The Embedded Portrait
Author | : Christopher Wood |
Publisher | : Princeton University Press |
Total Pages | : 376 |
Release | : 2023-11-14 |
Genre | : Art |
ISBN | : 069124426X |
"A new study of the early Renaissance portrait"--
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Author | : Christopher Wood |
Publisher | : Princeton University Press |
Total Pages | : 376 |
Release | : 2023-11-14 |
Genre | : Art |
ISBN | : 069124426X |
"A new study of the early Renaissance portrait"--
Author | : Christopher S. Wood |
Publisher | : Princeton University Press |
Total Pages | : 472 |
Release | : 2021-03-02 |
Genre | : Art |
ISBN | : 0691204764 |
"In this authoritative book, the first of its kind in English, Christopher Wood tracks the evolution of the historical study of art from the late middle ages through the rise of the modern scholarly discipline of art history. Synthesizing and assessing a vast array of writings, episodes, and personalities, this original and accessible account of the development of art-historical thinking will appeal to readers both inside and outside the discipline. The book shows that the pioneering chroniclers of the Italian Renaissance--Lorenzo Ghiberti and Giorgio Vasari--measured every epoch against fixed standards of quality. Only in the Romantic era did art historians discover the virtues of medieval art, anticipating the relativism of the later nineteenth century, when art history learned to admire the art of all societies and to value every work as an index of its times. The major art historians of the modern era, however--Jacob Burckhardt, Aby Warburg, Heinrich Wölfflin, Erwin Panofsky, Meyer Schapiro, and Ernst Gombrich--struggled to adapt their work to the rupture of artistic modernism, leading to the current predicaments of the discipline. Combining erudition with clarity, this book makes a landmark contribution to the understanding of art history."--from book jacket
Author | : Liz Wells |
Publisher | : Routledge |
Total Pages | : 214 |
Release | : 2020-12-18 |
Genre | : Art |
ISBN | : 1000213382 |
Formerly a British colony, the island of Cyprus is now a divided country, where histories of political and cultural conflicts, as well as competing identities, are still contested. Cyprus provides the ideal case study for this innovative exploration, extensively illustrated, of how the practice of photography in relation to its political, cultural and economic contexts both contributes and responds to the formation of identity. Contributors from Cyprus, Greece, the UK and the USA, representing diverse disciplines, draw from photography theory, art history, anthropology and sociology to explore how the island and its people have been represented photographically. They reveal how the different gazes- colonial, political, gendered, and within art photography- contribute to the creation of individual and national identities and, by extension, to the creation and re-creation of imagery of Cyprus as place. While Photography and Cyprus focuses on one geographical and cultural territory, the questions this book asks and the themes and arguments it follows apply also to other places characterized by their colonial heritage. The intriguing example of Cyprus thus serves as a fitting test-ground for current debates relating to photography, place and identity.
Author | : Christopher S. Wood |
Publisher | : Princeton University Press |
Total Pages | : 376 |
Release | : 2023-11-14 |
Genre | : Art |
ISBN | : 0691254605 |
A new study of the early Renaissance portrait In fourteenth-century Italy, ever more women and men—not only clergy but also laity—introduced their own portraits into sacred paintings. Images of modern supplicants, submissive and prayerful, shared space with the holy narratives. The portraits mimicked the first worshippers of Christ: Mary, the Three Magi, Mary Magdalene. At the same time, they modeled, for modern viewers, ideal involvement in the emotion-laden stories. In The Embedded Portrait, Christopher S. Wood traces these incursions of the real and profane into Florentine sacred painting between Giotto and Fra Angelico. The portraits not only intruded upon a sacred space, but also intervened in an artwork. The pressure exerted by the modern interlopers—their lives and experiences, implied by their portraits—threatened the formal closure that had served as a powerful symbolic form of the pact between God and humans. The Embedded Portrait reconstructs this art historical drama from the point of view of the artists rather than the patrons. Following clues left by Vasari, the book assigns a leading role to the painter Giottino, or “little Giotto.” Little-known today but highly regarded in his lifetime, Giottino proposed a new manner of painting that was later realized by Fra Angelico through his own innovative approach to the problem of the embedded portrait. Seeking not to stabilize the artworks but to extend their reach, the interpretations offered in The Embedded Portrait re-create and update the psychic and libidinal energies that gave rise to these works in the first place.
Author | : Rachel Lyon |
Publisher | : Simon and Schuster |
Total Pages | : 396 |
Release | : 2024-09-12 |
Genre | : Fiction |
ISBN | : 139853336X |
Rachel Lyon's first novel – soon to be made into a major motion picture starring Zoë Kravitz and Thomasin McKenzie Lu Rile is a relentlessly focused young photographer struggling to make ends meet. Working three jobs, and worrying that the crumbling warehouse she lives in is being sold to developers, she is at a point of desperation. Until, by pure chance, Lu discovers she’s captured a tragedy in the background of a self portrait; a boy falling to his death. The photograph turns out to be the best work of art she’s ever made. It’s an image that could change her life – if she lets it. Set in early 90s Brooklyn on the brink of gentrification, Self-Portrait with Boy is a provocative commentary about the emotional dues that must be paid on the road to success. ‘Beautifully imagined and flawlessly executed’ Joyce Carol Oates ‘A sparkling debut’ New York Times Book Review
Author | : John Clubbe |
Publisher | : Routledge |
Total Pages | : 429 |
Release | : 2016-05-05 |
Genre | : Art |
ISBN | : 1317215001 |
First published in 2005. Since the early nineteenth century, Byron, the man and his image, have captured the hearts and minds of untold legions of people of all political and social stripes in Britain, Europe, America, and around the world. This book focuses on the history and cultural significance for Federal America of the only portrait of Byron known to have been painted by a major artist. In private hands from 1826 until this day, Thomas Sulley’s Byron has never before been the subject of scholarly study. Beginning with the discovery of the portrait in 1999 and a 200-year narrative of the portrait’s provenance and its relation to other well-known Byron portraits, the author discusses the work within the broad context of British and American portraiture of the late eighteenth and early nineteenth centuries.
Author | : Vesta Monica Herrerías |
Publisher | : |
Total Pages | : 0 |
Release | : 2013 |
Genre | : Photography |
ISBN | : 9781597112277 |
In the history of photography in Mexico, portraiture is an important, established tradition, transcending styles, subjects and decades. Mexican Portraitsincludes more than 350 portraits from more than 80 well-known Mexican photographers, including Romualdo García, Agustín V. Casasola, Manuel Álvarez Bravo, Enrique Metinides and Graciela Iturbide, among numerous others. Including both contemporary and classic works, mostly created in the years from the 1970s to the present, this diverse group of images has been selected by photographer and editor Pablo Ortiz Monsasterio in conjunction with curator Vesta Mónica Herrerías, and presents an idiosyncratic and personal perspective on this particular genre. Mexican Portraitsexplores the frontiers of portraiture from very different perspectives and associations. At the center of his wide-ranging selection are two distinct notions embedded in the history of the portrait: mask and metamorphosis. Organized into nine chapters, this beautifully illustrated book is a reflection on Mexican portraiture and identity, both individual and collective. Among the photographers represented here are Manuel Álvarez Bravo, Graciela Iturbide, Pedro Meyer, Agustín V. Casasola, Iñaki Bonillas, Maya Goded, Fernando Montiel Klimt, Gerardo Montiel Klimt, Guillermo Kahlo, Rodrigo Moya, Dr Lakra, Carla Verea, Stefan Ruiz, Melquiades Herrera, Ana Casas, Daniela Rosell, Francis Alÿs, Carlos Somonte, Miguel Calderón, Adolfo Patiño, Juan Guzmán and Eunice Adorno, Romualdo García and Enrique Metinides--an astonishing roll-call that itself articulates Mexican photographers’ special relationship to portraiture.
Author | : Mary Anne Caws |
Publisher | : Princeton University Press |
Total Pages | : 328 |
Release | : 2014-07-14 |
Genre | : Literary Criticism |
ISBN | : 1400854784 |
Mary Ann Caws presents in detail an important feature of modern literary narrative--the setting apart of passages that stand out from the flow of the prose, larger-than-life scenes that seem to hold the essence of the work. Originally published in 1985. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author | : Anna Reynolds |
Publisher | : Royal Collection Editions |
Total Pages | : 264 |
Release | : 2016 |
Genre | : Art |
ISBN | : |
The first exhibition to focus on images of artists from within the Royal Collection, 'Portrait of the Artist' not only show-cases self-portraits by world-renowned artists including Rembrandt, Rubens, Artemisia Gentileschi, Lucian Freud and David Hockney but also features images of artists by their friends, relatives and pupils, including the most reliable surviving likeness of Leonardo da Vinci by his student, Francesco Melzi. Well-known self-portraits intended to advertise the artist's talents will be shown alongside more intimate and personal works. The exhibition will examine a range of themes played out within these objects, from the 'cult' of the artist to the symbolism evoked through images of the artist's studio. The changing status of the artist over the centuries is another theme and the way in this is conveyed, both in the physical works and in the relationships between artist and patron will be highlighted. The role of monarchs in commissioning, collecting and displaying portraits of artists will also be discussed.