The TV Showrunner's Roadmap

The TV Showrunner's Roadmap
Author: Neil Landau
Publisher: CRC Press
Total Pages: 331
Release: 2013-12-04
Genre: Performing Arts
ISBN: 1134621396

If you’ve ever dreamed of being in charge of your own network, cable, or web series, then this is the book for you. The TV Showrunner’s Roadmap provides you with the tools for creating, writing, and managing your own hit show. Combining his 20+ years as a working screenwriter and UCLA professor, Neil Landau expertly guides you through 21 essential insights to the creation of a successful show, and takes you behind the scenes with exclusive and enlightening interviews with showrunners from some of TV’s most lauded series, including: Breaking Bad Homeland Scandal Modern Family The Walking Dead Once Upon a Time Lost House, M.D. Friday Night Lights The Good Wife From conception to final rewrite, The TV Showrunner’s Roadmap is an invaluable resource for anyone seeking to create a series that won’t run out of steam after the first few episodes. This groundbreaking guide features a companion website with additional interviews and bonus materials. www.focalpress.com/cw/landau So grab your laptop, dig out that stalled spec script, and buckle up. Welcome to the fast lane.

Concept TV

Concept TV
Author: Luca Bandirali
Publisher: Rowman & Littlefield
Total Pages: 135
Release: 2021-11-08
Genre: Philosophy
ISBN: 1498597572

What is a television series? A widespread answer takes it to be a totality of episodes and seasons. Luca Bandirali and Enrico Terrone argue against this characterization. In Concept TV: An Aesthetics of Television Series, they contend that television series are concepts that manifest themselves through episodes and seasons, just as works of conceptual art can manifest themselves through installations or performances. In this sense, a television series is a conceptual narrative, a principle of construction of similar narratives. While the film viewer directly appreciates a narrative made of images and sounds, the TV viewer relies on images and sounds to grasp the conceptual narrative that they express. Here lies the key difference between television and film. Reflecting on this difference paves the way for an aesthetics of television series that makes room for their alleged prolixity, their tendency to repetition, and their lack of narrative closure. Bandirali and Terrone shed light on the specific ways in which television series are evaluated, arguing that some apparent flaws of them are, indeed, aesthetic merits when considered from a conceptual perspective. Hence, to maximize the aesthetic value of television series, one should not assess them in the same framework in which films are assessed but rather in a distinct conceptual framework.

Captive Audience

Captive Audience
Author: Lucas Mann
Publisher: Vintage
Total Pages: 274
Release: 2018-05-01
Genre: Biography & Autobiography
ISBN: 0525435557

An intimate portrait of a marriage intertwined with a meditation on reality TV that reveals surprising connections and the meaning of an authentic life. A VINTAGE ORIGINAL. In Lucas Mann's trademark vein--fiercely intelligent, self-deprecating, brilliantly observed, idiosyncratic, personal, funny, and infuriating--Captive Audience is an appreciation of reality television wrapped inside a love letter to his wife, with whom he shares the guilty pleasure of watching "real" people bare their souls in search of celebrity. Captive Audience resides at the intersection of popular culture with the personal; the exhibitionist impulse, with the schadenfreude of the vicarious, and in confronting some of our most suspect impulses achieves a heightened sense of what it means to live an authentic life and what it means to love a person.

TV Cops

TV Cops
Author: Jonathan Nichols-Pethick
Publisher: Routledge
Total Pages: 234
Release: 2012-05-04
Genre: Social Science
ISBN: 1136994661

The police drama has been one of the longest running and most popular genres in American television. In TV Cops, Jonathan Nichols-Pethick argues that, perhaps more than any other genre, the police series in all its manifestations—from Hill Street Blues to Miami Vice to The Wire—embodies the full range of the cultural dynamics of television. Exploring the textual, industrial, and social contexts of police shows on American television, this book demonstrates how polices drama play a vital role in the way we understand and engage issues of social order that most of us otherwise experience only in such abstractions as laws and crime statistics. And given the current diffusion and popularity of the form, we might ask a number of questions that deserve serious critical attention: Under what circumstances have stories about the police proliferated in popular culture? What function do these stories serve for both the television industry and its audiences? Why have these stories become so commercially viable for the television industry in particular? How do stories about the police help us understand current social and political debates about crime, about the communities we live in, and about our identities as citizens?

Encyclopedia of Television

Encyclopedia of Television
Author: Horace Newcomb
Publisher: Routledge
Total Pages: 2730
Release: 2014-02-03
Genre: Language Arts & Disciplines
ISBN: 1135194726

The Encyclopedia of Television, second edtion is the first major reference work to provide description, history, analysis, and information on more than 1100 subjects related to television in its international context. For a full list of entries, contributors, and more, visit the Encyclo pedia of Television, 2nd edition website.

Reality TV

Reality TV
Author: Susan Murray
Publisher: NYU Press
Total Pages: 387
Release: 2009
Genre: Performing Arts
ISBN: 0814757340

A collection of essays, which provide a comprehensive picture of how and why the genre of reality television emerged, what it means, how it differs from earlier television programming, and how it engages societies, industries, and individuals.

TV in the USA [3 volumes]

TV in the USA [3 volumes]
Author: Vincent LoBrutto
Publisher: Bloomsbury Publishing USA
Total Pages: 1278
Release: 2018-01-04
Genre: Performing Arts
ISBN: 144082973X

This three-volume set is a valuable resource for researching the history of American television. An encyclopedic range of information documents how television forever changed the face of media and continues to be a powerful influence on society. What are the reasons behind enduring popularity of television genres such as police crime dramas, soap operas, sitcoms, and "reality TV"? What impact has television had on the culture and morality of American life? Does television largely emulate and reflect real life and society, or vice versa? How does television's influence differ from that of other media such as newspapers and magazines, radio, movies, and the Internet? These are just a few of the questions explored in the three-volume encyclopedia TV in the USA: A History of Icons, Idols, and Ideas. This expansive set covers television from 1950 to the present day, addressing shows of all genres, well-known programs and short-lived series alike, broadcast on the traditional and cable networks. All three volumes lead off with a keynote essay regarding the technical and historical features of the decade(s) covered. Each entry on a specific show investigates the narrative, themes, and history of the program; provides comprehensive information about when the show started and ended, and why; and identifies the star players, directors, producers, and other key members of the crew of each television production. The set also features essays that explore how a particular program or type of show has influenced or reflected American society, and it includes numerous sidebars packed with interesting data, related information, and additional insights into the subject matter.

Queer TV

Queer TV
Author: Glyn Davis
Publisher: Routledge
Total Pages: 201
Release: 2008-12-03
Genre: History
ISBN: 113405856X

Queer TV: Theories, Histories, Politics is the first book to explore television in all its scope and complexity – its industry, production, texts, audiences, pleasures and politics – in relation to queerness. With contributions from distinguished authors working in film/television studies and the study of gender/sexuality, it offers a unique contribution to both disciplines.

Film and Television Stardom

Film and Television Stardom
Author: Kylo-Patrick R. Hart
Publisher: Cambridge Scholars Publishing
Total Pages: 390
Release: 2009-01-14
Genre: Performing Arts
ISBN: 1443803758

Film and Television Stardom examines film and television stars as a collectively complex, intriguing social phenomenon from the early twentieth century to the present day. Its range of topics includes (but is certainly not limited to) the emergence and historical development of the star system, silent-film stardom, stardom and media spectatorship, stardom and consumption, stardom and the paparazzi, reality-television “stars,” stars in the news, and studies of individual stars. In addition to providing numerous new insights and approaches to exploring the phenomenon of film stardom (past and present), its various chapters significantly expand the comparatively nascent body of academic writing that has been devoted to investigating the historical and theoretical aspects of television stardom by focusing on both traditional television programming genres and the more recent phenomenon of reality-television programming. The numerous stars addressed in this book (including Roseanne Barr, Gertrude Berg, Ingrid Bergman, Cher, Sacha Baron Cohen, Bette Davis, Jodie Foster, Jerry Lewis, Carmen Miranda, Anita Page, Jessica Simpson, and James Stewart) are analyzed in relation to noteworthy performances in a variety of well-known films (including The Accused, The Broadway Melody, Cinderfella, Citizen Kane, Dark Victory, The Man from Laramie, Persona, and Singin’ in the Rain) and television programs (including Da Ali G Show, The Apprentice, The Goldbergs, Roseanne, and Survivor).