The Duke of Gloucester's Birthday Ode
Author | : Henry Purcell |
Publisher | : |
Total Pages | : 72 |
Release | : 1891 |
Genre | : Choruses, Secular (Mixed voices) with orchestra |
ISBN | : |
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Author | : Henry Purcell |
Publisher | : |
Total Pages | : 72 |
Release | : 1891 |
Genre | : Choruses, Secular (Mixed voices) with orchestra |
ISBN | : |
Author | : Henry Purcell |
Publisher | : Alfred Music |
Total Pages | : 64 |
Release | : 1999-08-26 |
Genre | : Music |
ISBN | : 9781457484773 |
A collection of vocal solos composed by Henry Purcell.
Author | : Henry Purcell |
Publisher | : |
Total Pages | : 160 |
Release | : 1902 |
Genre | : Choruses, Secular (Mixed voices) with orchestra |
ISBN | : |
Author | : Rebecca Herissone |
Publisher | : Routledge |
Total Pages | : 558 |
Release | : 2016-04-01 |
Genre | : Music |
ISBN | : 131704326X |
The Ashgate Research Companion to Henry Purcell provides a comprehensive and authoritative review of current research into Purcell and the environment of Restoration music, with contributions from leading experts in the field. Seen from the perspective of modern, interdisciplinary approaches to scholarship, the companion allows the reader to develop a rounded view of the environment in which Purcell lived, the people with whom he worked, the social conditions that influenced his activities, and the ways in which the modern perception of him has been affected by reception of his music after his death. In this sense the contributions do not privilege the individual over the environment: rather, they use the modern reader's familiarity with Purcell's music as a gateway into the broader Restoration world. Topics include a reassessment of our understanding of Purcell's sources and the transmission of his music; new ways of approaching the study of his creative methods; performance practice; the multi-faceted theatre environment in which his work was focused in the last five years of his life; the importance of the political and social contexts of late seventeenth-century England; and the ways in which the performance history and reception of his music have influenced modern appreciation of the composer. The book will be essential reading for anyone studying the music and culture of the seventeenth century.
Author | : Library of Congress. Copyright Office |
Publisher | : |
Total Pages | : 1260 |
Release | : |
Genre | : Copyright |
ISBN | : |
Author | : Alan Charlton |
Publisher | : Rhinegold Education |
Total Pages | : 135 |
Release | : 2011-01-19 |
Genre | : Music |
ISBN | : 085712563X |
The GCSE Music Composition Workbook will help students build all the necessary skills and confidence to write a successful composition at GCSE by looking at forms, styles and genres. The workbook covers music for special occasions, verse and chorus, ternary form, theme and variations, minimalism, rondo, musique concrete, film and programme music. Various exercises are included throughout the book, building in difficulty to help students gain the required level of knowledge to work towards their first composition. “Very useful for teachers who perhaps aren’t so comfortable with teaching composition, and would appreciate a structured course to follow." - Russ Millard Head of Academic Music, Charterhouse
Author | : Samuel Adamson |
Publisher | : Faber & Faber |
Total Pages | : 113 |
Release | : 2013-08-01 |
Genre | : Performing Arts |
ISBN | : 0571309526 |
This is noisily Protestant England - the England of William and Mary's Glorious Revolution at the end of a century of civil strife. This is London in the 1690s, the monster city tamed into awe by our only Orpheus: Henry Purcell. Monarchs, princes, prostitutes, wigmakers, composers, tapsters, musicians, transvestites and watermen jostle for attention in the teeming, unruly world of late seventeenth-century London, where enthralling stories both real and imagined merge and intersect. Samuel Adamson's Gabriel premiered at Shakespeare's Globe, London, in July 2013 with Alison Balsom, one of the world's finest trumpeters, performing the music of Purcell and Handel. Every day three trumpet calls from the theatres on the Bankside, then songs would float over the thatch and roll across the water and make my work sweet.