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| Author | : Ilana Shiloh |
| Publisher | : Peter Lang |
| Total Pages | : 200 |
| Release | : 2011 |
| Genre | : Literary Criticism |
| ISBN | : 9780820468433 |
The present book explores detective and crime-mystery fiction and film from the perspective of their entrenched metaphors of paradox. --Book Jacket.
| Author | : Ian Dixon |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 335 |
| Release | : 2022-07-14 |
| Genre | : Performing Arts |
| ISBN | : 1501368664 |
The first collection dedicated to David Bowie's acting career shows that his film characterisations and performance styles shift and reform as decoratively as his musical personas. Though he was described as the most influential pop artis of the 20th century, whose work became synonymous with mask, mystery, sexual excess and ch-ch-ch-changing genres, Bowie also applied his genius to the craft of acting. Bowie's considerable filmography is systematically examined in 12 scholarly essays that include tributes to Bowie's performance craft in other media forms. Classic films such as The Prestige and Merry Christmas, Mr. Lawrence, cult hits Labyrinth and The Man Who Fell To Earth, as well as lesser-known roles in The Image, Christiane F. and Broadway hit The Elephant Man are viewed, not simply through the lens of Bowie's mega-stardom, but as the work of a serious actor with inimitable talent. This compelling analysis celebrates the risk-taking intelligence and bravura of David Bowie: actor, mime, mimic and icon.
| Author | : Sascha Pöhlmann |
| Publisher | : Cambridge Scholars Publishing |
| Total Pages | : 235 |
| Release | : 2013-01-16 |
| Genre | : Literary Criticism |
| ISBN | : 1443845809 |
Mark Z. Danielewski is routinely hailed as the most exciting author in contemporary American literature, and he is celebrated by critics and fans alike. Revolutionary Leaves collects essays that have come out of the first academic conference on Danielewski’s fiction that took place in Munich in 2011, which brought together younger and established scholars to discuss his works from a variety of perspectives. Addressing his major works House of Leaves (2000) and Only Revolutions (2006), the texts are as multifaceted as the novels they analyze, and they incorporate ideas of (post)structuralism, modernism, post- and post-postmodernism, philosophy, Marxism, reader-response criticism, mathematics and physics, politics, media studies, science fiction, gothic horror, poetic theory, history, architecture, mythology, and more. Contributors: Nathalie Aghoro, Ridvan Askin, Hanjo Berressem, Aleksandra Bida, Brianne Bilsky, Joe Bray, Alison Gibbons, Julius Greve, Sebastian Huber, Sascha Pöhlmann, and Hans-Peter Söder.
| Author | : Katharina Christ-Pielensticker |
| Publisher | : Springer Nature |
| Total Pages | : 313 |
| Release | : 2021-03-26 |
| Genre | : Literary Criticism |
| ISBN | : 3662630893 |
The four prose texts discussed in Literary Rooms position themselves in a literary tradition which highlights the manifold purposes the private room may serve: it is a mirror of the inhabitant, a context in which to position the self, a place of and motor for identity quests, a rich metaphor, and a second skin around the inhabitant’s physical body. Even in times of increasing globalization and urbanization, the room continues to root the inhabitant; it serves as a retreat from the world and as a place in which to (re)negotiate questions of belonging, gender, class, and ethnicity. At the same time, the room is inevitably porous and constantly oscillates between inclusion and exclusion. The literary texts examined in this book are each highly fragmented and gesture towards a fragmentation of the contemporary world out of which they have grown as well as towards an abundance of fragmented self-images. Linking the approaches of narratology, globalization, and spatial criticism, Literary Rooms argues that in order to account for the spatial properties of the room, discourses developed during the spatial turn need to be extended and reevaluated.
| Author | : Antoine Dechêne |
| Publisher | : Springer |
| Total Pages | : 348 |
| Release | : 2018-08-16 |
| Genre | : Literary Criticism |
| ISBN | : 331994469X |
This book establishes the genealogy of a subgenre of crime fiction that Antoine Dechêne calls the metacognitive mystery tale. It delineates a corpus of texts presenting 'unreadable' mysteries which, under the deceptively monolithic appearance of subverting traditional detective story conventions, offer a multiplicity of motifs – the overwhelming presence of chance, the unfulfilled quest for knowledge, the urban stroller lost in a labyrinthine text – that generate a vast array of epistemological and ontological uncertainties. Analysing the works of a wide variety of authors, including Edgar Allan Poe, Jorge Luis Borges, and Henry James, this book is vital reading for scholars of detective fiction.
| Author | : Joyce Ann Mercer |
| Publisher | : BRILL |
| Total Pages | : 330 |
| Release | : 2016-09-19 |
| Genre | : Religion |
| ISBN | : 9004324240 |
In this landmark volume, internationally recognized scholars address key intellectual and practical conundrums that not only trouble practical theology but also reflect biases and breakdowns in the construction of theological knowledge in academy and religious communities at large. With critical facility and unheralded honesty that includes reflexivity about their own lives in the academy, the authors tackle complex issues that refuse easy solutions— racism, hierarchy of theory over practice, devaluation of small case studies, risks of interdisciplinarity to scholarly identity, inequities between Christian traditions, unreflective Christian-centrism, and tensions between the production of scholarship and public service. Outcomes of these issues will have serious implications for the discipline and the study of theology for years to come. Contributors include Tom Beaudoin, Eileen R. Campbell-Reed, Faustino M. Cruz, Jaco Dreyer, Courtney T. Goto, Tone Stangeland Kaufman, Joyce Ann Mercer, Bonnie J. Miller-McLemore, Phillis Isabella Sheppard, Katherine Turpin, Claire E. Wolfteich.
| Author | : Lisann Anders |
| Publisher | : Cambridge Scholars Publishing |
| Total Pages | : 181 |
| Release | : 2020-05-20 |
| Genre | : Fiction |
| ISBN | : 1527552160 |
We cannot imagine our world without its digital mirror anymore. We communicate to others in mediated ways and even create ourselves through our technological devices, presenting an imagined version of us to the outside world. This book is concerned with precisely this imagination of the self in an increasing digitalized society, going back to the beginning of our digital age, to the peak of postmodernism at the end of the 20th century. Looking at urban fiction from the 1980s to the early 2000s, the journey of fictional protagonists through the streets of (mostly) New York City reveals an anxiety about the loss of self in the virtual, culminating in violence and destruction. From Auster and Ellis to Palahniuk and DeLillo, this book highlights how an increasingly distanced communication triggers the imagination of violence, making it an insightful read for scholars and aficionados of city literature, postmodernism, and communication alike.
| Author | : György Kalmár |
| Publisher | : Springer |
| Total Pages | : 183 |
| Release | : 2017-09-18 |
| Genre | : Performing Arts |
| ISBN | : 3319636642 |
This book investigates the formations of masculinity in Hungarian cinema after the fall of communism and explores some of the cultural phenomena of the years following the 1989 regime change. The films explored offer a unique perspective encompassing two entirely different worlds: state socialism and neoliberal capitalism. The films suggest that Eastern Europe is somehow different than its western counterpart and that its subjects are marked by what they went through before and after 1989. These films are all remembering, interpreting, picturing, marketing and trying to come to terms with this difference—with the memory and effects of state-socialism. In looking closely at the films’ male figures, one may not only get a glimpse of the dramatic changes Eastern European societies went through after the fall of communism but also see the brave new world of global neoliberal capitalism through the eyes of the Eastern European newcomers.
| Author | : Masaomi Kobayashi |
| Publisher | : Springer Nature |
| Total Pages | : 234 |
| Release | : 2022-11-15 |
| Genre | : Literary Criticism |
| ISBN | : 3031126882 |
The Multiverse of Office Fiction liberates Herman Melville’s 1853 classic, “Bartleby, the Scrivener,” from a microcosm of Melville studies, namely the so-called Bartleby Industry. This book aims to illuminate office fiction—fiction featuring office workers such as clerks, civil servants, and company employees—as an underexplored genre of fiction, by addressing relevant issues such as evolution of office work, integration of work and life, exploitation of women office workers, and representation of the Post Office. In achieving this goal, Bartleby plays an essential role not as one of the most eccentric characters in literary fiction, but rather as one of the most generic characters in office fiction. Overall, this book demonstrates that Bartleby is a generative figure, by incorporating a wide diversity of his cousins as Bartlebys. It offers fresh contexts in which to place these characters so that it can ultimately contribute to an ever-evolving poetics of the office.
| Author | : Phillip Novak |
| Publisher | : Springer Nature |
| Total Pages | : 256 |
| Release | : 2020-07-31 |
| Genre | : Performing Arts |
| ISBN | : 3030447391 |
This book argues that the sustained interpretation of individual movies has, contrary to conventional wisdom, never been a major preoccupation of film studies—that, indeed, the field is marked by a dearth of effective, engaging, and enlightening critical analyses of single films. The book makes this case by surveying what has been written about four historically important and well-known movies (D. W. Griffith’s Way Down East, Marcel Carné’s Port of Shadows, Mike Nichols’s The Graduate, and Michelangelo Antonioni’s Red Desert), none of which has been the focus of sustained critical attention, and by exhaustively examining the kinds of work published in four influential film journals (Cinema Journal, Screen, Wide Angle, and Movie). The book goes on to argue for the value of the work of interpretation, illustrating this value through extended analyses of Roman Polanski’s Chinatown and Christopher Nolan’s Memento, both of which thematize interpretation. Novak demonstrates the causes and consequences of reading poorly and the importance of reading well.
