The Emil Buhrle Collection
Download The Emil Buhrle Collection full books in PDF, epub, and Kindle. Read online free The Emil Buhrle Collection ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!
| Author | : Lukas Gloor |
| Publisher | : |
| Total Pages | : 472 |
| Release | : 2021-08-15 |
| Genre | : |
| ISBN | : 9783777437040 |
A beautifully produced catalog of one of the great art collections of the modern age. Paul Cézanne, Pierre-Auguste Renoir, Claude Monet, and many others--between 1936 and 1956 the Swiss industrialist Emil Bührle (1890-1956) amassed an impressive collection of French Impressionism and more. As the owner of the largest weapons factory in his country he had close links to the world-changing events of World War II and the early Cold War. Initially Bührle acquired works almost exclusively in Switzerland; then, from 1951 onward, he rapidly expanded his collection, thanks in part to his business contacts in the United States. This book illustrates the colorful history of the Bührle collection, which includes a total of 633 works, and examines its importance to modern art collections in Germany, Switzerland, and the United States. The survey is complemented by contributions from a number of authors who reflect on seventy masterpieces in the collection, from the old masters to Picasso.
| Author | : Kunsthaus Zürich |
| Publisher | : Scheidegger and Spiess |
| Total Pages | : 96 |
| Release | : 2021-10-12 |
| Genre | : |
| ISBN | : 9783039420599 |
An attractive invitation to visit Kunsthaus Zürich, Switzerland's largest art museum, and the new exhibits of its permanent collection. In October 2021, David Chipperfield's new extension of the Kunsthaus Zürich will open for the public. The new wing doubles the museum's space for art display. Perhaps more importantly, it offers the opportunity to present larger parts of the museum's permanent collection in a new light and in new groupings. The Chipperfield building is now home to the renowned Merzbacher, Hubert Looser, and Emil Bührle Collections, all on permanent loan to the museum. The formidable selection of French impressionist paintings in the Emil Bührle Collection combined with Kunsthaus Zürich's own holdings of that period constitutes the largest display of impressionist art outside France. In addition, surrealism, art from the postwar period, pop art, and contemporary art now have the prominent space they deserve. This new book offers an introduction to the museum's curatorial concept as well as concise essays on key aspects of Kunsthaus Zürich's permanent collection. Lavishly illustrated with views of the new exhibits and individual artworks, it is an attractive invitation to visit Switzerland's largest art museum.
| Author | : Jean-Pierre Jeannet |
| Publisher | : Springer Nature |
| Total Pages | : 579 |
| Release | : 2021-04-21 |
| Genre | : Business & Economics |
| ISBN | : 3030652874 |
This open access book focuses on Switzerland-based medium-sized companies with a longstanding export tradition and a proven dominance in global niche markets. Based upon in-depth documentation and analysis of 36 Swiss companies over their entire history, an expert team of authors presents several parallels in the pathways and success factors which allowed these firms to become dominant and operate from a high-cost location such as Switzerland. The book enhances these insights by providing detailed company profiles documenting the company history, development, and how their relevant global niche positions were reached. Readers will benefit from these profiles as they compile a diverse selection of industries, mainly active within the B2B sector, with mostly mature companies (60 years to older than 100 years since founding) and different types of ownership structures including family firms. ‘Masterpieces of Swiss Entrepreneurship’ brings unique learning opportunities to owners and leaders of SMEs in Switzerland and elsewhere. Findings are based on detailed bottom-up research of 36 companies -- without any preconceived notions. The book is both conceptual and practical. It fosters understanding for different choices in development pathways and management practices. Matti Alahuhta, Chairman DevCo Partners, ex-CEO Kone, Board member of several global listed companies, Helsinki, Finland Start-up entrepreneurs need proven models from industry which demonstrate the various paths to success. “Masterpieces of Swiss Entrepreneurship” provides deep insights highlighting these models and the important trade-offs entrepreneurial teams must consider when choosing the path of high growth or of maximum control, as they are often mutually exclusive. Gina Domanig, Managing Partner, Emerald Technology Ventures, Zurich
| Author | : James McAuley |
| Publisher | : Yale University Press |
| Total Pages | : 327 |
| Release | : 2021-03-23 |
| Genre | : History |
| ISBN | : 0300252544 |
A powerful history of Jewish art collectors in France, and how an embrace of art and beauty was met with hatred and destruction In the dramatic years between 1870 and the end of World War II, a number of prominent French Jews—pillars of an embattled community—invested their fortunes in France’s cultural artifacts, sacrificed their sons to the country’s army, and were ultimately rewarded by seeing their collections plundered and their families deported to Nazi concentration camps. In this rich, evocative account, James McAuley explores the central role that art and material culture played in the assimilation and identity of French Jews in the fin-de-siècle. Weaving together narratives of various figures, some familiar from the works of Marcel Proust and the diaries of Jules and Edmond Goncourt—the Camondos, the Rothschilds, the Ephrussis, the Cahens d'Anvers—McAuley shows how Jewish art collectors contended with a powerful strain of anti-Semitism: they were often accused of “invading” France’s cultural patrimony. The collections these families left behind—many ultimately donated to the French state—were their response, tragic attempts to celebrate a nation that later betrayed them.
| Author | : Michael C. FitzGerald |
| Publisher | : Univ of California Press |
| Total Pages | : 334 |
| Release | : 1996-01-01 |
| Genre | : Art |
| ISBN | : 9780520206533 |
Artists don't achieve financial success and critical acclaim during their lifetimes as a result of chance or luck. Michael FitzGerald's assiduously researched book documents Picasso's courting of dealers, critics, collectors, and curators as he established his reputation during the first forty years of the twentieth century. FitzGerald describes the care, patience, and resourcefulness invested by Paul Rosenberg, Picasso's dealer and close collaborator from 1918 to 1940, in building the financial value and public acceptance of Picasso's art. The book is based on and quotes generously from previously unpublished correspondence between Picasso and dealers, collectors, and museum curators.
| Author | : Edmund de Waal |
| Publisher | : Farrar, Straus and Giroux |
| Total Pages | : 192 |
| Release | : 2021-05-11 |
| Genre | : History |
| ISBN | : 0374603499 |
A tragic family history told in a collection of imaginary letters to a famed collector, Moise de Camondo Letters to Camondo is a collection of imaginary letters from Edmund de Waal to Moise de Camondo, the banker and art collector who created a spectacular house in Paris, now the Musée Nissim de Camondo, and filled it with the greatest private collection of French eighteenth-century art. The Camondos were a Jewish family from Constantinople, “the Rothschilds of the East,” who made their home in Paris in the 1870s and became philanthropists, art collectors, and fixtures of Belle Époque high society, as well as being targets of antisemitism—much like de Waal's relations, the Ephrussi family, to whom they were connected. Moise de Camondo created a spectacular house and filled it with art for his son, Nissim; after Nissim was killed in the First World War, the house was bequeathed to the French state. Eventually, the Camondos were murdered by the Nazis. After de Waal, one of the world’s greatest ceramic artists, was invited to make an exhibition in the Camondo house, he began to write letters to Moise de Camondo. These fifty letters are deeply personal reflections on assimilation, melancholy, family, art, the vicissitudes of history, and the value of memory.
| Author | : The J. Paul Getty Museum |
| Publisher | : Getty Publications |
| Total Pages | : 214 |
| Release | : 1993-02-11 |
| Genre | : Art |
| ISBN | : 0892362286 |
The J. Paul Getty Museum Journal has been published annually since 1974. It contains scholarly articles and shorter notes pertaining to objects in the Museum’s seven curatorial departments: Antiquities, Manuscripts, Paintings, Drawings, Decorative Arts, Sculpture and Works of Art, and Photographs. The Journal includes an illustrated checklist of the Museum’s acquisitions for the precious year, a staff listing, and a statement by the Museum’s director outlining the year’s most important activities. Volume 20 of the J. Paul Getty Museum Journal contains an index to volumes 1 to 20 and includes articles by John Walsh, Carl Brandon Strehlke, Barbara Bohen, Kelly Pask, Suzanne Lewis, Elizabeth Pilliod, Anne Ratzki-Kraatz, Sharon K. Shore, Linda A. Strauss, Brian Considine, Arie Wallert, Richard Rand, And Jacky De Veer-Langezaal.
| Author | : Metropolitan Museum of Art (New York, N.Y.) |
| Publisher | : Metropolitan Museum of Art |
| Total Pages | : 354 |
| Release | : 2009 |
| Genre | : Art |
| ISBN | : 1588393410 |
The Walter and Leonore Annenberg Collection of Impressionist and Post-Impressionist paintings, watercolors, and drawings constitutes one of the most remarkable groupings of avant-garde works of art from the mid-19th to the early 20th century ever given to The Metropolitan Museum of Art. A revised and expanded edition of the 1989 publication Masterpieces of Impressionism and Post-Impressionism: The Annenberg Collection, this volume presents more than fifty masterworks by such luminaries as Manet, Degas, Morisot, Renoir, Monet, Cezanne, Gauguin, Van Gogh, Picasso, and Matisse, accompanied by elucidating texts and a wealth of comparative illustrations. -- From publisher.
| Author | : Pauline Baer de Perignon |
| Publisher | : New Vessel Press |
| Total Pages | : 217 |
| Release | : 2022-01-11 |
| Genre | : Biography & Autobiography |
| ISBN | : 1939931991 |
"Engrossing ... The book reads like a detective story."―The Washington Post It all started with a list of paintings. There, scribbled by a cousin she hadn't seen for years, were the names of the masters whose works once belonged to her great-grandfather, Jules Strauss: Renoir, Monet, Degas, Tiepolo, and more. Pauline Baer de Perignon knew little to nothing about Strauss, or about his vanished, precious art collection. But the list drove her on a frenzied trail of research in the archives of the Louvre and the Dresden museums, through Gestapo records, and to consult with Nobel laureate Patrick Modiano. What happened in 1942? And what became of the collection after Nazis seized her great-grandparents’ elegant Parisian apartment? The quest takes Pauline Baer de Perignon from the Occupation of France to the present day as she breaks the silence around the wrenching experiences her family never fully transmitted, and asks what art itself is capable of conveying over time.
| Author | : |
| Publisher | : |
| Total Pages | : |
| Release | : 1991 |
| Genre | : |
| ISBN | : |
