The Dungeons of Old Paris
Author | : Tighe Hopkins |
Publisher | : |
Total Pages | : 310 |
Release | : 1897 |
Genre | : Correctional institutions |
ISBN | : |
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Author | : Tighe Hopkins |
Publisher | : |
Total Pages | : 310 |
Release | : 1897 |
Genre | : Correctional institutions |
ISBN | : |
Author | : Tighe Hopkins |
Publisher | : anboco |
Total Pages | : 270 |
Release | : 2017-06-19 |
Genre | : Fiction |
ISBN | : 3736420188 |
Being the Story and Romance of the most Celebrated Prisons of the Monarchy and the Revolution: Triste comme les portes d'une prison—Sad as the gates of Prison, is an old French proverb which must once have had an aching significance. To the citizen of Paris it must have been familiar above most other popular sayings, since he had the menace of a prison door at almost every turn! For the "Dungeons of Old Paris" were well-nigh as thick as its churches or its taverns. Up to the period, or very close upon the period, of the Revolution of 1789, everyone who exercised what was called with quite unconscious irony the "right of justice" (droit de justice), possessed his prison. The King was the great gaoler-in-chief of the State, but there were countless other gaolers. The terrible prisons of State—two of the most renowned of which, the Dungeon of Vincennes and the Bastille, have been partially restored in these pages—are almost hustled out of sight by the towers and ramparts of the host of lesser prisons. To every town in France there was its dungeon, to every puissant noble his dungeon, to every lord of the manor his dungeon, to every bishop and Abbé his dungeon. The dreaded cry of "Laissez passer la justice du Roi!" "Way for the King's justice!" was not oftener heard, nor more unwillingly, than "Way for the Duke's justice!" or "Way for the justice of my lord Bishop!" For indeed the mouldy records of those hidden dungeons and torture rooms of château and monastery, the carceres duri and the vade in pace, into which the hooded victim was lowered by torchlight, and out of which his bones were never raked, might shew us scenes yet more forbidding than the darkest which these chapters unfold. But they have crumbled and passed, and history itself no longer cares to trouble their infected dust. Scenes harsh enough, though not wholly unrelieved (for romance is of the essence of their story), are at hand within the walls of certain prisons whose names and memories have survived.
Author | : Tighe Tighe Hopkins |
Publisher | : |
Total Pages | : 300 |
Release | : 2017-05-13 |
Genre | : |
ISBN | : 9781546656548 |
Triste comme les portes d'une prison-Sad as the gates of Prison, is an old French proverb which must once have had an aching significance. To the citizen of Paris it must have been familiar above most other popular sayings, since he had the menace of a prison door at almost every turn! For the "Dungeons of Old Paris" were well-nigh as thick as its churches or its taverns. Up to the period, or very close upon the period, of the Revolution of 1789, everyone who exercised what was called with quite unconscious irony the "right of justice" (droit de justice), possessed his prison. The King was the great gaoler-in-chief of the State, but there were countless other gaolers. The terrible prisons of State-two of the most renowned of which, the Dungeon of Vincennes and the Bastille, have been partially restored in these pages-are almost hustled out of sight by the towers and ramparts of the host of lesser prisons. To every town in France there was its dungeon, to every puissant noble his dungeon, to every lord of the manor his dungeon, to every bishop and Abb� his dungeon.
Author | : Indianapolis Public Library |
Publisher | : |
Total Pages | : 256 |
Release | : 1904 |
Genre | : Biography |
ISBN | : |
Author | : Tighe Hopkins |
Publisher | : Palala Press |
Total Pages | : 306 |
Release | : 2016-05-07 |
Genre | : |
ISBN | : 9781355878117 |
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author | : Henry Sutherland Edwards |
Publisher | : |
Total Pages | : 702 |
Release | : 1893 |
Genre | : Paris (France) |
ISBN | : |
Author | : Henry Sutherland Edwards |
Publisher | : |
Total Pages | : 838 |
Release | : 1893 |
Genre | : Paris (France) |
ISBN | : |
Author | : Tighe 1856-1919 Hopkins |
Publisher | : Legare Street Press |
Total Pages | : 310 |
Release | : 2021-09-09 |
Genre | : |
ISBN | : 9781014721259 |
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.