The Drama Of History
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| Author | : Kristin Gjesdal |
| Publisher | : Oxford University Press |
| Total Pages | : 241 |
| Release | : 2020-10-20 |
| Genre | : Philosophy |
| ISBN | : 0190070781 |
Henrik Ibsen's plays have long beguiled philosophically-oriented readers. From Nietzsche to Adorno to Cavell, philosophers have drawn inspiration from Ibsen. But what of Ibsen's own philosophical orientation? As part of larger European movements to reinvent drama, Ibsen and fellow playwrights grappled with contemporary philosophy. Philosophy of drama found a central place with figures such as Gotthold Ephraim Lessing and Johann Gottfried Herder, but reached its mature form, in Ibsen's time, in the works of G.W.F. Hegel and Friedrich Nietzsche. Kristin Gjesdal reveals the centrality of philosophy of theater in nineteenth-century philosophy and shows how drama, as an art form, offers insight into human historicity and the conditions of modern life. The Drama of History deepens and actualizes the relationship between philosophy and drama--not by suggesting that either philosophy or drama should have the upper hand, but rather by indicating how a sustained dialogue between them brings out the meaning and intellectual power of each. Her study reveals underappreciated aspects of Hegel's and Nietzsche's works through their reception in European art and investigates the philosophical dimensions of Ibsen's drama. At the heart of this interrelation between philosophy and drama is a shared interest in exploring the existential condition of human life as lived and experienced in history.
| Author | : John D. Cox |
| Publisher | : Columbia University Press |
| Total Pages | : 590 |
| Release | : 1997 |
| Genre | : Drama |
| ISBN | : 9780231102438 |
Twenty-six original essays by leading theorists and historians of the pre-seventeenth-century English stage chart a paradigmatic shift within the field. In contrast to the traditional emphasis on individual authors, the contributors to this storehouse of new historical information and critical insight explore the place of the stage within the larger society, as well as issues of performance and physical space, providing an innovative approach to both literary studies and cultural history.
| Author | : Ben Quash |
| Publisher | : Cambridge University Press |
| Total Pages | : 251 |
| Release | : 2005-08-11 |
| Genre | : Religion |
| ISBN | : 1139446096 |
How can theology think and talk about history? Building on the work of the major twentieth-century theologian Hans Urs von Balthasar as well as entering into sharp critical debate with him, this book sets out to examine the value and the potential of a 'theodramatic' conception of history. By engaging in dialogue not only with theologians and philosophers like von Balthasar, Hegel and Barth, but with poets and dramatists such as the Greek tragedians, Shakespeare and Gerard Manley Hopkins, the book makes its theological principles open and indebted to literary forms, and seeks to show how such a theology might be applied to a world intrinsically and thoroughly historical. By contrast with theologies that stand back from the contingencies of history and so fight shy of the uncertainties and openness of Christian existence, this book's theology is committed to taking seriously the God who works in time.
| Author | : Erika Fischer-Lichte |
| Publisher | : Psychology Press |
| Total Pages | : 412 |
| Release | : 2002 |
| Genre | : History |
| ISBN | : 9780415180603 |
This major study reconstructs the vast history of European drama from Greek tragedy through to twentieth-century theatre, focusing on the subject of identity. Throughout history, drama has performed and represented political, religious, national, ethnic, class-related, gendered, and individual concepts of identity. Erika Fischer-Lichte's topics include: * ancient Greek theatre * Shakespeare and Elizabethan theatre by Corneilli, Racine, Molière * the Italian commedia dell'arte and its transformations into eighteenth-century drama * the German Enlightenment - Lessing, Schiller, Goethe, and Lenz * romanticism by Kleist, Byron, Shelley, Hugo, de Vigny, Musset, Büchner, and Nestroy * the turn of the century - Ibsen, Strindberg, Chekhov, Stanislavski * the twentieth century - Craig, Meyerhold, Artaud, O'Neill, Pirandello, Brecht, Beckett, Müller. Anyone interested in theatre throughout history and today will find this an invaluable source of information.
| Author | : David Krasner |
| Publisher | : John Wiley & Sons |
| Total Pages | : 420 |
| Release | : 2011-08-31 |
| Genre | : Literary Criticism |
| ISBN | : 1444343742 |
Covering the period 1879 to 1959, and taking in everything from Ibsen to Beckett, this book is volume one of a two-part comprehensive examination of the plays, dramatists, and movements that comprise modern world drama. Contains detailed analysis of plays and playwrights, connecting themes and offering original interpretations Includes coverage of non-English works and traditions to create a global view of modern drama Considers the influence of modernism in art, music, literature, architecture, society, and politics on the formation of modern dramatic literature Takes an interpretative and analytical approach to modern dramatic texts rather than focusing on production history Includes coverage of the ways in which staging practices, design concepts, and acting styles informed the construction of the dramas
| Author | : Joachim Küpper |
| Publisher | : Walter de Gruyter GmbH & Co KG |
| Total Pages | : 210 |
| Release | : 2018-12-03 |
| Genre | : Literary Criticism |
| ISBN | : 3110604272 |
Aristotle’s neat compartmentalization notwithstanding (Poetics, ch. 9), historians and playwrights have both been laying claim to representations of the past – arguably since Antiquity, but certainly since the Renaissance. At a time when narratology challenges historiographers to differentiate their “emplotments” (White) from literary inventions, this thirteen-essay collection takes a fresh look at the production of historico-political knowledge in literature and the intricacies of reality and fiction. Written by experts who teach in Germany, Austria, Russia, and the United States, the articles provide a thorough interpretation of early modern drama (with a view to classical times and the 19th century) as an ideological platform that is as open to royal self-fashioning and soteriology as it is to travestying and subverting the means and ends of historical interpretation. The comparative analysis of metapoetic and historiosophic aspects also sheds light on drama as a transnational phenomenon, demonstrating the importance of the cultural net that links the multifaceted textual examples from France, Russia, England, Italy, and the Netherlands.
| Author | : James Lincoln Collier |
| Publisher | : Blackstone Publishing |
| Total Pages | : 1782 |
| Release | : 2017-02-07 |
| Genre | : Juvenile Nonfiction |
| ISBN | : 1538426749 |
History is dramatic—and the renowned, award-winning authors Christopher Collier and James Lincoln Collier demonstrate this in a compelling series aimed at young readers. The volumes in this collection explore far beyond the dates and events of a historical chronicle to present a moving illumination of the ideas, attitudes, and tribulations that led to the birth of this great nation. This collection features six books in the Drama of American History series, covering American history from prehistoric Native American life and culture through the Federalist era of the late eighteenth century: Pilgrims and Puritans: 1620–1676 The French and Indian War: 1660–1763 The Paradox of Jamestown: 1585–1700 Clash of Cultures: Prehistory–1638 The American Revolution: 1763–1783 Building a New Nation: The Federalist Era, 1789–1801
| Author | : Charles S. Watson |
| Publisher | : University Press of Kentucky |
| Total Pages | : 393 |
| Release | : 2021-12-14 |
| Genre | : Drama |
| ISBN | : 081318889X |
Mention southern drama at a cocktail party or in an American literature survey, and you may hear cries for "Stella!" or laments for "gentleman callers." Yet southern drama depends on much more than a menagerie of highly strung spinsters and steel magnolias. Charles Watson explores this field from its eighteenth- and nineteenth-century roots through the southern Literary Renaissance and Tennessee Williams's triumphs to the plays of Horton Foote, winner of the 1994 Pulitzer Prize. Such well known modern figures as Lillian Hellman and DuBose Heyward earn fresh looks, as does Tennessee Williams's changing depiction of the South—from sensitive analysis to outraged indictment—in response to the Civil Rights Movement. Watson links the work of the early Charleston dramatists and of Espy Williams, first modern dramatist of the South, to later twentieth-century drama. Strong heroines in plays of the Confederacy foreshadow the spunk of Tennessee Williams's Amanda Wingfield. Claiming that Beth Henley matches the satirical brilliance of Eudora Welty and Flannery O'Connor, Watson connects her zany humor to 1840s New Orleans farces. With this work, Watson has at last answered the call for a single-volume, comprehensive history of the South's dramatic literature. With fascinating detail and seasoned perception, he reveals the rich heritage of southern drama.
| Author | : Richard W. Bevis |
| Publisher | : Routledge |
| Total Pages | : 374 |
| Release | : 2014-06-06 |
| Genre | : Literary Criticism |
| ISBN | : 1317870913 |
What were the causes of Restoration drama's licentiousness? How did the elegantly-turned comedy of Congreve become the pointed satire of Fielding? And how did Sheridan and Goldsmith reshape the materials they inherited? In the first account of the entire period for more than a decade, Richard Bevis argues that none of these questions can be answered without an understanding of Augustan and Georgian history. The years between 1660 and 1789 saw considerable political and social upheaval, which is reflected in the eclectic array of dramatic forms that is Georgian theatre's essential characteristic.
| Author | : Fritz Richard Stern |
| Publisher | : Yale University Press |
| Total Pages | : 366 |
| Release | : 1999-01-01 |
| Genre | : History |
| ISBN | : 9780300076226 |
This collection of essays by historian Fritz Stern ponders the promise and catastrophe of twentieth-century German history. It is now reissued with a new introduction by the author.
