The Drum Decade
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Author | : Michael Chapman |
Publisher | : University of Kwazulu Natal Press |
Total Pages | : 262 |
Release | : 1989 |
Genre | : Fiction |
ISBN | : |
Presents a selection of more than 30 of the stories that appeared in Drum during the 1950s. They depict the danger, the poverty and the glamour of Sophiatown, where the New African, the tsotsi, the jazz musician, the journalist and the writer, affirmed identity and style and refused to submit to the government's determination to 'retribalize'.
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Total Pages | : |
Release | : 2015 |
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Author | : Mark Weiss |
Publisher | : Insight Editions |
Total Pages | : 342 |
Release | : 2020-06-02 |
Genre | : Music |
ISBN | : 1608871444 |
“I have read pretty much every rock 'n' roll biography there is worth reading, and you never know what to expect when you pick up a new book. Well, let me tell you Mark Weiss has raised the bar for rock 'n' roll books with The Decade That Rocked. Mark has always been at the top of his field, and the level of detail and quality put into this book is the ultimate testament to his rock n' roll photographic legacy.” – Sebastian Bach “Mark is the real deal. He may not play the guitar, but that camera is his guitar. He’s a rockstar.” – Gene Simmons "Mark’s energy, his creativity, his drive, his positive attitude and his enthusiasm that make him one of the legends of rock photography. It’s why his work—both old and new—is still so in demand today. Mark Weiss inspires greatness in all he turns his camera lens on. But don’t take my word for it. Just look at the pictures in this book." – Dee Snider “His pictures say as much as the music” – Rob Halford “He was one of the guys. He wasn’t one of the 18 photographers you’d work with that day.” – Alice Cooper “He had that instinct, to recognize our energy and use his technical talent to capture it.” – Joe Perry “The Decade That Rocked breaches a level of intimacy that so many music photographers are lacking today. Each and every photo exemplifies the trust and the synergy between photographer and subject. You can feel the essence of the music in the live shots, just as vibrantly as you can feel the spirit and the essence of the musicians behind the scenes.” – Screamer Magazine Mark “Weissguy” Weiss set an unmatched standard for rock photography. Starting out as a teenager by sneaking into concerts with a neighbor’s 35mm camera, he embarked on a legendary career that took him around the globe and onto some of the most memorable album and magazine covers in rock history– featuring the likes of Van Halen, Ozzy Osbourne, Aerosmith, and Mötley Crüe to Metallica, Guns N’ Roses, Bon Jovi, and KISS, and so many more. With 700+ photos, brand new interviews, and stories from Mark himself, Decade that Rocked is a monument to the photography, friendships, and legacy of an artist that helped define one of rock’s most iconic eras. This career-spanning collection features: A unique lens on the golden age of rock: Never-before or rarely seen photos of legends like Van Halen, Ozzy Osbourne, Aerosmith, and Mötley Crüe to Metallica, Guns N’ Roses, Bon Jovi, and KISS, as well as countless others whose sound and image defined the era. Exclusive interviews: Ozzy Osbourne, Dee Snider, Nikki Sixx, Joe Perry, Rob Halford, and many more recall their memories of this era-defining decade. Untold Stories: Relive Mark’s unbelievable journey through rock history, from getting arrested for selling photos outside of Kiss concert to touring with legends like Van Halen, to photographing Bon Jovi’s infamous “Slippery When Wet” shoot, shooting backstage at Live Aid with Black Sabbath, and so many more. Definitive Lens: Creem magazine readers ranked Mark Weiss as rock’s top photographer of the 80s. His work has appeared on some of the most iconic album and magazine covers of all time. Captured from the unique vantage point of a photographer who lived and breathed the ’80s in all its grit and glory, The Decade That Rocked brings to life the no-holds-barred sounds and sights that changed the world of hard rock and metal forever.
Author | : Lindy Stiebel |
Publisher | : Rodopi |
Total Pages | : 412 |
Release | : 2005 |
Genre | : Literary Criticism |
ISBN | : 9042018070 |
Covers English literature and post/colonial literature in English, in 20th century South Africa.
Author | : Jordan Sonnenblick |
Publisher | : Scholastic Inc. |
Total Pages | : 165 |
Release | : 2010-01-01 |
Genre | : Young Adult Fiction |
ISBN | : 0545231167 |
A brave and beautiful story that will make readers laugh, and break their hearts at the same time. Now with a special note from the author! Steven has a totally normal life (well, almost).He plays drums in the All-City Jazz Band (whose members call him the Peasant), has a crush on the hottest girl in school (who doesn't even know he's alive), and is constantly annoyed by his younger brother, Jeffrey (who is cuter than cute - which is also pretty annoying). But when Jeffrey gets sick, Steven's world is turned upside down, and he is forced to deal with his brother's illness, his parents' attempts to keep the family in one piece, his homework, the band, girls, and Dangerous Pie (yes, you'll have to read the book to find out what that is!).
Author | : Kate Darian-Smith |
Publisher | : Routledge |
Total Pages | : 280 |
Release | : 2005-08-04 |
Genre | : Literary Criticism |
ISBN | : 1134804547 |
Text, Theory, Space is a landmark in post-colonial criticism and theory. Focusing on two white settler societies, South Africa and Australia, the contributors investigate the meaning of 'the South' as an aesthetic, political, geographical and cultural space. Drawing upon a wide range of disciplines which include literature, history, urban and cultural geography, politics and anthropology, the contributors examine crucial issues including: * defining what 'the South' encompasses * investigating ideas of space, history, land and landscape * claiming, naming and possessing land * national and personal boundaries * questions of race, gender and nationalism
Author | : Mark Sanders |
Publisher | : Duke University Press |
Total Pages | : 289 |
Release | : 2002-12-25 |
Genre | : Literary Criticism |
ISBN | : 0822384221 |
Complicities explores the complicated—even contradictory—position of the intellectual who takes a stand against political policies and ideologies. Mark Sanders argues that intellectuals cannot avoid some degree of complicity in what they oppose and that responsibility can only be achieved with their acknowledgment of this complicity. He examines the role of South African intellectuals by looking at the work of a number of key figures—both supporters and opponents of apartheid. Sanders gives detailed analyses of widely divergent thinkers: Afrikaner nationalist poet N. P. van Wyk Louw, Drum writer Bloke Modisane, Xhosa novelist A. C. Jordan, Afrikaner dissident Breyten Breytenbach, and Black Consciousness leader Steve Biko. Drawing on theorists including Derrida, Sartre, and Fanon, and paying particular attention to the linguistic intricacy of the literary and political texts considered, Sanders shows how complicity emerges as a predicament for intellectuals across the ideological and social spectrum. Through discussions of the colonial intellectuals Olive Schreiner and Sol T. Plaatje and of post-apartheid feminist critiques of the Truth and Reconciliation Commission, Complicities reveals how sexual difference joins with race to further complicate issues of collusion. Complicities sheds new light on the history and literature of twentieth-century South Africa as it weighs into debates about the role of the intellectual in public life.
Author | : Vicki Briault Manus |
Publisher | : Lexington Books |
Total Pages | : 349 |
Release | : 2012-07-10 |
Genre | : Political Science |
ISBN | : 0739166956 |
The monograph explores the linguistic impact of the colonial and postcolonial situations in South Africa on language policy, on literary production and especially on the stylistics of fiction by indigenous South Africans writing in English. A secondary concern is to investigate the present place of English in the multilingual spectrum of South African languages and to see how this worldly English relates to Global English, in the South African context. The introduction presents a socio-linguistic overview of South Africa from pre-historic times until the present, including language planning policies during and after the colonial era and a cursory review of how the difficulties encountered in implementing the Language Plan, provided for by the new South African constitution, impinge on the development of black South African English. Six chapters track the course of English in South Africa since the arrival of the British in 1795, considered from the point of view of the indigenous African population. The study focuses on ways in which indigenous authors 'indigenize' their writing, innovating and subverting stylistic conventions, including those of African orature, in order to bend language and genre towards their own culture and objectives. Each chapter corresponds to a briefly outlined historical period that is largely reflected in linguistic and literary developments. A small number of significant works for each period are discussed, one of which is selected for a case-study at the end of each chapter, where it is subjected to detailed stylistic analysis and appraised for the degree of indigenization or other linguistic or socio-historic influences on style. The methodology adopted is a linguistic approach to stylistics, focusing on indigenization of English, inspired by the work of Chantal Zabus in her book, The African Palimpsest: Indigenization of Language in the West African Europhone Novel (2007, (1991)). The conclusion reappraises the original hypothesis - that the specific characteristics of South African literary production, including styles of writing, can be related to the political, social and economic context - in the light of many fresh insights; and discusses the place occupied by English in the cultural struggle of the formerly colonized peoples of South Africa.
Author | : Angela Smith |
Publisher | : Scarecrow Press |
Total Pages | : 317 |
Release | : 2014-04-10 |
Genre | : Music |
ISBN | : 0810888351 |
In 1942, drummer Viola Smith sent shock waves through the jazz world by claiming in Down Beat magazine that “hep girls” could sit in on any jam session and hold their own. In Women Drummers: A History from Rock and Jazz to Blues and Country, Angela Smith takes Viola at her word, offering a comprehensive look at the world of professional drumming and the women who had the courage and chops to break the barriers of this all-too-male field. Combining archival research with personal interviews of more than fifty female drummers representing more than eight decades in music history, Smith paints a vivid picture of their struggles to overcome discrimination—not only as professional musicians but in other parts of their lives. Women Drummers outlines the evolution of female drumming from pre-biblical times when women held important leadership roles to their silencing by the church during the Middle Ages to spearheading the fight for women’s rights in the modern era. The stories and personal accounts of female drummers who bucked tradition and societal norms are told against the backdrop of the times in which they performed and the genres they represented, from rock and jazz to blues and country. Although women have proven time and time again that they can more than hold their own against their male counterparts, female drummers not only remain a minority, but their contributions have been obscured by the traditional chauvinistic attitudes in the music business and gender stereotypes that surround the drum itself as a “male” instrument. Women Drummers takes a major step forward in undoing this misconception by acknowledging the talent, contribution, and growing power of women drummers in today’s music environment.
Author | : Geoff Nicholls |
Publisher | : Hal Leonard Corporation |
Total Pages | : 126 |
Release | : 1997 |
Genre | : Music |
ISBN | : 9780879304768 |
Reveals the history of the rock drum kit, its leading manufacturers, and the drummers who inspired innovation in its making