The Emergence Of Jewish Artists In Nineteenth Century Europe
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| Author | : Richard I. Cohen |
| Publisher | : |
| Total Pages | : 200 |
| Release | : 2001 |
| Genre | : Art |
| ISBN | : |
The emancipation of Jews in Europe during the nineteenth century meant that for the first time they could participate in areas of secular life -- including established art academies -- that had previously been closed to them by legal restrictions. Jewish artists took many complex routes to establish their careers. Some -- such as Camille Pissaro -- managed to distinguish themselves without making any reference to their Jewish heritage in their art. Others -- such as Simeon Solomon and Maurycy Gottlieb -- wrestled with their identities as well to produce images of Jewish experience. The pogroms that began in the late nineteenth century brought home to Jews the problematic relationship of minority groups to majority cultures, and artists such as Maurycy Minkowski and Samuel Hirszenberg confronted the horror of the deaths of thousands of Jews in powerful images of destruction and despair. Comprehensively illustrated in color throughout, Painting in Nineteenth-Century Europe explores for the first time every aspect of the role of Jewish artists within nineteenth-century European art.
| Author | : Samantha Baskind |
| Publisher | : Penn State University Press |
| Total Pages | : 0 |
| Release | : 2014 |
| Genre | : Art, American |
| ISBN | : 9780271059839 |
Explores the works of five major American Jewish artists: Jack Levine, George Segal, Audrey Flack, Larry Rivers, and R. B. Kitaj. Focuses on the use of imagery influenced by the Bible.
| Author | : Richard I. Cohen |
| Publisher | : Univ of California Press |
| Total Pages | : 392 |
| Release | : 1998 |
| Genre | : Architecture |
| ISBN | : 9780520917910 |
With the help of over one hundred illustrations spanning three centuries, Richard Cohen investigates the role of visual images in European Jewish history. In these images and objects that reflect, refract, and also shape daily experience, he finds new and illuminating insights into Jewish life in the modern period. Pointing to recent scholarship that overturns the stereotype of Jews as people of the text, unconcerned with the visual, Cohen shows how the coming of the modern period expanded the relationship of Jews to the visual realm far beyond the religious context. In one such manifestation, orthodox Jewry made icons of popular tabbis, creating images that helped to bridge the sacred and the secular. Toward the end of the nineteenth century, the study and collecting of Jewish art became a legitimate and even passionate pursuit, and signaled the entry of Jews into the art world as painters, collectors, and dealers. Cohen's exploration of early Jewish exhibitions, museums, and museology opens a new window on the relationship of art to Jewish culture and society.
| Author | : Ziva Amishai-Maisels |
| Publisher | : Prestel Publishing |
| Total Pages | : 276 |
| Release | : 1995 |
| Genre | : Art |
| ISBN | : |
Every so often, the organizers of an art exhibition attempt to address head-on issues of interest in the world of contemporary politics. Russian Jewish Artists in a Century of Change, 1890-1990 represents such an undertaking. With the break-up of the Soviet Union, countries and cultures under Soviet control suddenly opened up to the West. In the past few years, as information has begun to flow more freely, art historians have found themselves having to re-examine their subjects and concerns in the light of newly accessible information. Nowhere is this situation more apparent than in the study of Jewish artists in Russia. Until recently, books and catalogues written in the West have concentrated on work done by Russian Jewish artists in exile. Now, for the first time, an international group of scholars has been assembled to address the last hundred years of art produced by Jews living in Russia itself. Given the present state of research, Russian Jewish Artists in a Century of Change, 1890-1990 - which documents an exhibition organized by The Jewish Museum, New York - purposely proposes more questions than it answers. A lucid historical overview by historian Michael Stanislawski followed by seven thought-provoking essays by an international roster of art historians who address, in chronological sequence, the difficult, frequently uplifting history of Jewish art in Russia in the modern period.
| Author | : Klaus Hödl |
| Publisher | : Berghahn Books |
| Total Pages | : 194 |
| Release | : 2019-09-01 |
| Genre | : History |
| ISBN | : 178920030X |
Viennese popular culture at the turn of the twentieth century was the product of the city’s Jewish and non-Jewish residents alike. While these two communities interacted in a variety of ways to their mutual benefit, Jewish culture was also inevitably shaped by the city’s persistent bouts of antisemitism. This fascinating study explores how Jewish artists, performers, and impresarios reacted to prejudice, showing how they articulated identity through performative engagement rather than anchoring it in origin and descent. In this way, they attempted to transcend a racialized identity even as they indelibly inscribed their Jewish existence into the cultural history of the era.
| Author | : Maurice Samuels |
| Publisher | : Stanford University Press |
| Total Pages | : 336 |
| Release | : 2009-12-07 |
| Genre | : Literary Criticism |
| ISBN | : 0804773424 |
In this book, Maurice Samuels brings to light little known works of literature produced from 1830 to 1870 by the first generation of Jews born as French citizens. These writers, Samuels asserts, used fiction as a laboratory to experiment with new forms of Jewish identity relevant to the modern world. In their stories and novels, they responded to the stereotypical depictions of Jews in French culture while creatively adapting the forms and genres of the French literary tradition. They also offered innovative solutions to the central dilemmas of Jewish modernity in the French context—including how to reconcile their identities as Jews with the universalizing demands of the French revolutionary tradition. While their solutions ranged from complete assimilation to a modern brand of orthodoxy, these writers collectively illustrate the creativity of a community in the face of unprecedented upheaval.
| Author | : Jonathan Freedman |
| Publisher | : University of Chicago Press |
| Total Pages | : 311 |
| Release | : 2021-04-26 |
| Genre | : Art |
| ISBN | : 022658108X |
"Freedman's final book is a tour de force that examines the history of Jewish involvement in the decadent art movement. While decadent art's most notorious practitioner was Oscar Wilde, as a movement it spread through western Europe and even included a few adherents in Russia. Jewish writers and artists such as Catulle Mèndes, Gustav Kahn, and Simeon Solomon would portray non-stereotyped characters and produce highly influential works. After decadent art's peak, Walter Benjamin, Marcel Proust, and Sigmund Freud would take up the idiom of decadence and carry it with them during the cultural transition to modernism. Freedman expertly and elegantly takes readers through this transition and beyond, showing the lineage of Jewish decadence all the way through to the end of the twentieth century"--
| Author | : James McAuley |
| Publisher | : Yale University Press |
| Total Pages | : 327 |
| Release | : 2021-03-23 |
| Genre | : History |
| ISBN | : 0300252544 |
A powerful history of Jewish art collectors in France, and how an embrace of art and beauty was met with hatred and destruction In the dramatic years between 1870 and the end of World War II, a number of prominent French Jews—pillars of an embattled community—invested their fortunes in France’s cultural artifacts, sacrificed their sons to the country’s army, and were ultimately rewarded by seeing their collections plundered and their families deported to Nazi concentration camps. In this rich, evocative account, James McAuley explores the central role that art and material culture played in the assimilation and identity of French Jews in the fin-de-siècle. Weaving together narratives of various figures, some familiar from the works of Marcel Proust and the diaries of Jules and Edmond Goncourt—the Camondos, the Rothschilds, the Ephrussis, the Cahens d'Anvers—McAuley shows how Jewish art collectors contended with a powerful strain of anti-Semitism: they were often accused of “invading” France’s cultural patrimony. The collections these families left behind—many ultimately donated to the French state—were their response, tragic attempts to celebrate a nation that later betrayed them.
| Author | : Julie Kalman |
| Publisher | : Indiana University Press |
| Total Pages | : 186 |
| Release | : 2017-01-16 |
| Genre | : History |
| ISBN | : 025302434X |
“Seeks to further our understanding of the relationship between perceptions of Jews and the reality of their existence in nineteenth-century France.” —H-France Review Orientalizing the Jew shows how French travelers depicted Jews in the Orient and then brought these ideas home to orientalize Jews living in their homeland during the 19th century. Julie Kalman draws on narratives, personal and diplomatic correspondence, novels, and plays to show how the “Jews of the East” featured prominently in the minds of the French and how they challenged ideas of the familiar and the exotic. Portraits of the Jewish community in Jerusalem, romanticized Jewish artists, and the wealthy Sephardi families of Algiers come to life. These accounts incite a necessary conversation about Jewish history, the history of anti-Jewish discourses, French history, and theories of Orientalism in order to broaden understandings about Jews of the day. “A well-argued, beautifully written, and intellectually stimulating investigation of representations of Middle Eastern and North African Jews by French Catholic pilgrims, writers, artists, and bureaucrats over the 19th century.” —Maud Mandel, author of Muslims and Jews in France “Jews of France, nominally full citizens since the French Revolution . . . experienced uncertainty regarding whether their status would be reversed with each change of government . . . Kalman’s work contributes significantly to an understanding of that insecurity, as she fleshes out the stereotypes that others, officials, artists, authors and intellectuals, projected onto the Jews living among them inside France.” —French History
| Author | : William Gross |
| Publisher | : BRILL |
| Total Pages | : 879 |
| Release | : 2019-09-16 |
| Genre | : Religion |
| ISBN | : 9004406980 |
Catalog of Catalogs provides a comprehensive index of nearly 2,300 publications documenting the exhibition of Judaica over the past 140 years. This vast corpus of material, ranging from simple leaflets to scholarly catalogs, contains textual and visual material as yet unmined for the study of Jewish art, religion, culture and history. Through highly-detailed, fully-indexed catalog entries, William Gross, Orly Tzion and Falk Wiesemann elucidate some 2,000 subjects, geographical locations and Judaica objects (ceremonial objects, illuminated manuscripts, printed books, synagogues, cemeteries et al.) addressed in these catalogs. Descriptions of the catalog's bibliographic components, contributors, exhibition history, and contents, all accessible through the volume's five indices, render this volume an unparalleled new resource for the study of Jewish Art, culture and history.
