surprising conclusions. Now that Kathryn Bigelow has made history as the first woman to win an Oscar for directing, we ask whether this is a new era for women filmmakers. This unique international overview highlights emerging women directors and groundbreaking pioneers, and provides a one-stop guide to the leading film directors of the 21st century, and the people who inspired them. From the blockbusters of the Hollywood studios to emerging voices from Saudi Arabia, Pakistan and Laos, we learn of women making films in traditionally male-dominated areas such as action, fantasy and horror. There are contributions from countries with film industries in every state from nascent to mature, and this book demonstrates how economic and technological change is creating new opportunities for women film directors everywhere. ***** "BEST BOOK ON WOMEN DIRECTORS DUE TO ITS GLOBAL OVERVIEW" - Diane, Amazon ***** "Gabrielle Kelly and Cheryl Robson have crafted a watershed work. CELLULOID CEILING is essential reading for anyone who wants to know how women directors are helping reshape filmmaking." - D.A. Morris, Amazon ***** "This book is an essential resource for anyone tracking the inspiring work being done by women film directors from around the world." - UCF Film "The level of public consciousness about the barriers faced by female filmmakers is higher than it has ever been. Despite this, the discussion more often than not centres around North America and to a lesser extent, Europe, Australia and New Zealand (and I am guilty as charged). This is perfectly understandable, but clearly women do make films outside of these countries, and it can be illuminating to consider how their experiences reflect or differ from those with which we are more familiar. To this end, the arrival of a new book, "The Celluloid Ceiling," could not be more timely. Edited by Gabrielle Kelly and Cheryl Robson, it takes a purposefully global overview of the status quo and in doing so provides some fascinating stories and insights, reminding us of what is lost when we limit the discussion to Anglophone directors." - Matthew Hammett Knott, indiewire

Celluloid Sermons

Celluloid Sermons
Author: Terry Lindvall
Publisher: NYU Press
Total Pages: 288
Release: 2011-10-01
Genre: Religion
ISBN: 0814753256

Christian filmmaking, done outside of the corporate Hollywood industry and produced for Christian churches, affected a significant audience of church people. Protestant denominations and individuals believed that they could preach and teach more effectively through the mass medium of film. Although suspicion toward the film industry marked many conservatives during the early 1930s, many Christian leaders came to believe in the power of technology to convert or to morally instruct people. Thus the growth of a Christian film industry was an extension of the Protestant tradition of preaching, with the films becoming celluloid sermons. Celluloid Sermons is the first historical study of this phenomenon. Terry Lindvall and Andrew Quicke highlight key characters, studios, and influential films of the movement from 1930 to 1986—such as the Billy Graham Association, with its major WorldWide Pictures productions of films like The Hiding Place, Ken Curtis’ Gateway Films, the apocalyptic “end-time” films by Mark IV (e.g. Thief in the Night), and the instructional video-films of Dobson’s Focus on the Family--assessing the extent to which the church’s commitment to filmmaking accelerated its missions and demonstrating that its filmic endeavors had the unintended consequence of contributing to the secularization of liberal denominations.

The White Hotel

The White Hotel
Author: D. M. Thomas
Publisher: Penguin
Total Pages: 264
Release: 1993-09-01
Genre: Fiction
ISBN: 1101651504

The million copy, Booker Prize finalist, besteller “To describe this novel as spine-tingling in its indescribable poetic effect would be to trivialize its profoundly tragic theme. Say then that it is heart-stunning.”—The New York Times It is a dream of electrifying eroticism and inexplicable violence, recounted by a young woman to her analyst, Sigmund Freud. It is a horrifying yet restrained narrative of the Holocaust. It is a searing vision of the wounds of the twentieth century, and an attempt to heal them. Interweaving poetry and case history, fantasy and historical truth-telling, The White Hotel is a modern classic of enduring emotional power that attempts nothing less than to reconcile the notion of individual destiny with that of historical fate.

Celluloid Jukebox

Celluloid Jukebox
Author: Jonathan Romney
Publisher: British Film Institute
Total Pages: 184
Release: 1995-05
Genre: Juvenile Nonfiction
ISBN:

In these essays, critics, film-makers and musicians examine the state of pop cinema past, present and future. The book includes interviews with Quentin Tarantino, David Byrne, Penelope Spheeris, Ry Cooder and Wim Wenders.