The Effects of Differing Rhythmic Instruction on Middle School Instrumentalists' Rhythmic and Melodic Sight-reading Performance

The Effects of Differing Rhythmic Instruction on Middle School Instrumentalists' Rhythmic and Melodic Sight-reading Performance
Author: Gregory Michael Miller
Publisher:
Total Pages: 108
Release: 2005
Genre: Musical meter and rhythm
ISBN:

Abstract: Sight-reading, the act of performing unfamiliar music at sight, is a valued measure of an instrumentalist's musical training and overall musicianship. Though sight-reading is recognized as an important ability, little is known about the process or how best to prepare students for sight-reading situations. Previous research has suggested the importance of rhythm, finding that most sight-reading errors are rhythm errors, and rhythmic ability is often a strong predictor of sight-reading accuracy. Related research has investigated a variety of approaches to rhythm instruction, including mathematical (numbers-based) approaches and speech cue (word-based) methods. Many studies have suggested that the latter approach may be more suitable to school-age musicians, especially younger students who may lack the conceptual understanding needed to grasp mathematical models. Other research has affirmed the importance of providing students with opportunities to respond individually and receive regular feedback from their instructor. The current study employed two parallel rhythmic instruction strategies in an effort to determine their impact on middle school band members' sight-reading performance. The control group reviewed rhythms using a previously-learned numerical counting system while a treatment group reviewed rhythms using an original speech cue method and performed individually at scheduled intervals. Sight-reading pretests and posttests were scored and compared to measure subjects' sight-reading accuracy. Results showed no statistically significant differences between the two groups on the sight-reading posttest. Mean scores for all subjects, regardless of treatment grouping, improved from pretest to posttest, including significant gains on pitch accuracy and total sight-reading scores. Additionally, important relationships were found regarding the interplay between pitch reading and rhythm reading during melodic sight-reading, suggesting that these processes present two separate and sometimes conflicting tasks. Overall results and an analysis of the scores of top sight-readers reaffirmed the importance of rhythmic ability in determining overall sight-reading accuracy.

Sight-reading Module for Middle School Band

Sight-reading Module for Middle School Band
Author: Danielle Sabol
Publisher: LAP Lambert Academic Publishing
Total Pages: 92
Release: 2014-05-28
Genre:
ISBN: 9783659546648

Sight-reading is one way for middle school band students to demonstrate musicianship. If the students are very good at sight-reading, then the level of musicianship is high. The researcher has created an organized module addressing methods of how to teach middle school band students to sight-read effectively. A working definition of sight-reading is playing a work of music accurately the first time it is seen by a performer. At the middle school level, performers must be able to play a steady beat, play accurate rhythms, demonstrate correct eye movements, and recognize patterns of notes to be an effective sight-reader. The students in this study were exposed to activities and lessons that addressed these four aspects of sight-reading. After the study was concluded, the researcher determined that the sight-reading abilities of the students increased. The students became aware of the skills necessary to be effective sight-readers. The most effective lesson of this study was the rhythm lesson. The least effective lesson was the eye movement lesson. The rhythm lesson allowed the students to become familiar with common rhythms, increasing their abilities to perform

Odd Meters

Odd Meters
Author: Bruce E Arnold
Publisher: muse eek publishing
Total Pages: 122
Release: 2007-11
Genre: Music
ISBN: 1594898537

In order to be prepared to read through any piece of music, the serious musician must be able to recognize, read and play rhythms fluidly. Unlike other books of this kind, the exercises given contain complex syncopations which approximate the experience of reading through a sophisticated jazz composition or a contemporary classical piece. This 100 page book will prepare the serious musician for a life of sight-reading rhythmically complex charts. This book applies both eighth and sixteenth note rhythms to odd meter combinations. All examples use one pitch, allowing the student to focus completely on time and rhythm on the instrument of their choice. All exercises can be downloaded from the internet to facilitate correct practice, and aid internalization. This book is a required text at New York Universities and Princeton University Music department.

The Relationship Between Musicians' Internal Pulse and Rhythmic Sight-reading

The Relationship Between Musicians' Internal Pulse and Rhythmic Sight-reading
Author: Alison Lauren Pogemiller Farley
Publisher:
Total Pages: 105
Release: 2014
Genre:
ISBN:

Playing music at first sight involves coordination of auditory, visual, spatial and kinesthetic systems to produce an accurate and musical performance (Hayward, 2009). Accurately performing pitch and rhythm in tandem has been observed to be difficult in a sight-reading task. Musicians' rhythm reading ability has been found to be the best predictor of sight-reading performance (Elliott, 1982). It may be conjectured that stable and consistent internal pulse is necessary to perform accurate rhythms. The purpose of this study was to assess the relationship between an individual's timekeeping ability and performance on rhythmic sight-reading tasks. Fifty-three wind, string or percussion instrumentalists participated in one rhythmic sight-reading and three timekeeping evaluations in two separate sessions. The sight-reading evaluation included rhythmic excerpts that increased in difficulty as participants performed the exercises out loud with a neutral spoken syllable. The timekeeping evaluations involved silently reading rhythms and keeping steady beat with and without visual notation while tapping at specified points. Absolute deviations from the target performance were analyzed in relation to performance on the sight-reading evaluation. Participants were also asked to report any specific strategies used in performing the rhythm reading or timekeeping tasks. There was no significant correlation between the sight-reading evaluation and tests of internal timekeeping. A significant correlation was found between tasks involving rhythm reading and tasks focusing on timekeeping. Analysis of strategies indicated no difference in accuracy between participants who employed strategies and those who did not. Supplementary analyses were completed to determine possible reasons for the dichotomy of rhythm reading and timekeeping. Results suggested that participants had difficulty maintaining tempo rather than misreading rhythms or placing taps at incorrect points. These data suggest that timekeeping and rhythm reading are two separate tasks. This contradicts the initial assumption that participants who perform well on rhythmic sight-reading examples would have strong time keeping ability.