The Drive In
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| Author | : Kerry Segrave |
| Publisher | : McFarland |
| Total Pages | : 296 |
| Release | : 2006-04-21 |
| Genre | : Performing Arts |
| ISBN | : 0786426306 |
A primarily American institution (though it appeared in other countries such as Japan and Italy), the drive-in theater now sits on the verge of extinction. During its heyday, drive-ins could be found in communities both large and small. Some of the larger theaters held up to 3,000 cars and were often filled to capacity on weekends. The history of the drive-in from its beginnings in the 1930s through its heyday in the 1940s and 1950s to its gradual demise in modern-day America is thoroughly documented here: the patent battles, community concerns with morality (on-screen and off), technological advances (audio systems, screens, etc.), audiences, and the drive-in's place in the motion picture industry.
| Author | : Guy Barefoot |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 273 |
| Release | : 2023-11-16 |
| Genre | : Performing Arts |
| ISBN | : 1501365908 |
The Drive-In meaningfully contributes to the complex picture of outdoor cinema that has been central to American culture and to a history of US cinema based on diverse viewing experiences rather than a select number of films. Drive-in cinemas flourished in 1950s America, in some summer weeks to the extent that there were more cinemagoers outdoors than indoors. Often associated with teenagers interested in the drive-in as a 'passion pit' or a venue for exploitation films, accounts of the 1950s American drive-in tend to emphasise their popularity with families with young children, downplaying the importance of a film programme apparently limited to old, low-budget or independent films and characterising drive-in operators as industry outsiders. They retain a hold on the popular imagination. The Drive-In identifies the mix of generations in the drive-in audience as well as accounts that articulate individual experiences, from the drive-in as a dating venue to a segregated space. Through detailed analysis of the film industry trade press, local newspapers and a range of other primary sources including archival records on cinemas and cinema circuits in Arkansas, California, New York State and Texas, this book examines how drive-ins were integrated into local communities and the film industry and reveals the importance and range of drive-in programmes that were often close to that of their indoor neighbours.
| Author | : Gary D. Rhodes |
| Publisher | : McFarland |
| Total Pages | : 313 |
| Release | : 2015-09-03 |
| Genre | : Performing Arts |
| ISBN | : 1476610517 |
Drive-in movie theaters and the horror films shown at them during the 1950s, 60s, and early 70s may be somewhat outdated, but they continue to enthrall movie buffs today. More than just fodder for the satirical cannons of Joe Bob Briggs and Mystery Science Theatre 3000, they appeal to knowledgeable fans and film scholars who understand their influence on American popular culture. This book is a collection of eighteen essays by various scholars on the classic drive-in horror film experience. Those in Section One emphasize the roles of the drive-in theater in the United States--and its cultural cousin, Australia. Section Two examines how horror operated at the drive-in, the rhetoric used in coming attraction trailers, horror film premieres at drive-ins, double features, and the preproduction, production, and marketing of Last House on the Left. Section Three addresses the effects of the Vietnam War and counter-culture on The Texas Chainsaw Massacre, and the Cold War on Cat Women of the Moon. Section Four explores gender issues and sexuality, two of the most common and most important subjects of horror film analysis. Section Five covers drive-in culture via Hush...Hush, Sweet Charlotte, 2000 Maniacs, and the films of Mario Bava. Section Six investigates a variety of issues, such as the drive-in horror film's embrace of DNA, the use of cinematic form to create a non-Hollywood look in Wizard of Gore, and the many different prints and running times of I Drink Your Blood.
| Author | : Douglas Gardham |
| Publisher | : iUniverse |
| Total Pages | : 138 |
| Release | : 2014-12-09 |
| Genre | : Fiction |
| ISBN | : 149174815X |
Have you ever been intrigued by what mysteries lie behind the doors and windows of the places you pass by on your drive into work everyday? The Drive In takes you on Tom Johnsons commute. Unlike Tom, youll get to peek behind some of those closed doors. Remember going to the Drive-In theatre? Each story reveals what goes on like watching the dusk til dawn features through your cars windshield. Meet the people at the places Tom only passes by each day. Then discover how his drive in ends like no other.
| Author | : Wayne Kyle Spitzer |
| Publisher | : Hobb's End Books |
| Total Pages | : 16 |
| Release | : |
| Genre | : |
| ISBN | : |
| Author | : Manja Kisner |
| Publisher | : Springer Nature |
| Total Pages | : 337 |
| Release | : 2021-11-24 |
| Genre | : Philosophy |
| ISBN | : 303084160X |
This volume gathers a collection of fourteen original articles discussing the concept of drive in classical German philosophy. Its aim is to offer a comprehensive historical overview of the concept of drive at the turn of the 19th century and to discuss it both historically and systematically. From the 18th century onward, the concept of drive started to play an important role in emerging disciplines such as biology, anthropology, and psychology. In these fields, the concept of drive was used to describe the inner forces of organic nature, or, more particularly, human urges and desires. But it was in the period of classical German philosophy that this concept developed into an important philosophical concept crucial to Kant’s and post-Kantian idealistic systems. Reflecting the complexity of this concept, the volume first discusses historical sources of drive theories in Leibniz, Reimarus, and Blumenbach. Afterwards, the volume presents the philosophical accounts of drives in Kant, Fichte, Schelling, and Hegel, and also gives a systematic overview of other important drive theories that were formed around 1800 by Herder, Goethe, Jacobi, Novalis, Reinhold, Schiller, and Schopenhauer.
| Author | : Melvin Brown II |
| Publisher | : Lulu.com |
| Total Pages | : 101 |
| Release | : 2011-07-01 |
| Genre | : Self-Help |
| ISBN | : 1257758861 |
The Drive of Your Life by Melvin Brown II
| Author | : Jeff Hockenheimer |
| Publisher | : Xlibris Corporation |
| Total Pages | : 148 |
| Release | : 2015-06-26 |
| Genre | : Fiction |
| ISBN | : 1503579956 |
Remember the drive-ins? The outdoor movie theatres where you could stay in your car and sit spell-bound in darkness? Come along with a group of fun-loving teenagers and their strange adventures and see what influence their local drive-in had on their lives and loves. Enjoy the show! If you liked American Graffiti, youll love Drive-In Matinee!
| Author | : Douglas Gardham |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2014-12-09 |
| Genre | : Interpersonal relations |
| ISBN | : 9781491748145 |
Have you ever been intrigued by what mysteries lie behind the doors and windows of the places you pass by on your drive into work everyday? The Drive In takes you on Tom Johnson's commute. Unlike Tom, you'll get to peek behind some of those closed doors. Remember going to the "Drive-In" theatre? Each story reveals what goes on like watching the "dusk 'til dawn" features through your car's windshield. Meet the people at the places Tom only passes by each day. Then discover how his drive in ends like no other.
| Author | : |
| Publisher | : |
| Total Pages | : 1048 |
| Release | : 1922 |
| Genre | : Mechanical engineering |
| ISBN | : |
