The Edinburgh Companion To Scottish Romanticism
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Author | : Murray Pittock |
Publisher | : Edinburgh University Press |
Total Pages | : 247 |
Release | : 2011-05-17 |
Genre | : Literary Criticism |
ISBN | : 0748688307 |
This is the first and only guide to Scottish Romanticism. It captures the best of critical debate as well as presenting exciting new approaches to a distinctively Scottish Romanticism in literary theory, religious studies, music and song and the thematic
Author | : Fiona Robertson |
Publisher | : Edinburgh University Press |
Total Pages | : 240 |
Release | : 2012-09-25 |
Genre | : Literary Criticism |
ISBN | : 0748670203 |
This is a comprehensive collection devoted to the work of Sir Walter Scott, drawing on the innovative research and scholarship which have revitalised the study of the whole range of his exceptionally diverse writing in recent years.
Author | : John Corbett |
Publisher | : |
Total Pages | : 324 |
Release | : 2003 |
Genre | : Foreign Language Study |
ISBN | : |
This is a comprehensive introduction to the study of older and present-day Scots language.
Author | : Ian Duncan |
Publisher | : Edinburgh University Press |
Total Pages | : 200 |
Release | : 2012-05-11 |
Genre | : Literary Criticism |
ISBN | : 0748655166 |
A guide devoted to its subject, the book draws on recent breakthroughs in research on Hogg to illuminate the urgent debates and fruitful contexts that helped to shape his writings. Essays written by an international team of scholars provide an indispensab
Author | : Brian McHale |
Publisher | : Edinburgh University Press |
Total Pages | : 304 |
Release | : 2006-06-28 |
Genre | : Reference |
ISBN | : 0748627103 |
An imaginatively constructed new literary history of the twentieth century.This companion with a difference sets a controversial new agenda for literary -historical analysis. Far from the usual forced march through the decades, genres and national literatures, this reference work for the new century cuts across familiar categories, focusing instead on literary 'hot spots': Freud's Vienna and Conrad's Congo in 1899, Chicago and London in 1912, the Somme in July 1916, Dublin, London and Harlem in 1922, and so on, down to Bradford and Berlin in 1989 (the fatwa against Salman Rushdie, the new digital media), Stockholm in 1993 (Toni Morrison's Nobel Prize) and September 11, 2001.
Author | : Gerard Carruthers |
Publisher | : Cambridge University Press |
Total Pages | : 349 |
Release | : 2012-12-24 |
Genre | : Literary Criticism |
ISBN | : 0521189365 |
A unique introduction, guide and reference work for students and readers of Scottish literature from the pre-medieval period.
Author | : Michael Gardiner |
Publisher | : Edinburgh University Press |
Total Pages | : 160 |
Release | : 2010-07-06 |
Genre | : Literary Criticism |
ISBN | : 0748637702 |
This Companion brings together an international 'Brodie set' of critics to trace the history, impact, reception and major themes of Spark's work, from her early poetry to her last novel. It encompasses the range of Spark's output, pursuing contextual lines of approach including biography, geography, gender, identity, nation and religion, and considering her legacy and continuing influence in the twenty-first century. Spark emerges here as a serious thinker on issues as diverse as the Welfare State, secularisation, decolonisation, and anti-psychiatry, and a writer whose work may be placed alongside Proust, Joyce, Nabokov, and Lessing. The critics collected here are mindful of how, although overwhelmingly known as a novelist, by the time of her first novel, The Comforters, in 1957, Spark already had a significant profile through poetry, biographical criticism, and literary journalism, as chair of the Poetry Society and editor of the Poetry Review, and as author or co-author of a number of scholarly studies of writers including Wordsworth, Mary Shelley, the Brontes, Cardinal Newman, and John Masefield. Within a relatively modest space this Companion touches on the whole range of Spark's work and, in introducing the oeuvre thematically for those looking to explore this elegant and challenging author further, also sets the agenda for future Spark studies.
Author | : Glenda Norquay |
Publisher | : Edinburgh University Press |
Total Pages | : 240 |
Release | : 2012-06-20 |
Genre | : Literary Criticism |
ISBN | : 0748664807 |
By combining historical spread with a thematic structure, this volume explores the ways in which gender has shaped literary output and addresses the changing situations in which Scottish women lived and wrote.
Author | : Glenda Norquay |
Publisher | : Edinburgh University Press |
Total Pages | : 240 |
Release | : 2012-06-20 |
Genre | : Literary Criticism |
ISBN | : 0748644458 |
Recognises the richness of women's contribution to Scottish literature. By combining historical spread with a thematic structure, this volume explores the ways in which gender has shaped literary output and addresses the changing situations in which women lived and wrote. It places the work of established writers such as Margaret Oliphant, Naomi Mitchison and A.L. Kennedy in new contexts and discusses the writing of critically neglected figures such as Sileas na Ceapaich, Mary Queen of Scots, Anne Grant, Janet Hamilton, Isabella Bird, F. Marion McNeill and Denise Mina. There are chapters on women in Gaelic culture, women's relationship to oral traditions and to key literary periods, women's engagements with nationalism, with space, with genre fiction and with the activity of reading.
Author | : Carol Margaret Davison |
Publisher | : Edinburgh University Press |
Total Pages | : 256 |
Release | : 2017-03-08 |
Genre | : Literary Criticism |
ISBN | : 1474408206 |
Written from various critical standpoints by internationally renowned scholars, Scottish Gothic: An Edinburgh Companion interrogates the ways in which the concepts of the Gothic and Scotland have intersected and been manipulated from the mid-eighteenth century to the present day. This interdisciplinary collection is the first ever published study to investigate the multifarious strands of Gothic in Scottish fiction, poetry, theatre and film. Its contributors - all specialists in their fields - combine an attention to socio-historical and cultural contexts with a rigorous close reading of works, both classic and lesser known, produced between the eighteenth and twenty-first centuries.