The early Spenser, 1554–80

The early Spenser, 1554–80
Author: Jean R. Brink
Publisher: Manchester University Press
Total Pages: 247
Release: 2019-10-17
Genre: Literary Criticism
ISBN: 1526142600

Brink’s provocative biography shows that Spenser was not the would-be court poet whom Karl Marx’s described as ‘Elizabeth’s arse-kissing poet’. In this readable and informative account, Spenser is depicted as the protégé of a circle of London clergymen, who expected him to take holy orders. Brink shows that the young Spenser was known to Alexander Nowell, author of Nowell’s Catechism and Dean of St. Paul’s. Significantly revising the received biography, Brink argues that that it was Harvey alone who orchestrated Familiar Letters (1580). He used this correspondence to further his career and invented the portrait of Spenser as his admiring disciple. Contextualising Spenser’s life by comparisons with Shakespeare and Sir Walter Ralegh, Brink shows that Spenser shared with Sir Philip Sidney an allegiance to the early modern chivalric code. His departure for Ireland was a high point, not an exile.

A Spenser Chronology

A Spenser Chronology
Author: W. Maley
Publisher: Springer
Total Pages: 136
Release: 1993-11-26
Genre: Literary Criticism
ISBN: 0230376789

`...a valuable and welcome book; it belongs in any library that has pretensions of supporting Spenser scholarship.' - Russel J. Meyer, Spenser Newsletter A Spenser Chronology is the first serious attempt to map out in concrete detail all of the known facts concerning the poet Edmund Spenser, a major canonical author whose entire literary career was spent in Ireland. This book charts Spenser's parallel vocations of Elizabethan planter and Renaissance writer, outlining the activities, appointments and whereabouts of a prominent Irish colonist, and shedding new light on the life of one of the most important figures in English literary history.

The Resurrectionist

The Resurrectionist
Author: E. B. Hudspeth
Publisher: Quirk Books
Total Pages: 194
Release: 2013-05-21
Genre: Fiction
ISBN: 1594746249

“Disturbingly lovely . . . The Resurrectionist is itself a cabinet of curiosities, stitching history and mythology and sideshow into an altogether different creature. Deliciously macabre and beautifully grotesque.”—Erin Morgenstern, author of The Night Circus This macabre tale—part dark fantasy, part Gray’s Anatomy—tells the chilling story of a man driven mad by his search for the truth, with hypnotic and horrifying images. Philadelphia, the late 1870s. A city of gas lamps, cobblestone streets, and horse-drawn carriages—and home to the controversial surgeon Dr. Spencer Black. The son of a grave robber, young Dr. Black studies at Philadelphia’s esteemed Academy of Medicine, where he develops an unconventional hypothesis: that the mythological beasts of legend and lore—including mermaids, minotaurs, and satyrs—were in fact humanity's evolutionary ancestors. And beyond that, he wonders: what if there was a way for humanity to reach the fuller potential these ancestors implied? The Resurrectionist offers two extraordinary books in one. The first part is a fictional biography of Dr. Spencer Black, from his childhood spent exhuming corpses through his medical training, his travels with carnivals, his cruel and crazed experiments, and, finally, his mysterious disappearance. The second part is Black’s magnum opus: The Codex Extinct Animalia, a Gray’s Anatomy for mythological beasts, all rendered in meticulously detailed anatomical illustrations.

Printing Virgil

Printing Virgil
Author: Craig Kallendorf
Publisher: BRILL
Total Pages: 204
Release: 2019-12-02
Genre: Literary Criticism
ISBN: 9004421351

In this work Craig Kallendorf argues that the printing press played a crucial, and previously unrecognized, role in the reception of the Roman poet Virgil in the Renaissance. Using a new methodology developed at the Humboldt University in Berlin, Printing Virgil shows that the press established which commentaries were disseminated, provided signals for how the Virgilian translations were to be interpreted, shaped the discussion about the authenticity of the minor poems attributed to Virgil, and inserted this material into larger censorship concerns. The editions that were printed during this period transformed Virgil into a poet who could fit into Renaissance culture, but they also determined which aspects of his work could become visible at that time.

Luxury Arts of the Renaissance

Luxury Arts of the Renaissance
Author: Marina Belozerskaya
Publisher: Getty Publications
Total Pages: 292
Release: 2005-10-01
Genre: Art
ISBN: 0892367857

Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.

Spenser and Donne

Spenser and Donne
Author: Yulia Ryzhik
Publisher: Manchester University Press
Total Pages: 421
Release: 2019-10-07
Genre: Literary Criticism
ISBN: 152611738X

This edited collection of essays, part of The Manchester Spenser series, brings together leading Spenser and Donne scholars to challenge the traditionally dichotomous view of these two major poets and to shift the critical conversation towards a more holistic, relational view of the two authors’ poetics and thought.

The 48 Laws of Power

The 48 Laws of Power
Author: Robert Greene
Publisher: Penguin
Total Pages: 481
Release: 2023-10-31
Genre: Self-Help
ISBN: 0670881465

Amoral, cunning, ruthless, and instructive, this multi-million-copy New York Times bestseller is the definitive manual for anyone interested in gaining, observing, or defending against ultimate control – from the author of The Laws of Human Nature. In the book that People magazine proclaimed “beguiling” and “fascinating,” Robert Greene and Joost Elffers have distilled three thousand years of the history of power into 48 essential laws by drawing from the philosophies of Machiavelli, Sun Tzu, and Carl Von Clausewitz and also from the lives of figures ranging from Henry Kissinger to P.T. Barnum. Some laws teach the need for prudence (“Law 1: Never Outshine the Master”), others teach the value of confidence (“Law 28: Enter Action with Boldness”), and many recommend absolute self-preservation (“Law 15: Crush Your Enemy Totally”). Every law, though, has one thing in common: an interest in total domination. In a bold and arresting two-color package, The 48 Laws of Power is ideal whether your aim is conquest, self-defense, or simply to understand the rules of the game.

Voices and Books in the English Renaissance

Voices and Books in the English Renaissance
Author: Jennifer Richards
Publisher: Oxford University Press
Total Pages: 348
Release: 2019-10-24
Genre: Literary Criticism
ISBN: 0192536702

Voices and Books in the English Renaissance offers a new history of reading that focuses on the oral reader and the voice- or performance-aware silent reader, rather than the historical reader, who is invariably male, silent, and alone. It recovers the vocality of education for boys and girls in Renaissance England, and the importance of training in pronuntiatio (delivery) for oral-aural literary culture. It offers the first attempt to recover the voice—and tones of voice especially—from textual sources. It explores what happens when we bring voice to text, how vocal tone realizes or changes textual meaning, and how the literary writers of the past tried to represent their own and others' voices, as well as manage and exploit their readers' voices. The volume offers fresh readings of key Tudor authors who anticipated oral readers including Anne Askew, William Baldwin, and Thomas Nashe. It rethinks what a printed book can be by searching the printed page for vocal cues and exploring the neglected role of the voice in the printing process. Renaissance printed books have often been misheard and a preoccupation with their materiality has led to a focus on them as objects. However, Renaissance printed books are alive with possible voices, but we will not understand this while we focus on the silent reader.