The Dramatic Craftsmanship of Calderón
Author | : Albert E. Sloman |
Publisher | : |
Total Pages | : 336 |
Release | : 1958 |
Genre | : Calderon de la Barca, Pedro |
ISBN | : |
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Author | : Albert E. Sloman |
Publisher | : |
Total Pages | : 336 |
Release | : 1958 |
Genre | : Calderon de la Barca, Pedro |
ISBN | : |
Author | : Albert E Sloman |
Publisher | : Hassell Street Press |
Total Pages | : 336 |
Release | : 2021-09-09 |
Genre | : |
ISBN | : 9781013746468 |
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author | : Albert E Sloman |
Publisher | : Hassell Street Press |
Total Pages | : 336 |
Release | : 2021-09-09 |
Genre | : |
ISBN | : 9781014356086 |
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author | : David Jonathan Hildner |
Publisher | : John Benjamins Publishing |
Total Pages | : 132 |
Release | : 1982 |
Genre | : Drama |
ISBN | : 9027217211 |
Both reason and exalted passions become the preserve of noble blood in Calderón's plays. The concern of his characters that they not commit a "low" action, is not simply a Christian concern with avoiding sin. The characters are much more concerned with practicing a virtue which will distinguish them from the vulgar.
Author | : Alexander Augustine Parker |
Publisher | : Cambridge University Press |
Total Pages | : 434 |
Release | : 1988 |
Genre | : Literary Criticism |
ISBN | : 0521323347 |
Professor Parker's essays provide a wide-ranging survey of the work of Calderón, the greatest exponent of Spanish Golden Age drama.
Author | : Gwynne Edwards |
Publisher | : Elsevier |
Total Pages | : 169 |
Release | : 2014-05-17 |
Genre | : Drama |
ISBN | : 1483138194 |
Calderon de la Barca: Los Cabellos de Absalon is a part of a small yet important body of genuinely tragic plays written by Pedro Calderon de la Barca, one of the greatest tragic dramatis of the Golden Age. The book begins with a short biography of the life of Pedro Calderon de la Barca and how it influenced his works. It also discusses his greatest works: Los Cabellos de Absalon – its comparison with La Venganza de Tamar; its interpretation; the text; summary of verse forms used; and select bibliography for further reading. The book also includes an untranslated Spanish version of the play itself. The text will appeal to literary experts and historians who want to learn more about the life of Pedro Calderon de la Barca, his work Los Cabellos de Absalon, its comparison to Tirso's La Venganza de Tamar, and the interpretation of his play.
Author | : Henry K. Ziomek |
Publisher | : University Press of Kentucky |
Total Pages | : 323 |
Release | : 2021-05-11 |
Genre | : Literary Criticism |
ISBN | : 0813183561 |
Spain's Golden Age, the seventeenth century, left the world one great legacy, the flower of its dramatic genius—the comedia. The work of the Golden Age playwrights represents the largest combined body of dramatic literature from a single historical period, comparable in magnitude to classical tragedy and comedy, to Elizabethan drama, and to French neoclassical theater. A History of Spanish Golden Age Drama is the first up-to-date survey of the history of the comedia, with special emphasis on critical approaches developed during the past ten years. A history of the comedia necessarily focuses on the work of Lope de Vega and Calderon de la Barca, but Ziomek also gives full credit to the host of lesser dramatists who followed in the paths blazed by Lope and Calderon, and whose individual contributions to particular genres added to the richness of Spanish theater. He also examines the profound influence of the comedia on the literature of other cultures.
Author | : J. E. Varey |
Publisher | : Boydell & Brewer |
Total Pages | : 254 |
Release | : 1973 |
Genre | : Spanish drama (Comedy) |
ISBN | : 9780576141192 |
Author | : Anthony J. Cascardi |
Publisher | : Cambridge University Press |
Total Pages | : 201 |
Release | : 1984-09-13 |
Genre | : Drama |
ISBN | : 052126281X |
This is the first thorough study of Calderón in comparison with other important dramatists of the period: Lope de Vega and Tirso de Molina in Spain, Racine and Corneille in France, and Shakespeare and Marlowe in England. Cascardi studies Calderón's paradoxical engagement with illusion in its philosophical guise as scepticism. He shows on the one hand Calderón's moral will to reject illusion and on the other his theatrical need to embrace it. Cascardi discusses plays from every period to show how in Calderón's best work illusion is not rejected; instead, scepticism is absorbed. Calderón is placed in and defined against the philosophical line of Vives, Descartes, and Spinoza. Of central importance to this argument is Calderón's idea of theatre and the various transformations of that idea. This emphasis will give the book an additional interest to students, readers in philosophy and comparative literature.