The Dore Britton Gallery
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The Doré-Britton Gallery
Author | : William Britton |
Publisher | : |
Total Pages | : 226 |
Release | : 2016-09-28 |
Genre | : Art |
ISBN | : 9781945413926 |
This is the Story of the Bible, in pictures both new and old. These images started out as sketches by Gustave DorE, who died in 1883. During his short life, he produced striking paintings, from small projects to the enormous Le Christ quittant le prEtoire (nearly 30 feet long and just over 19 feet high). Painting didn't pay well, so he also produced woodcuts by the hundreds, illustrations for picture books, newspapers, and classics -- literally everything from caricatures and street scenes to Little Red Riding Hood and the crucifixion. Among his voluminous work, we find a set of biblical illustrations unmatched in beauty and scope. DorE's engravers cut his sketches into end-grain wood (boxwood was a popular choice). Those wooden blocks were inked, pressed into paper, and DorE's breathtaking black and white images were published in Bibles around the world. Fast-forward almost 150 years and a few technological revolutions. We made high resolution scans of DorE's woodcuts. Our artist, Will Britton, digitally painted them, bringing DorE's stunning black and white images into vibrant color. We have organized these pictures in (mostly) chronological order. You can hop from one to the next like rocks in a riverbed, from the headwaters of the Story all the way down the river to its end -- which is a new beginning. You'll see the biblical Story as you've never seen it before, in all its beauty, brutality, and finally, grace. Every once in a while, let your foot slip off the rocks. Pick up a Bible, look up that half-remembered episode, and immerse yourself in the water of life.
Introduction to Controlled Vocabularies
Author | : Patricia Harpring |
Publisher | : Getty Publications |
Total Pages | : 259 |
Release | : 2010-04-13 |
Genre | : Art |
ISBN | : 160606018X |
This detailed book is a “how-to” guide to building controlled vocabulary tools, cataloging and indexing cultural materials with terms and names from controlled vocabularies, and using vocabularies in search engines and databases to enhance discovery and retrieval online. Also covered are the following: What are controlled vocabularies and why are they useful? Which vocabularies exist for cataloging art and cultural objects? How should they be integrated in a cataloging system? How should they be used for indexing and for retrieval? How should an institution construct a local authority file? The links in a controlled vocabulary ensure that relationships are defined and maintained for both cataloging and retrieval, clarifying whether a rose window and a Catherine wheel are the same thing, or how pot-metal glass is related to the more general term stained glass. The book provides organizations and individuals with a practical tool for creating and implementing vocabularies as reference tools, sources of documentation, and powerful enhancements for online searching.
The Hebrew Monarchy
Author | : Benajah Harvey Carroll |
Publisher | : |
Total Pages | : 334 |
Release | : 1916 |
Genre | : Bible |
ISBN | : |
The Divo and the Duce
Author | : Giorgio Bertellini |
Publisher | : University of California Press |
Total Pages | : 328 |
Release | : 2019-01-15 |
Genre | : Performing Arts |
ISBN | : 0520301366 |
At publication date, a free ebook version of this title will be available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more. In the post–World War I American climate of isolationism, nativism, democratic expansion of civic rights, and consumerism, Italian-born star Rodolfo Valentino and Italy’s dictator Benito Mussolini became surprising paragons of authoritarian male power and mass appeal. Drawing on extensive archival research in the United States and Italy, Giorgio Bertellini’s work shows how their popularity, both political and erotic, largely depended on the efforts of public opinion managers, including publicists, journalists, and even ambassadors. Beyond the democratic celebrations of the Jazz Age, the promotion of their charismatic masculinity through spectacle and press coverage inaugurated the now-familiar convergence of popular celebrity and political authority. This is the first volume in the new Cinema Cultures in Contact series, coedited by Giorgio Bertellini, Richard Abel, and Matthew Solomon.